Producer
A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths.
Screenplay
A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths.
Director
A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths.
Production Design
한 남자 앞에 자살한 아내가 다시 나타난다. 죽은 영혼은 침대 아래, 테이블 밑 등 모든 곳에서 그를 따라다닌다. 남자는 그녀를 점점 닮아가는데, 관객들은 점차 그가 단 한번도 결혼하지 않았다는 것을 깨닫게 된다. 그의 예민함은 극에 달하고 이야기는 정신 분열적으로 이어진다.
Casting
한 남자 앞에 자살한 아내가 다시 나타난다. 죽은 영혼은 침대 아래, 테이블 밑 등 모든 곳에서 그를 따라다닌다. 남자는 그녀를 점점 닮아가는데, 관객들은 점차 그가 단 한번도 결혼하지 않았다는 것을 깨닫게 된다. 그의 예민함은 극에 달하고 이야기는 정신 분열적으로 이어진다.
Screenplay
한 남자 앞에 자살한 아내가 다시 나타난다. 죽은 영혼은 침대 아래, 테이블 밑 등 모든 곳에서 그를 따라다닌다. 남자는 그녀를 점점 닮아가는데, 관객들은 점차 그가 단 한번도 결혼하지 않았다는 것을 깨닫게 된다. 그의 예민함은 극에 달하고 이야기는 정신 분열적으로 이어진다.
Director
한 남자 앞에 자살한 아내가 다시 나타난다. 죽은 영혼은 침대 아래, 테이블 밑 등 모든 곳에서 그를 따라다닌다. 남자는 그녀를 점점 닮아가는데, 관객들은 점차 그가 단 한번도 결혼하지 않았다는 것을 깨닫게 된다. 그의 예민함은 극에 달하고 이야기는 정신 분열적으로 이어진다.
On Raúl Ruiz's missing Taiwanese film "La comédie des ombres" and the projection of Clark's "Double Ghost" at the Chin Pao Shan cemetery on 19 august 2018 (anniversary of Ruiz's death and Clark's birthday).
Self
A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.
Screenplay
칠레의 TV 드라마에는 사회현실이 반영되지 않고 있다는 문제의식 하에 제작된 이 영화는 아이러니하게도 TV 드라마 모음으로 구성되어 있다. 불통과 전운이 감도는 칠레의 정치 현실을 통속극의 에피소드에 녹였다.
Producer
칠레의 TV 드라마에는 사회현실이 반영되지 않고 있다는 문제의식 하에 제작된 이 영화는 아이러니하게도 TV 드라마 모음으로 구성되어 있다. 불통과 전운이 감도는 칠레의 정치 현실을 통속극의 에피소드에 녹였다.
Director
칠레의 TV 드라마에는 사회현실이 반영되지 않고 있다는 문제의식 하에 제작된 이 영화는 아이러니하게도 TV 드라마 모음으로 구성되어 있다. 불통과 전운이 감도는 칠레의 정치 현실을 통속극의 에피소드에 녹였다.
(archive footage)
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
Director
두 눈을 잃은 예술 평론가와 그의 눈이 되어 주는 대필 작가 두 사람이 외딴 저택에서 벌이는 숨 막히는 진실 게임! 영국 런던의 외곽에 있는 어느 외딴 저택. 그곳에 끔찍한 사고로 인해 두 눈을 잃어버린 유명 작가이자 예술 평론가인 ‘폴’이 살고 있다. 어느 날 그는 자신의 자서전을 대신 써줄 대필 작가를 구하게 되고, 지적이고 매력적인 여성 ‘제인’이 대필작가로 고용된다. 이제 두 사람은 책을 계기로 한 공간에서 생활하게 되지만, 이내 제인은 수상한 일을 일삼기 시작한다. 집안일을 돌보던 가정부를 몰래 휴가 보내고, 폴이 불을 꼭 켜 놓으라는 당부도 무시한 채 그를 어둠 속에 가두어 버린다. 이에 폴은 뭔가 일이 잘못 되고 있다는 낌새를 알아차린 후 제인을 경계하기에 이르는데…
Editor
죽음을 눈 앞에 두고 있는 노인은 젊은 시절을 다시 체험하는 꿈의 도시를 거닌다. 그가 거쳐온 청춘의 세월들이 겹쳐진다. 라울 루이즈의 유언적 영화.
