Emiliano Rocha Minter

버려진 건물에 숨어든 남매가 정체불명의 한 남자에게 서서히 압도되어 가는데... 차마 보고 싶지 않은, 하지만 결국 볼 수 밖에 없는, 강력한 비주얼과 충격적 퍼포먼스의 향연. 잔혹함과 욕망으로 물든 멕시코의 현실을 비유적으로 담아낸, 논란의 멕시칸 아포칼립스.

버려진 건물에 숨어든 남매가 정체불명의 한 남자에게 서서히 압도되어 가는데... 차마 보고 싶지 않은, 하지만 결국 볼 수 밖에 없는, 강력한 비주얼과 충격적 퍼포먼스의 향연. 잔혹함과 욕망으로 물든 멕시코의 현실을 비유적으로 담아낸, 논란의 멕시칸 아포칼립스.

버려진 건물에 숨어든 남매가 정체불명의 한 남자에게 서서히 압도되어 가는데... 차마 보고 싶지 않은, 하지만 결국 볼 수 밖에 없는, 강력한 비주얼과 충격적 퍼포먼스의 향연. 잔혹함과 욕망으로 물든 멕시코의 현실을 비유적으로 담아낸, 논란의 멕시칸 아포칼립스.

버려진 건물에 숨어든 남매가 정체불명의 한 남자에게 서서히 압도되어 가는데... 차마 보고 싶지 않은, 하지만 결국 볼 수 밖에 없는, 강력한 비주얼과 충격적 퍼포먼스의 향연. 잔혹함과 욕망으로 물든 멕시코의 현실을 비유적으로 담아낸, 논란의 멕시칸 아포칼립스.

My grandfather fought alongside Pancho Villa, became Master Mason, was an elected official who represented Oaxaca three times, and president of the national Association of Cattle Hands. In 1942, he formed the Legion of Mexican Fighters, a group of 100,000 cattle hands training to repel a possible Nazi invasion in Mexico. His story of success, however, held a secret that affected my family, and that I discovered while making this documentary.

In the midst of a strike, people find their liberty limited by the walls of their homes. In these micro-worlds there are no rules nor conventions and home becomes a white canvas where anyone can rethink life and its nonsense.

In the midst of a strike, people find their liberty limited by the walls of their homes. In these micro-worlds there are no rules nor conventions and home becomes a white canvas where anyone can rethink life and its nonsense.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

In 1987, the film director and video artist Sarah Minter, made the documentary exercise Nobody is Innocent, a film that portrayed the daily life of the youth gang Los Mierdas Punk, from and residents of Ciudad Neza, State of Mexico. More than 20 years later, Minter returns to the streets where the tape was recorded to reconnect with the original members of the band, who today are around forty years old and still live in the same places.