Director
A pair of French detectives enter a different world after they are assigned to solve a puzzling double homicide that occurred in an African neighborhood in Paris. The corpses of the two masked Malian women were discovered ritually mutilated and hanging from a ceiling. The detectives' search leads them to a Malian father and his 18-year-old daughter. The father confesses to the crime, but further investigation reveals that he is lying. Even more puzzled than before, the two investigators consult a noted professor who tries to help them understand the true nature of the crime. The story is based on a book by controversial French academic Tobie Nathan, a self-proclaimed "ethno-psychiatrist," who has been researching the problems experienced by France's many immigrants, particularly African ones, as they wrestle with the clash between their native beliefs and their new culture.
Director
Sophie investigates the death of her sister who disappeared while taking pictures in the mountains with Bastien, a rather taciturn guide accused of being a dangerous criminal.
Director
In search of freedom, Duchess Alexandra, cousin of Empress Sissi, leaves Austria and her violent husband to settle incognito in Paris.
Director
샹탈 아커만을 포함해 코스타 가브라스, 미셸 피콜리 등 33명의 감독들이 모여 30개국의 양심수들을 사면할 것을 주장하며 제작한 옴니버스 영화. 샹탈 아커만은 5분 길이의 단편 "엘살바도르의 페베 엘리자베스 벨라스퀘즈를 위하여"를 연출했다.
Writer
Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.
Director
Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.
Writer
Baudin (Michel Serrault) and Tayar (Wadeck Stanczak) become trapped in a movie theater while trying to fend off a gang of marauding juvenile thugs. The two agree to settle their personal differences in their fight over a pretty female in order to halt the violent siege.
Director
Baudin (Michel Serrault) and Tayar (Wadeck Stanczak) become trapped in a movie theater while trying to fend off a gang of marauding juvenile thugs. The two agree to settle their personal differences in their fight over a pretty female in order to halt the violent siege.
Director
For having wanted to defend a young girl accused of theft, a comedian finds himself in prison. Embarked in spite of himself in an escape attempt, he is condemned by a particularly incompetent court which follows without thinking the pleadings of an overzealous public prosecutor! Once incarcerated, the poor comedian has to deal with the harassment of one of the guards, a kind of dangerous sociopath frustrated with life.
Director
Heavy traffic in the summer. Bad luck for Juliet, Albert, Jaeger and Arthur who does not reach their destination. Involved in a terrible accident that will change their lives forever.
Assistant Director
Evan Bonner is a deserter from the Vietnam war; he is on his way back to America to give himself up when he meets Deirdre McCluskey, a beautiful if petulant model. The two make an unlikely couple, but once in France the magic of Paris works its charm and these two vulnerable people finally find each other.
First Assistant Director
2년 전에 파리로 옮겨온 미국인 수학자 필립 알라르는 출판사에서 일하면서 아내 질, 딸 카티, 아들 파트릭과 단란하게 살아간다. 질은 아들 파트릭과 세느 강변으로 나가 산책하면서 그림 그리는 것을 취미로 삼은 질은 툭하면 시간 개념도 없이 늦 게 귀가해 필립에게 핀잔을 듣는다. 그래서 자주 8살 난 착한 딸 카티가 저녁을 차린다. 파리로 온 후부터 질은 자주 물건을 잃어버리거나 똑같은 옷을 사는 등 약한 기억상실증에 시달리다 정신과 의사의 치료를 받는다. 필립은 산업스파이 조직의 제의를 거절했다는 이유로 협박을 받게 되고, 질은 가벼운 교통사고를 당한다. 어느날 질은 아이들과 함께 서커스를 보러갔다가 길에서 아이들을 잃어버린다. 경찰은 질의 기억력을 의심하고, 질이 아이들과 동반 자살극 을 꾸미려했다고 오인, 유치장에 가둔다. 유치장에서 곰곰히 생각하던 질은 언젠가 애를 봐주러왔던 직업소개소 여직원 한센이 근처에 왔더라는 카티의 말을 상기하고 경찰과 함께 확인한다. 그리고 집으로 돌아온 질은 남편과 옆집 친구 신시아의 얘기를 우연히 듣게 되고, 남편의 애정을 확인하게 되지만, 그동안 친절을 가장한 채 자신을 서서히 정신병자로 몰고간 사람이 바로 신시아였음을 확신하게 된다. 신시 아는 모든 사실을 고백하고 그동안 애정을 느끼게 된 아이들을 함께 구하러 갔다가, 스파이조직에 의해 죽음을 당한다. 필립과 질은 무사히 아이들을 되찾고, 다시 행복한 미래를 꿈꾼다.
