Wang Zhao-Xi

In the wastelands of post-apocalyptic England, two young brothers turn to cannibalism to survive, only to fall for their prey, a teenage girl... and possibly the last female left alive.

In 1949 when the Communist regime was established in China, the world-famed painter Ling Chen-kuang, believing his conviction for a new-born society had come true on his motherland, returned anxiously from the U.S., whither he had fled apprehension by lawmen when cracking down on rebellious activities he had actively engaged in out of cynicism and hostility – the feelings evolved from constant haunting by the memories of his childhood miserableness – to the then existing institutions in China. Alas, to his disillusion, the land he had so deeply loved, the society of which he had expected so much, should have turned out to be the hell on earth. Why? The enigma kept obsessing and puzzling him even to his dying moment.

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

A gang of bandits close in on a walled village, and send inflitrators into the village disguised as herb sellers. A mysterious stranger appears and roots out the bandits.

At the end of the Ming Dynasty, the bandit Zhang Xianzhong, fearing that his treasures may be seized by the Manchurians, entrusts his henchman Yun to escort it to Mount Mei for safekeeping. However, Yun has made arrangements with the Manchurian spy Jin to ambush the treasure on the way to Mount Mei.

Old school weepy sword fighting epic with Melinda Chen Man Ling, Cathay's answer to Cheng Pei Pei.

Li is a beautiful young woman who is engaged to a handsome scholar, Pei Shunqing. However, a rich evil man, Jia Sidao, is attracted by Li's beauty and wants to take Li as his concubine. Pei and Li then come to discuss the matter and decide to flee, but they are kidnapped by Jia's men before they can escape. Jia threatens to kill Pei, and Li finally yields but requests to see Pei for the last time. During their short conversation Li tries to persuade Pei to leave, but he insists that he will not leave without her. Li tells him that she has promised to be Jia’s concubine. Pei has to depart, angry and disappointed. Later, Li tries to kill Jia with his sword before their wedding but she is stabbed to death instead. Li's ghost then returns to avenge Jia and his men by burning them until only ashes remain.

This kung fu classic focuses on a contested succession at the Supreme Gate School. When turncoat Shen Darong kills several of the Supreme Gate students, the survivors are forced to accept him as their leader. Or are they? The students organize a tournament for Shen to prove his skills, inviting other formidable warriors in the hopes that someone can defeat him.

The misadventures of a beautiful but bored housewife Wang Yui-chuan and her chauvinistic salary-man husband Chang Wei-min reaches madcap proportions upon his denying her the opportunity to work outside the home. With calculating smarts, Wang takes action with the help of her scheming neighbors Lily and her mother Mrs. Hsu to change her identity and land a situation in her husband's firm where she successfully advances within the ranks in direct competition with Chang for promotion. A madcap comedy of errors ensue.

This was an adaptation of a ghost story, “A Xiu”. Liu Zigu is on his way to visit his uncle and is attracted by a beautiful girl, A Xiu. Liu meets A Xiu again in a paper fan shop owned by A Xiu's father. Liu goes to the shop every day to buy a fan and see A Xiu. One day, Liu follows his uncle to a matchmaker, who arranges for A Xiu to become his bride. The following day, Liu and A Xiu visit a temple where they meet a ghost who looks very similar to A Xiu. On the wedding day, the ghost disguises itself as A Xiu to spoil her marriage with Liu. Finally, the ghost is in the custody of a magic fan, and Liu and Xiu complete their wedding.

Chang E is a fairy in the moon. One day she sneaks to the earth where she meets a talented archer, Hou Yi, and falls in love with him. At that time, there are nine suns in the sky and they cause serious droughts on earth. Chang then pleads with the Heavenly Empress for some magic arrows so that Hou can shoot down the spare suns. After that Hou becomes a king with overwhelming support from the people. Later, Hou becomes increasingly cruel and corrupt after ascending to the throne. He wages wars on neighbouring kingdoms and drives his people to extreme misery and hardships. Chang has tried to stop him but fails. At the end, she takes Hou’s magic arrows and returns to the moon.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

This is an adaptation of the folk story, “Jin Yu Nu beats her heartless groom with a cane”. Jin Yu Nu, a beggar’s daughter, is a beautiful and kind girl. On a snowy day she saves the life of a poor scholar, Mo Ji. When Mo recovers, he marries Jin with love and gratitude. Mo wins the third place in the imperial examinations, but now he is looked down upon because his wife is a beggar's daughter. Extremely embarrassed and ashamed, Mo wants to divorce but has no excuse. Jin then jumps into the river and Mo has deep regrets but it is too late. Later, Mo’s senior Ambassador Lin appreciates his talents and wants to marry him his daughter. On the wedding night, the bride orders Mo to kneel in her room and beats him hard with a cane. Not until then does Mo know his bride is actually Jin, who has been saved by Lin. At the end, Lin knows Jin still loves Mo and helps the couple reunite.

