Dorothee Wenner

영화 원제인 ‘Komm mit mir in das Cinema’(영화관으로 가자)는 사랑을 영화 속에서 찾을 수 있다고 썼던 엘제 라스커쉴러의 1937년도 시에서 가져온 것이다. 영화를 둘러싼 여러 담론과 관점에 있어서 전후 독일영화의 역사를 크게 확장시킨 에리카와 울리히 그레고어가 함께할 수 있었던 것은 바로 영화에 대한 사랑 덕분이었다.

During the COVID-19 pandemic, nine filmmakers isolating in different parts of the world join to make a film. A 9-chapter anthology, this collection created by women filmmakers from South Africa, Germany, Spain, China, United States, and across Canada. ONE(NINE) is a timeless multiversal experience of what it means to find connection in a time of isolation, orchestrated by one of Canada's most fierce and prolific indie filmmakers, Ingrid Veniger.

An insight into the life of late writer-director Rituparno Ghosh, the iconic cultural figure from West Bengal (India), who pushed and transgressed the boundaries of sexuality, feminism, and freedom of thought. The film is about an artist's relationship to his city Calcutta and is based on his personal memoirs, archival material, and conversations with cast, crew, and family.

DramaConsult a film by Dorothee Wenner DramaConsult has initiated an ethnographic expedition from Africa to Europe. The protagonists are real life businessmen from Lagos: A spare parts dealer, a real estate developer and a young shoe manufacturer with high-flying plans. Accompanied by two smart business consultants, the group travels to Germany to link up with potential partners and investors. The film tracks the process of economic intervention as an adventure trip in the era of globalization.

Berlin-based film expert Dorothee Wenner follows film producer extraordinaire Peace Anyiam-Fiberesima as she travels the streets of Laos cutting deals and green-lighting projects in this profile of Nigeria's booming direct-to-video movie industry. Colloquially known as Nollywood, this thriving film industry turns out approximately 2000 new features every year, generating $250 million in the process and making it a close third to Hollywood and Bollywood in terms of cash generated. In addition to speaking with the producer who plays a crucial role in getting many of these films made, Wenner also speaks with people like editor and 3D effects specialist Maimunah Sayyadi who can frequently be found in the editing room with an infant on her lap as she edits the works of her husband Faruk, a prolific Nigerian filmmaker.

Peace Anyiam-Fibresima of Lagos, Nigeria is an impresario of showbiz and an impassioned spokeswoman for the thriving and innovative African film industry. She is “Nollywood Lady,” an ex-lawyer, producer, filmmaker, and the founder and CEO of the influential African Academy of Motion Pictures. And she is reshaping the way Africans see themselves—and how the world sees Africans.