Writer
죽음을 눈 앞에 두고 있는 노인은 젊은 시절을 다시 체험하는 꿈의 도시를 거닌다. 그가 거쳐온 청춘의 세월들이 겹쳐진다. 라울 루이즈의 유언적 영화.
Director
죽음을 눈 앞에 두고 있는 노인은 젊은 시절을 다시 체험하는 꿈의 도시를 거닌다. 그가 거쳐온 청춘의 세월들이 겹쳐진다. 라울 루이즈의 유언적 영화.
Self
The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.
Writer
In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR)
Director
In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR)
In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR)
Writer
A coin and a cup of coffee on a table top. Raúl Ruiz gets the most from this minimal set-up, both visually and through the laconic soundtrack.
Don Fernando (voice)
A coin and a cup of coffee on a table top. Raúl Ruiz gets the most from this minimal set-up, both visually and through the laconic soundtrack.
Director
A coin and a cup of coffee on a table top. Raúl Ruiz gets the most from this minimal set-up, both visually and through the laconic soundtrack.
In the fall of 2010, Bozon and co-conspirator Pascale Bodet commandeered the first floor of Paris’s famed Centre Pompidou for 10 days of screenings, lectures and performances that amounted to a counter-canonical history of French cinema. During the ensuing merriment (entitled Beaubourg, la dernière Major !) audience members were invited to observe the daily making of this film, directed by Bozon and written by Axelle Ropert, about an inexperienced young journalist (Laure Marsac) sent to the Pompidou to interview a maverick artistic impresario (Thomas Chabrol). The result is an unexpected love story that is also a record of this landmark exhibition, featuring cameos by Raul Ruiz, Paul Vecchiali, Luc Moullet and more !
Director
19세기 작가 카밀루 카스텔루 브랑쿠의 소설을 바탕으로 만들어진 대서사시. 상영 시간 동안 스토리가 계속 확장되는 독특한 형식의 작품이다.
Writer
After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.
Production Design
Surreal gothic comedy about a gambler who wins a strange Chilean mansion and takes his frail wife there.
Screenplay
Surreal gothic comedy about a gambler who wins a strange Chilean mansion and takes his frail wife there.
Director
Surreal gothic comedy about a gambler who wins a strange Chilean mansion and takes his frail wife there.
Director
칸영화제 60주년을 기념하여 조직위원장 질 자콥이 직접 제작과 편집을 맡고, ‘영화관(館)’ 하면 떠오르는 느낌을 주제로 역대 황금종려상 수상 감독 35명이 3분짜리 스케치 33편을 찍어 완성된 영화. 거장들의 개성 넘치는 작품 속에 그들만의 영화관(觀)이 엿보인다.
Writer
This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.
Director
This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.
Director
A blind man tells his niece about the time he screened Casablanca to a rural village.
Writer
세기말의 흥분과 긴장감이 감돌던 1900년. 화려하고 관능적인 아르누보 스타일을 상징하는 클림트의 그림은 고국인 오스트리아 빈에서는 퇴폐적이라는 이유로 혹독한 야유를 받지만 파리는 환호와 찬사를 보낸다. 파리에서 열린 만국박람회에서 철학 이라는 작품으로 금메달을 수상한 클림트는 축하파티에서 프랑스 무희이자 여배우인 레아를 소개 받고 이때부터 그에게 터질듯한 영감과 고통을 동시에 안겨준 레아에 대한 열정이 시작된다. 환상의 뮤즈이자 에로틱한 이상, 육체적 욕망의 현신으로서 그녀는 클림트의 작품 속에 거울처럼 투영되고, 그녀의 아름다움과 여성성은 클림트로 하여금 사랑에 대한 영원한 탐색을 가능케 한다. 하지만 레아와 똑같이 생긴 또다른 레아가 등장하고 의문의 사나이가 자신을 그림자처럼 쫓자 클림트는 점차 환영에 시달리고 그의 정신적, 예술적 방황은 최고조에 이르게 되는데...
