Samudrala Raghavacharya

참여 작품

Pandava Vanavasam
Writer
After the Pandavas are forcefully exiled by their enemies, they must get together and fight back in order to reclaim their land.
Narthanasala
Screenplay
This Hindu mythological film deals with the Viraata Parvam of the epic Mahabharata.
Lava Kusa
Writer
This movie deals with the later part of Ramayana written by Valmiki Maharshi and depicts the lives of the sons of Rama & Sita.
Bhookailas
Dialogue
The story is based on the Sthala Purana of Gokarna Kshetram in Karnataka
Vinayaka Chavithi
Writer
A fantasy film based on Syamantakopakhyanam.
Vinayaka Chavithi
Director
A fantasy film based on Syamantakopakhyanam.
Chandirani
Dialogue
When Prachandudu kills Chandirani's mother and imprisons her father who is a king, she decides to eliminate him to avenge her mother's death and to save the people of the kingdom too.
Devadasu
Lyricist
Landlord Narayan Rao's son Devdasu and Parvathi, their poor neighbour's daughter, fall in love. But Devadas's family does not approve of the relationship.
Devadasu
Dialogue
Landlord Narayan Rao's son Devdasu and Parvathi, their poor neighbour's daughter, fall in love. But Devadas's family does not approve of the relationship.
Laila Majnu
Writer
Khayas falls in love with Laila but her father refuses the alliance, which leaves Khayas heartbroken. Things take a turn when Laila then moves to Mecca.
Balaraju
Screenplay
The story begins in heaven a Devakanya Mohini and a Yaksha are in love. Indra, the ruler of Suvarloka, has an interest in Mohini. His emissary Kubera, unable to separate the lovers, curses Yaksha to be born as a human. Mohini refuses to bow to the wish of Indra, who then curses her to be born as a human and pine for her lover. The Yaksha, now Balaraju, is brought up by a shepherd. Mohini is found in a field by Kamma Naidu, who names her Sita and brings her up. As she grows up, pressure mounts on him to perform her marriage. Fearing that the wealth he had acquired after her arrival may disappear if she leaves him, he refuses to get her married and keeps her in a solitary tower in a forest.
Balaraju
Dialogue
The story begins in heaven a Devakanya Mohini and a Yaksha are in love. Indra, the ruler of Suvarloka, has an interest in Mohini. His emissary Kubera, unable to separate the lovers, curses Yaksha to be born as a human. Mohini refuses to bow to the wish of Indra, who then curses her to be born as a human and pine for her lover. The Yaksha, now Balaraju, is brought up by a shepherd. Mohini is found in a field by Kamma Naidu, who names her Sita and brings her up. As she grows up, pressure mounts on him to perform her marriage. Fearing that the wealth he had acquired after her arrival may disappear if she leaves him, he refuses to get her married and keeps her in a solitary tower in a forest.
Yogi Vemana
Writer
It chronicles the legend of the progressive Telugu poet-saint Vemana from his being a rebellious and hedonistic youth from a landed elite to a renunciate.
Vande Mataram
Writer
An elaborate melodrama presenting the problems of uneven development through the separation of an innocent feudal rural wife from her well-educated, but unemployed urban husband.