Edson Jair Caballero Trujillo

참여 작품

Atempa, Dreams at the Side of the River
Executive Producer
Being a child muxe, or Zapotec homosexual, Tino assumes the role of a woman to reach his teens, to resolve his economic situation and his past, despite social deprivation. Tino wants to achieve his dream of becoming a “quinceañera” and Queen Muxe. This is an intimate journey into a magical town of the Isthmus of Tehuantepec, lost in the wild heel of Mexico, where femininity, strong women and men dressed as women prevail.
Atempa, Dreams at the Side of the River
Sound Editor
Being a child muxe, or Zapotec homosexual, Tino assumes the role of a woman to reach his teens, to resolve his economic situation and his past, despite social deprivation. Tino wants to achieve his dream of becoming a “quinceañera” and Queen Muxe. This is an intimate journey into a magical town of the Isthmus of Tehuantepec, lost in the wild heel of Mexico, where femininity, strong women and men dressed as women prevail.
Atempa, Dreams at the Side of the River
Cinematography
Being a child muxe, or Zapotec homosexual, Tino assumes the role of a woman to reach his teens, to resolve his economic situation and his past, despite social deprivation. Tino wants to achieve his dream of becoming a “quinceañera” and Queen Muxe. This is an intimate journey into a magical town of the Isthmus of Tehuantepec, lost in the wild heel of Mexico, where femininity, strong women and men dressed as women prevail.
Atempa, Dreams at the Side of the River
Editor
Being a child muxe, or Zapotec homosexual, Tino assumes the role of a woman to reach his teens, to resolve his economic situation and his past, despite social deprivation. Tino wants to achieve his dream of becoming a “quinceañera” and Queen Muxe. This is an intimate journey into a magical town of the Isthmus of Tehuantepec, lost in the wild heel of Mexico, where femininity, strong women and men dressed as women prevail.
Atempa, Dreams at the Side of the River
Screenplay
Being a child muxe, or Zapotec homosexual, Tino assumes the role of a woman to reach his teens, to resolve his economic situation and his past, despite social deprivation. Tino wants to achieve his dream of becoming a “quinceañera” and Queen Muxe. This is an intimate journey into a magical town of the Isthmus of Tehuantepec, lost in the wild heel of Mexico, where femininity, strong women and men dressed as women prevail.
Atempa, Dreams at the Side of the River
Director
Being a child muxe, or Zapotec homosexual, Tino assumes the role of a woman to reach his teens, to resolve his economic situation and his past, despite social deprivation. Tino wants to achieve his dream of becoming a “quinceañera” and Queen Muxe. This is an intimate journey into a magical town of the Isthmus of Tehuantepec, lost in the wild heel of Mexico, where femininity, strong women and men dressed as women prevail.