Director
세기말의 흥분과 긴장감이 감돌던 1900년. 화려하고 관능적인 아르누보 스타일을 상징하는 클림트의 그림은 고국인 오스트리아 빈에서는 퇴폐적이라는 이유로 혹독한 야유를 받지만 파리는 환호와 찬사를 보낸다. 파리에서 열린 만국박람회에서 철학 이라는 작품으로 금메달을 수상한 클림트는 축하파티에서 프랑스 무희이자 여배우인 레아를 소개 받고 이때부터 그에게 터질듯한 영감과 고통을 동시에 안겨준 레아에 대한 열정이 시작된다. 환상의 뮤즈이자 에로틱한 이상, 육체적 욕망의 현신으로서 그녀는 클림트의 작품 속에 거울처럼 투영되고, 그녀의 아름다움과 여성성은 클림트로 하여금 사랑에 대한 영원한 탐색을 가능케 한다. 하지만 레아와 똑같이 생긴 또다른 레아가 등장하고 의문의 사나이가 자신을 그림자처럼 쫓자 클림트는 점차 환영에 시달리고 그의 정신적, 예술적 방황은 최고조에 이르게 되는데...
Writer
Set in 1973 during the coup d'etat in Chile, Max recalls his encounters in London during World War II with French aviator Antoine, a childhood hero he first met in his native country one morning in 1932 and who initiated him to the wonders of aviation.
Director
Set in 1973 during the coup d'etat in Chile, Max recalls his encounters in London during World War II with French aviator Antoine, a childhood hero he first met in his native country one morning in 1932 and who initiated him to the wonders of aviation.
Screenplay
In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.
Director
In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.
Director
Director
A chronicle of Raúl Ruiz’s production of Michèle Reverdy’s opera “Médée”.
Writer
A mediocre pulp novelist is approached by a stranger claiming to be a serial killer with a proposition to chronicle his crimes.
Director
A mediocre pulp novelist is approached by a stranger claiming to be a serial killer with a proposition to chronicle his crimes.
Writer
A father is scheming to have his slightly mental daughter from an earlier marriage killed by allowing a murderous psychopath to be released from the asylum and led to his house. However, the psychopath and the daughter fall for each other.
Director
A father is scheming to have his slightly mental daughter from an earlier marriage killed by allowing a murderous psychopath to be released from the asylum and led to his house. However, the psychopath and the daughter fall for each other.
Director of Photography
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Narrator
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Editor
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Producer
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Writer
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Director
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Director
In the early 2000s filmmaker Raul Ruiz followed painter Jean Miotte to different locations (New York, France, Germany).
Director
At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a blacksmith, to Châtillon, a town in Provence. Here, she makes the acquaintance of the wealthy Madame Numance, who is known for her good deeds. Realising that Thérèse is pregnant and unemployed, Madame Numance insists that she moves into a house on her estate. Whilst Firmin resents the arrangement, Thérèse soon finds that she can exploit the situation, using her benefactor's naivety and generosity for her own gain..
Writer
아홉 살이 된 생일날 까미유(닐스 위공)는 부모 앞에서 선언한다. "오랫동안 생각해봤는데 아무리 생각해도 당신은 제 어머니가 아닌 것 같습니다. 저는 제 어머니를 찾으러 가겠습니다." 까미유의 엄마 아리안(이자벨 위페르)은 황당해서 아무런 말도 못 한다. 그래서 "도대체 왜 그런 생각을 한 거니?"라고 묻자, 까미유는 반문한다. "당신은 제가 태어난 시간을 아시나요?" 말 못하는 어머니 앞에서 까미유는 디지털 카메라를 꺼내 든다.