Hong Kong drama directed by Wong Tin-Lam.

Li Meixin rejects Du Ziping's marriage proposal on the eve of Du's departure to further his studies in Japan. Li joins a travelling troupe under Jin Shiming and becomes a success overnight. While performing in Singapore, Li discovers she is pregnant. For the sake of Li and the unborn child, Jin marries Li. Due to financial losses, Jin's troupe is disbanded. Du returns from Japan and is invited to play the male lead opposite Li in a new troupe. Caught in a dilemma, Li dies in a fall while running away from Du.

Chen Liujin and Zhang Lihong have a chance encounter with Wang Shu and Li Rong during an outing to the beach. Chen admires Wang, but Wang has fallen for Zhang's charm; Zhang fancies Li, whose heart is set on Chen ironically. The two young men seek to approach their objects of affection on the pretext of inviting the dream date of each other to an outing in the country during which they are teased and made fun of by the two women. To wipe away the shame, Wang and Li plot to intoxicate the women, who pretend to be in a drunken stupor while calling for help from their uncle and father respectively. In front of the elders, Chen declares her love for Wang, and Zhang for Li. Hit with the realisation of the women's sentiments, the two men reciprocate their respective admirers with their well-deserved love.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

This is the story of three ladies who live together in an apartment in Hong Kong and what happens to them. First, there is Shuxian, whose husband left her and has a son in the hospital who can't walk. Then, there is Meifen, a romance novelist who pines for a deceased lover and, finally Manli, a young lady with some sass who is expecting a visit from Mr. Zheng, a man she has been a pen pal with for a year. She also has been dating someone else, not happily. The film goes through all three lives.

To marry her fiance Dong Jifang, Wang Danlin and her father Zhuoran take the cruise home to Hong Kong. The daughter fails to see eye to eye with her father who covets after Dong's money for speculation. On the ship, she suffers intensive courtship from the Filipino Chinese Lin Yamang. Meanwhile, Dong is eager to match his old frame Bai Jin with the sailor Mai Qin, but Mai mistakes Danlin for Bai and falls in love with her, resulting in a morass of troubles. Finding out Dong's affair with Bai, Danlin calls off the wedding in anger. Dong responds by deciding to marry Jin. Their nuptials are saved with the timely intervention of Mai.

Musician Sun Ping is estranged from his wife. Second daughter Yinzheng lives with Sun while eldest daughter Jinliu follows her mother. By coincidence, the sisters both enter the 'Calendar Girl' pageant but Jinliu deliberately lets her sister win the contest. Later, the sisters and Liu Bucheng perform in Sun's musical show. Though the show is a success, Yinzheng decides to quit in order to get married. Not wishing to disappoint their father, Jinliu devises a plan to make Yinzheng stay on, but the plan misfires. Yinzheng leaves angrily. She is at last brought back to the show due to Liu's mediation. The elders also reconcile as the sisters perform together on stage.

Teenage idols Grace Chang and Jeanette Lin Cui played competitive university freshman fighting against each other for almost anything : fame, recognition and, of course, guys, who were played by Cathay heart-throbs Peter Chen Hou end Roy Chiao.

Tao Zutai, a bank employee, has five children. Tao's wife is addicted to gambling and spends too much and the eldest daughter Guiru is greedy for vanity. Tao is overjoyed when he is notified that he will be promoted to deputy manager.

Yeh Wei-fang, a rich young lady, flirts with her suitors and hopes it would make Shi Rongsheng, the cousin she loves, angry. But Rongsheng doesn’t pay attention to that, and lectures her for lacking self-respect. Tao Wen-ping, Rongsheng's friend, gets to know Wei-fang. He invites her to go to the resort house borrowed from Rongsheng, but is fooled by her. Wen-ping gets to know Fang's sister, Wei-ling, by chance. Sharing common interests, Wei-ling grows a secret love for him. Wei-fang's home has a JP’s son as a guest. Rongsheng invites Wen-ping to join. Wei-fang knows that Wei-ling likes Wen-ping, but she shows intimacy towards him. Another guest, the antiquary Prof Ho Chi-hua, arrives, he is infatuated with Wei-fang. Wei-fang shows zeal for both, who in the end quarrel and fight. Wei-fang finally declares her love for Rongsheng under the pressure from Wen-ping and Chi-hua, who had a fight over her. Rongsheng's evasiveness proves weak for Wei-fang's quest for his love.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

A Hong Kong historical drama

Xin Shu (judge) is judging a murder case and the prisoner Jia Lan Fang is mentally crazy and can not respond. Xin asks for the doctor's opinion, but the doctor must first understand Fang's past before proceeding. Apparently Judge Xin Shu has loving feelings towards the prisoner Jia Lan Fang because of the enormous resemblance to an ex-girlfriend named Yu Xiaocui.

A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhenfei.