Ann T. Rossetti

참여 작품

Pills Profits Protest
Director of Photography
"Pills Profits Protest" is a documentary about global AIDS treatment activism. It examines the national and international grass roots response to an epidemic that has already overshadowed the Black Death in terms of human lives lost.
Pills Profits Protest
Editor
"Pills Profits Protest" is a documentary about global AIDS treatment activism. It examines the national and international grass roots response to an epidemic that has already overshadowed the Black Death in terms of human lives lost.
Pills Profits Protest
Producer
"Pills Profits Protest" is a documentary about global AIDS treatment activism. It examines the national and international grass roots response to an epidemic that has already overshadowed the Black Death in terms of human lives lost.
Pills Profits Protest
Director
"Pills Profits Protest" is a documentary about global AIDS treatment activism. It examines the national and international grass roots response to an epidemic that has already overshadowed the Black Death in terms of human lives lost.
By Hook or by Crook
Director of Photography
By Hook or by Crook chronicles the tale of two unlikely friends who commit petty crimes as they search for a path to understanding themselves and the outside world. Silas Howard plays Shy (a transgender man), who leaves his small town after the death of his father, and heads to the big city to live a life of crime. Along the way, he encounters Valentine, a quirky adoptee, in search of his birth mother. An immediate kinship is sparked between these men and they become partners in crime. Suffering money troubles, emotional problems, and physical confrontations, the duo face their issues head on and learn to trust each other and support each other in pursuit of their goals.
Chronic
Director of Photography
CHRONIC is an experimental narrative about a young woman who began mutilating herself as a girl to cope with a traumatic mid-western childhood. The lush optically-printed scenes take Gretchen’s point of view from her punk youth, a stay in a mental hospital, and her release into the big city. Scripted scenes are inter-spliced with documentary and found footage, illustrating the culture Gretchen lives in, her inner world and relationships from her birth to her final day.
Go Fish
Director of Photography
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?