Director
아홉 살이 된 생일날 까미유(닐스 위공)는 부모 앞에서 선언한다. "오랫동안 생각해봤는데 아무리 생각해도 당신은 제 어머니가 아닌 것 같습니다. 저는 제 어머니를 찾으러 가겠습니다." 까미유의 엄마 아리안(이자벨 위페르)은 황당해서 아무런 말도 못 한다. 그래서 "도대체 왜 그런 생각을 한 거니?"라고 묻자, 까미유는 반문한다. "당신은 제가 태어난 시간을 아시나요?" 말 못하는 어머니 앞에서 까미유는 디지털 카메라를 꺼내 든다.
Screenplay
A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.
Director
A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.
Scenario Writer
1922년 마르셀 프루스트는 죽음의 문턱에서 사진들을 훑어보며 자신의 인생을 회고한다. 실존 인물은 소설 속의 등장인물과 혼재하고 점차 허구의 세계는 실재를 장악한다. 문학작품을 재료로 한 루이즈의 야심찬 각색.
Director
1922년 마르셀 프루스트는 죽음의 문턱에서 사진들을 훑어보며 자신의 인생을 회고한다. 실존 인물은 소설 속의 등장인물과 혼재하고 점차 허구의 세계는 실재를 장악한다. 문학작품을 재료로 한 루이즈의 야심찬 각색.
Director
Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman recovering from rape and an apparent attempted suicide. In one reality, she is a killer destroyer of men. In another she is the new wife on a Jamaican honeymoon with her husband (William Baldwin), who is trying to help her recover. Which is real is the question as the story unfolds.
Writer
Madeleine is with her lover, Jean-Paul, when her husband arrives home and catches the two together. Madeleine kills her husband and tells Jean-Paul to flee before the police arrive. After Jean-Paul drives away, he picks up a hitchhiker. When the car, stolen by the hitchhiker, explodes, police believe the dead hitchhiker is Jean-Paul. Madeleine takes up with Jean-Paul's brother, Bastien, while Jean-Paul, arriving in Strasbourg, is mistaken for the heir to a fortune. The detective on the case spends more time writing crime novels than investigating real-life crimes.
Writer
At her son's funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son's age, accused of murdering his wealthy aunt, Jeanne, who's part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne's journal, documenting René's criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story's taking hold of a person. After the verdict, René and Solange's relationship changes, Georges and his society commit a bizarre act, and the police record Solange's story.
Director
At her son's funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son's age, accused of murdering his wealthy aunt, Jeanne, who's part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne's journal, documenting René's criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story's taking hold of a person. After the verdict, René and Solange's relationship changes, Georges and his society commit a bizarre act, and the police record Solange's story.
Writer
If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1
Director
If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1
Screenplay
The story of a neurotic bachelor who, after marrying a beautiful woman, submits her to increasingly deranged accusations of infidelity and pleas for forgiveness.
Writer
네 개의 에피소드로 구성된 영화는 20년간 집을 떠났던 한 남자의 귀향에 관한 에피소드로 시작하여, 두 번째는 유명한 소르본 대학의 인류학 교수가 하루 아침에 거지가 된 이야기, 세 번째는 젊은 커플을 돌봐주는 하인의 이야기, 네 번째는 거짓말로 인해 엄청난 덫에 걸리게 되는 한 비지니스맨의 이야기로 끝을 맺는다.
Director
네 개의 에피소드로 구성된 영화는 20년간 집을 떠났던 한 남자의 귀향에 관한 에피소드로 시작하여, 두 번째는 유명한 소르본 대학의 인류학 교수가 하루 아침에 거지가 된 이야기, 세 번째는 젊은 커플을 돌봐주는 하인의 이야기, 네 번째는 거짓말로 인해 엄청난 덫에 걸리게 되는 한 비지니스맨의 이야기로 끝을 맺는다.
Director
Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.
Writer
Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?
Director
Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?
Writer
In Wind Water, Ruiz stages a three-way dialogue between three great cultures: the West, China and Arabia. He imagines what might occur if Shih-T’ao’s six poetic procedures for attaining the primal respiration or cosmic breath in painting were applied to one of the flagships of Western art, Velazquez’s Las Meninas. Ruiz wants the three cultures to interact and test each other like the paper, stone and scissors of the children’s game. The result is an insoluble dispute, a différend. No reconciliation or compromise is possible between these cultural outlooks.
