Elizabeth Ramírez

Supported by current images and national and international archives, this documentary narrates the life of the singer Amparo Ochoa, who learned music from her father, in Sinaloa. His passion for teaching, the decision to live in Mexico City, his indispensable role in the Mexican scene of the seventies and eighties, as well as his constant criticism of the government, are narrated by family and friends, such as Óscar Chávez, Gabino Palomares and Mercedes Sosa, who speak of the consolidation of the artist as a fundamental figure of Mexican popular song and feminist militancy.

In a southern Mexico village, young deaf students are taking on an unusual challenge: to make a movie out of their dreams. While Eric and his friends watch films and discuss ideas, their dreams begin to work their way into the documentary itself. Both a study of the students lives and the basic visual language of film

Colette is an attractive ex-CIA agent seeking revenge against a ruthless villain and his organization of trained assassins for the murder of her husband while the man is also after mobster Frank Di Vinci for his own personal reasons. It isn't long before the paths of both Colette and Frank meet whom they share the same vendetta against the same man and they reluctantly try to co-operate with each other to bring him down.