Michael Edols

Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.

Flesh and fantasy fill the nights of the call girls at Bambi’s, a flashy back street brothel. Join Bambi, Candy and the girls for an evening or two and find out what happens in the violent world of sex for sale. Candy is new to the business. She follows all of the rules of the house - she arrives on time, doesn’t take drugs, is polite to customers, and numb to all the men who used her. Then she meets Reg and breaks the most important rule - don’t fall in love with one of your customers. Their first encounter leaves her longing to see him again. She fantasizes about the love they share and how idyllic their life together would be. But the facts are clear. Candy is a hooker and she will never be a real part of his world … she’s one of Bambi’s girls. She has seen his life and felt his love, a brief glimpse is all she’ll ever have, KISS THE NIGHT!

The 1988 Australian bicentenary prompted many artistic events and contemporary expressions of Australia's living cultures. One of the most remarkable of these was the first memorial ever created by Aborigines for Aborigines - two hundred bone burial poles were carved and painted by Arnhem land artists to honour the deceased of the past - lost people, lost tribes, lost languages. This unique Aboriginal Memorial captures this spiritual event. This collection seeks to reassure surviving Aboriginal Australians that there is a living continuity of traditions. -Ronin Films

Superstar Nicole Kidman (Days of Thunder) stars in Room to Move, one of the star's earliest roles. Kidman is Carol Trig, a high school track star whose life changes dramatically when she meets and befriends Angie, a troubled dancer whose life directly affects Carol's. Pretty soon, Carol realizes her life has become more than she can handle, and she must learn to balance her time between running, the family she neglects, and her social life: particularly Angie. Originally intended to be one part of a larger miniseries, Room to Move features one of the world's biggest stars in one of her earliest roles. With its straightforward plot, this is a film everyone can enjoy!

A compelling account of the return by a group of dispossessed Aboriginal people to their ancient tribal grounds in the Northern outreaches of this continent.

1984년 헤어조크는 프랑스 사진작가이자 저널리스트 데니스 리셀을 만나 온두라스와 니카라과 경계에 살고 있는 미스키토 인디언의 생존 방식을 탐사한다. 미스키토 인디언들은 니카라과 산디니스타 정부와의 충돌로 전쟁 준비를 하고 있다. 헤어조크는 가장 어리게는 9살부터 자신들의 유년기를 빼앗긴 채 전쟁 준비를 하는 소년병들의 모습을 영화에 담는다. (2012 한국영상자료원 - 베르너 헤어조크 감독전)

The year is 1789. In the central Pacific Ocean the crew of Her Majesty’s Ship Bounty mutinied against their captain, William Bligh, and cast him adrift with 18 other men in an open boat, 150 kilometres from Tonga. In an extraordinary feat of seamanship and navigational skill, Bligh proceeded to pilot the packed longboat through the cannibal-infested Fiji islands and across to the Australian mainland, landing on Cape York after a dangerous entry through what is now Bligh Passage. After a brief stay, and fearful of the local Aboriginal people, he set sail again, arriving in Dutch Timor from where he and his men took a ship back to England.

Tony is released from prison and goes in search of what once was happiness: Anna. He hits the road hoping to find her and makes a friend along the way.

The lively atmosphere of Sydney’s famous landmark, Paddy’s Market in Haymarket, documented on film before the market moved to a new location. A Film Australia crew gets up early to shoot the stall holders selling fruit, vegetables and all things second hand. Shot in vibrant colour Out They Go captures the earthy dignity and vitality of the workers at the market as they go about their business, right in the heart of the city.

The lively atmosphere of Sydney’s famous landmark, Paddy’s Market in Haymarket, documented on film before the market moved to a new location. A Film Australia crew gets up early to shoot the stall holders selling fruit, vegetables and all things second hand. Shot in vibrant colour Out They Go captures the earthy dignity and vitality of the workers at the market as they go about their business, right in the heart of the city.

The events took place in June/July 1973 and the film was made with the help of the Mowanjum Community

A middle-aged alcoholic is sentenced to six weeks in jail for a minor offense. While there he undergoes psychiatric treatment for his alcoholism and is committed to a hospital for the criminally insane for the duration of his sentence. However, under Section 27A of the Queensland Mental Health Act, he can be detained indefinitely until the hospital authorities declare him eligible for release.

Clyde is a typical junior clerk in a public service office. He watches the budding friendship between two co-workers and he turns it into the permanent office joke. At the same time he plays out his own neurotic relationship with a bored and frustrated secretary. The cruel mass victimisation of the young lovers is carried to the annual office picnic. Office tensions are changed by the unfamiliar surroundings where the disappearance of the two lovers forces Clyde to re-examine his own shallow emotional development.

A short documentary film by Peter Weir featuring the music of Wendy Saddington and Teardrop, the Indelible Murtceps and The Captain Matchbox Whoopee Band.

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

Part 2 of the History of Australian Cinema series. Covering the 1920s and 30s. From an origin that promised so much, the Australian film production industry faced new challenges from abroad which ultimately proved to be more than they could cope with. Unfortunately very few films from then now survive.