Director
In Wind Water, Ruiz stages a three-way dialogue between three great cultures: the West, China and Arabia. He imagines what might occur if Shih-T’ao’s six poetic procedures for attaining the primal respiration or cosmic breath in painting were applied to one of the flagships of Western art, Velazquez’s Las Meninas. Ruiz wants the three cultures to interact and test each other like the paper, stone and scissors of the children’s game. The result is an insoluble dispute, a différend. No reconciliation or compromise is possible between these cultural outlooks.
Writer
A wild short made as part of a filmmaking workshop that Raúl Ruiz ran in Bogotá in October 1993.
Director
A wild short made as part of a filmmaking workshop that Raúl Ruiz ran in Bogotá in October 1993.
Screenplay
A surreal travel drama, shot on Sicility with Italian actors. IlViaggio Clandestino is a film about saints and sinners. Whether you areblessed or doomed is often dependent on someone's soul that on whether theypray or suffer. The kindred spirit of San Gil ! the Holy Gil ! is CiccioBavaria who, unilke the former, continues to seek sin. For Bavaria sin isliberating and dynamic. The film tells the story of the journey made by thesetwo protagonists; a journey that leads to the demise of San Gil, while Bavariais reincarnated as Buddha. There is another traveller, a clandestinetraveller. Christ, always fleeing the angels. This Christ does not helphumanity with miracles, but by keeping himself alive as best he can givingweather forecasts.In this strange sainty story, Ruiz allowed himself ot be inspired byapocryphal books about saints of flesh and blood.
Director
A surreal travel drama, shot on Sicility with Italian actors. IlViaggio Clandestino is a film about saints and sinners. Whether you areblessed or doomed is often dependent on someone's soul that on whether theypray or suffer. The kindred spirit of San Gil ! the Holy Gil ! is CiccioBavaria who, unilke the former, continues to seek sin. For Bavaria sin isliberating and dynamic. The film tells the story of the journey made by thesetwo protagonists; a journey that leads to the demise of San Gil, while Bavariais reincarnated as Buddha. There is another traveller, a clandestinetraveller. Christ, always fleeing the angels. This Christ does not helphumanity with miracles, but by keeping himself alive as best he can givingweather forecasts.In this strange sainty story, Ruiz allowed himself ot be inspired byapocryphal books about saints of flesh and blood.
Director
Tunisia itself is the subject; we wanted to render the genius of the site. Tunisia is almost the central character of this little film: we see the relation of the city to the sea, the traces that bear witness to its foundation, the remains of Carthage, the symbolism of the recently discovered Medina coin … The splendours of the house interiors and courtyards are associated with a scene of origin, what psychoanalysis calls a primal scene. Entering these houses opens up a world peopled by women: the child’s ‘homecoming’ in the hands of women is staged as an abduction, playing doubly on fascination and terror. These places were mine, from my childhood, they can be found almost intact – it’s the return of the exile visiting the kingdom. I let Ruiz discover all this, and immediately that led him to echoes and resonances ranging from Spain to Chile.
Writer
In this mystical comedy, Felicien has traveled to Portugal from France soon after the end of the First World War. It seems that his recently deceased father had invested a lot of money in a factory located in a remote village, and he has come to evaluate that investment. He gets some clues to the real situation in the town when the man driving his coach refuses to go any further and leaves him on a section of road which is practically paved with abandoned crutches. After a short trek, he meets up with the local dignitary who is to show him around, and he meets a priest and an artist. The priest gives a further clue to the events taking place in the village when he indicates that he's completely exasperated with the endless miracles that seem to be taking place. From that point onward, amazing coincidences, visions and miracles take place in great numbers.
Narrator
Chile is seen through the eyes of a Chinese painter - a traditional painter who uses the concepts of XVIII century Shih-T'ao.
