Editor
The stories of Nasreddin carry out a reversal of 'point of view' which shatter our established way of seeing things, people, the world and their relationships.
Writer
The stories of Nasreddin carry out a reversal of 'point of view' which shatter our established way of seeing things, people, the world and their relationships.
Director
The stories of Nasreddin carry out a reversal of 'point of view' which shatter our established way of seeing things, people, the world and their relationships.
Editor
The film intends to substantiate into images and sounds the feeling of an underground analogy, no doubt partly subjective, based on Portuguese and Turkish topography and culture, while also calling upon the silent continuity of Muslim culture within Portuguese culture. By triggering encounters between members of the two cultures, one reveals what weaves the bonds between two universes so seemingly distant from one another, aside from historical facts.
Director
The film intends to substantiate into images and sounds the feeling of an underground analogy, no doubt partly subjective, based on Portuguese and Turkish topography and culture, while also calling upon the silent continuity of Muslim culture within Portuguese culture. By triggering encounters between members of the two cultures, one reveals what weaves the bonds between two universes so seemingly distant from one another, aside from historical facts.
Editor
Writer
Mesmerized by the songs of Peroguarda villagers in southern Portugal’s Alentejo region, young Portuguese modern poet Antonio Reis, Corsican researcher of Portuguese folk music Michel Giacometti, and film director Paulo Rocha visited the village one after another in the late 1950s. This work refreshes the soul and flows with songs and poetry seeped in sadness, as well as the atmosphere of the quiet sea and village, fields adorned with vibrant red flowers, and roads traveled by Reis and the others, while interspersing images from Paulo Rocha’s films.
Director
Mesmerized by the songs of Peroguarda villagers in southern Portugal’s Alentejo region, young Portuguese modern poet Antonio Reis, Corsican researcher of Portuguese folk music Michel Giacometti, and film director Paulo Rocha visited the village one after another in the late 1950s. This work refreshes the soul and flows with songs and poetry seeped in sadness, as well as the atmosphere of the quiet sea and village, fields adorned with vibrant red flowers, and roads traveled by Reis and the others, while interspersing images from Paulo Rocha’s films.
Editor
Ivo and Tomás, two volunteered vagabonds who feed their souls of ways and great winds. From time to time they make a stop, renting their arms, the necessary time to be able to, provisions made, get on the road again. Once, with the sun at its peak and a burning heat, the desert that they are crossing seems to be endless. They run out of water… in the end of the day, without any strength left, they let themselves fall near to a dried bush. Ivo stares at the moon rising, as is saying farewell and whispering verses of a poem of a lawyer they’ve met before. It is then that he sees a far light. They set their way to that house…
Writer
앙골라 독립 후, 경쟁관계인 MPLA와 우니타 당의 대립은 결국 내전으로 이어졌다. 다큐멘터리 작가 제제 감보아는 "영웅"을 통해 30년에 걸친 내전이 낳은 상처와 화합의 가능성을 보여준다. 내전 중에 다리를 잃은 참전용사 비토리오는 거리의 아이들이 자신의 의족을 훔쳐가자 의족을 찾아 헤매던 중 고아인 마누와 술집에서 일하는 마리아 바바라의 도움을 받게 된다. 그들은 차차 일종의 대체 가족의 형태를 이루며 서로의 결핍을 메워간다.
Director
Traveling by the experience and by the roots of one of the strongest manifestations of Portuguese popular culture – singing polyphonic Alentejo. Evoking Michel Giacometti, the film questions the origins of the “sing” in the context of Mediterranean culture.
Director
Père Lachaise cemetery reflects the socio-economic hierarchy of French society during the second half of the 19th century. The film pays homage to the Communards who were shot and whose simple commemorative gravestone contrasts with the insolence of the monuments of the great bourgeois families.
