Director of Photography
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
Additional Photography
In 2016 the Mexican District Attorney secretly buried more than 100 murdered bodies during the war against drug trafficking. They kept it hidden until a group of women, mothers, discovered it while searching for their missing children. One of them retrieves the body of her brother. "To See You Again" narrates the participation of Mexican women as they exhume what remains of the corpses and learn about forensic work. They help us discover the crimes committed by the state when burying the bodies.
Editor
The isolation of Adela and Marcelino is common among many inmates processed without an interpreter in their native language before the Mexican justice system. Through their subjective experience, the dreams and memories they preserve of their lands in prison, they express in two voices the disorientation and the need to resist against exclusion by telling their story.
Screenplay
The isolation of Adela and Marcelino is common among many inmates processed without an interpreter in their native language before the Mexican justice system. Through their subjective experience, the dreams and memories they preserve of their lands in prison, they express in two voices the disorientation and the need to resist against exclusion by telling their story.
Director
The isolation of Adela and Marcelino is common among many inmates processed without an interpreter in their native language before the Mexican justice system. Through their subjective experience, the dreams and memories they preserve of their lands in prison, they express in two voices the disorientation and the need to resist against exclusion by telling their story.
Screenplay
Through the eyes of eight filmmakers "Nahui Ollin, Sun Of Motion" explores several sites in Mexico to reveal how climate change has been advancing in one of the countries with the highest biodiversity globally. Corals, glaciers, seas, mangroves, rivers, mountains, fields and cities have witnessed the advancement of what may represent the greatest threat to human kind in this age. Through the voices of the inhabitants in different parts of the country, we will witness the adaptation as well as the mitigation that is carried out in their communities.
Director
Through the eyes of eight filmmakers "Nahui Ollin, Sun Of Motion" explores several sites in Mexico to reveal how climate change has been advancing in one of the countries with the highest biodiversity globally. Corals, glaciers, seas, mangroves, rivers, mountains, fields and cities have witnessed the advancement of what may represent the greatest threat to human kind in this age. Through the voices of the inhabitants in different parts of the country, we will witness the adaptation as well as the mitigation that is carried out in their communities.
Screenplay
The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.
Cinematography
The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.
Director
The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.
Director