Director
Chile is seen through the eyes of a Chinese painter - a traditional painter who uses the concepts of XVIII century Shih-T'ao.
Director
In this mystical comedy, Felicien has traveled to Portugal from France soon after the end of the First World War. It seems that his recently deceased father had invested a lot of money in a factory located in a remote village, and he has come to evaluate that investment. He gets some clues to the real situation in the town when the man driving his coach refuses to go any further and leaves him on a section of road which is practically paved with abandoned crutches. After a short trek, he meets up with the local dignitary who is to show him around, and he meets a priest and an artist. The priest gives a further clue to the events taking place in the village when he indicates that he's completely exasperated with the endless miracles that seem to be taking place. From that point onward, amazing coincidences, visions and miracles take place in great numbers.
Adaptation
A well-bred young woman who prizes the virtue of fidelity remains faithful to the doctor who deflowers her, even after he marries her invalid sister.
Writer
A well-bred young woman who prizes the virtue of fidelity remains faithful to the doctor who deflowers her, even after he marries her invalid sister.
Writer
All the characters are in hell, but they act as though the are in a sitcom, with canned laughter. It's based on Arcana Celestia by Swedenborg, a Swedish esoteric theologian from the 18th Century who started seeing ghosts, angels and demons around him. Instead of seeing a physician about it, he accepted the fact and began studying and interviewing his own hallucinations, like an anthropologist. He was convinced that people in hell are happy, because you find what you want there.
Director
All the characters are in hell, but they act as though the are in a sitcom, with canned laughter. It's based on Arcana Celestia by Swedenborg, a Swedish esoteric theologian from the 18th Century who started seeing ghosts, angels and demons around him. Instead of seeing a physician about it, he accepted the fact and began studying and interviewing his own hallucinations, like an anthropologist. He was convinced that people in hell are happy, because you find what you want there.
Director
These six video segments (10 minutes each) were originally developed for broadcast on Channel 4 as the second installment in the larger, never completed, series comissioned for Peter Greenaway and Tom Philips' A TV Dante (1989). But it was never aired. Ruiz's treatment of the six Cantos can be taken together as a bridge between his previous visions of hell in Mémoire des apparences AKA Life is a Dream (1986) and La Chouette aveugle (1987) and themore recent series of essay videos that he has made for Chilean television under the title Cofralandes (2002).
Producer
Writer
뉴욕 거리를 종횡무진으로 질주하면서 오스틴이라는 노숙자의 이야기를 들려준다. 우스꽝스러운 강박증을 가진 흉악범이기도 한 오스틴은 록 음악 평론가이자 철학과 학생인 윌리암스를 만나 의기투합한다.
Director
뉴욕 거리를 종횡무진으로 질주하면서 오스틴이라는 노숙자의 이야기를 들려준다. 우스꽝스러운 강박증을 가진 흉악범이기도 한 오스틴은 록 음악 평론가이자 철학과 학생인 윌리암스를 만나 의기투합한다.
Writer
Collaborative experimental project on which three director made different films about the Swedish icebreaker "Frej".
Director
Collaborative experimental project on which three director made different films about the Swedish icebreaker "Frej".
Director
A series of philosophical dialogues on friendship, architecture, electricity, cannibalism and human rights.
Alter ego of the Catholic nagger
Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice it. During a water polo match ahead of election day, he starts to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.
Writer
From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.
Writer
어느 영사 기사의 초현실적 모험을 다룬 작품. 작은 극장의 젊은 영사 기사가 평소와 다름 없이 극장에 출근해 아랍 왕국을 무대로 한 영화를 상영한다. 그러나 어느 순간 스크린 속 아름다운 여인에게 마음을 빼앗기고, 이후 그의 삶 속에 영화 속 인물들이 한 명씩 등장하기 시작한다.
Director
어느 영사 기사의 초현실적 모험을 다룬 작품. 작은 극장의 젊은 영사 기사가 평소와 다름 없이 극장에 출근해 아랍 왕국을 무대로 한 영화를 상영한다. 그러나 어느 순간 스크린 속 아름다운 여인에게 마음을 빼앗기고, 이후 그의 삶 속에 영화 속 인물들이 한 명씩 등장하기 시작한다.
