Shambhavi Kaul

Shambhavi Kaul

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Shambhavi Kaul

참여 작품

Slow Shift
Director
A rich reflection on the intersections between myth and reality, as the filmmaker trains her camera on a World Heritage Site overrun by langurs in Hampi, India, revealing an uncanny co-existence between past and present.
Hijacked
Director
Airplane space is inhabited by characters for whom ‘escape’, one of the promises of airplane technology, proves elusive.
025 Sunset Red
Laida Lertxundi continues her exploration of the American West with the intimately scaled 025 Sunset Red, which folds in autobiography as she looks back to her parents' radical activism in Spain.
Night Noon
Director
Shambhavi Kaul sets up dialectical dread in Death Valley in a series of uncanny shots of geological formations, eroded mountains, dunes and dried lava contrasted against images of shimmering night skies.
Mount Song
Director
A strange yet familiar sense of place dominates Shambhavi Kaul's deceptively disorienting and visually entrancing Mount Song. As a wild, foreboding gust courses through the night, a subdued elegance is brought forth from past cinema spectacles, whose generic albeit highly suggestive set constructions remain lodged in our imaginary.
21 Chitrakoot
Editor
21 Chitrakoot exhumes a mystical land composed of 1980s chroma-key backdrops from a famous Indian television series.
21 Chitrakoot
Producer
21 Chitrakoot exhumes a mystical land composed of 1980s chroma-key backdrops from a famous Indian television series.
21 Chitrakoot
Director
21 Chitrakoot exhumes a mystical land composed of 1980s chroma-key backdrops from a famous Indian television series.
Place for Landing
Director
A household landscape of mirrors. A child and its reflection are inscribed in a shadowy lunar patchwork. The camera switches its optical pursuit: the child disappears and a bird emerges. The surveying mirror implodes or explodes into space. Its mottled hallway glass both indicates and becomes a PLACE FOR LANDING. After a series of clever misdirections by the mirror, all is redeemed by a fragment of song in this unsettling haptic illusion.
Scene 32
Editor
Scene 32 maps the terrain that lies between a beloved place and the things that represent it. The salt fields of Central Kutch are examined through High Definition video and hand processed 16mm film to become another thing altogether: neither a specific location in India nor its representation but a rebuilt world of precipices and gullies, untouchable textures and unfathomable scale.
Scene 32
Producer
Scene 32 maps the terrain that lies between a beloved place and the things that represent it. The salt fields of Central Kutch are examined through High Definition video and hand processed 16mm film to become another thing altogether: neither a specific location in India nor its representation but a rebuilt world of precipices and gullies, untouchable textures and unfathomable scale.
Scene 32
Director
Scene 32 maps the terrain that lies between a beloved place and the things that represent it. The salt fields of Central Kutch are examined through High Definition video and hand processed 16mm film to become another thing altogether: neither a specific location in India nor its representation but a rebuilt world of precipices and gullies, untouchable textures and unfathomable scale.
Private Detective: Two Plus Two Plus One
Meghna
An urban contemporary film about adultery, murder and betrayal in the film noir style. A simple story to which the director imparts a feeling of unrest and disquiet, catching the city in its various moods. The film breaks generic conventions, notably in the presentation of the private detective through his deglamourised life and his process of discovery of 'who did it'. It is not constructed through his point of view at all. In fact the policeman and the detective, the fact finders, are in the dark about the crime, to the very end.
Nazar
Antique Dealer's wife
A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.