Writer
Third and final part of collaborative project Brise Glace. Directed by Raúl Ruíz.
Director
Third and final part of collaborative project Brise Glace. Directed by Raúl Ruíz.
Writer
페드로 칼데론의 희곡을 느슨하게 각색한 작품. 이그나시오 베가는 칠레의 반체제 인사이며, 칠레를 떠나 프랑스의 시골 마을로 왔다. 이그나시오의 영화 체험, 그가 마주한 인기 장르 영화들, 그리고 마술과 같은 기억을 오간다.
Director
페드로 칼데론의 희곡을 느슨하게 각색한 작품. 이그나시오 베가는 칠레의 반체제 인사이며, 칠레를 떠나 프랑스의 시골 마을로 왔다. 이그나시오의 영화 체험, 그가 마주한 인기 장르 영화들, 그리고 마술과 같은 기억을 오간다.
Writer
Professor Taranne, a conceited university Professor, is subject to several absurd and disquieting incidents from the world surrounding him. He is being accused of things he couldn't have been doing. He starts doubting himself - a self that might be fragmented or multiple.
Director
Professor Taranne, a conceited university Professor, is subject to several absurd and disquieting incidents from the world surrounding him. He is being accused of things he couldn't have been doing. He starts doubting himself - a self that might be fragmented or multiple.
Writer
A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.
Director
A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.
Writer
A man comes to visit an acquaintance who is supposed to be sick and talks to his sister while he is waiting.
Director
A man comes to visit an acquaintance who is supposed to be sick and talks to his sister while he is waiting.
Director
Richard of Gloucester uses murder and manipulation to claim England's throne.
Writer
Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.
Director
Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.
Screenplay
This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.
Director
This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.
Marinero
A fire started by Harry Thompson destroys the Liguria, a legendary ship of the 19th century, and its treasure of gold and diamonds sinks in the sea. Thompson manages to escape unaware that Albizetti sleeps in the same lifeboat he uses. They manage to arrive at a deserted island, which has also been reached on the opposite shore– by the other survivors of the shipwreck: three children, a woman and three men.
Director
Régime sans pain, influenced by (Ruiz's) friend Jean Baudrillard (and calling) to mind grade-Z SF, grew out of a commission to direct a music video (featuring French cult rock duo of Angèle/Maimone). Ruiz offered a counterproposal that he direct several music videos rather than one; once this deal was made, he shot enough material to interconnect the various videos until he arrived at a feature.
Screenplay
A sickly young girl is given away by her father to a childless couple. Twenty years later, she marries her adopted father.
This eccentric short directed by Keith Griffiths, outlines Ruiz’s work, biography and preoccupations and includes a rare interview with the director.
Self
Short film showing cinematographer Henri Alekan, director Raúl Ruiz and actress Olimpia Carlisi at work creating sublime visual effects of the sort seen in City of Pirates.
Director
Short film showing cinematographer Henri Alekan, director Raúl Ruiz and actress Olimpia Carlisi at work creating sublime visual effects of the sort seen in City of Pirates.
Writer
When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.
Director
When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.
Director
In Voyage of a Hand, Ruiz constructs another of his concentric labyrinths that hits us right in the multifaceted center of our confusion. We might decide that what we receive was a story full of intentions; or we might decide that it was a spineless joke empty of sense or direction. In any case, it will be difficult to deny the acid sense of humor that animates the film.
Director
Ruiz on the film: "I began La présence réelle (The Real Presence) first. I. N. A. had commissioned me to produce a personal vision of the Festival d'Avignon. This became a fiction about the theater because if I had filmed the actual performances at Avignon I would have had to respect their staging, I would not be able to change anything. As such, I wouldn't be doing anything more than a retransmission of Antenne 2 or FR3. And since a lot would have to be paid for rights to each play, it would end up costing as much as a fiction feature. So it is a story about the theater, a bit Rivette-ish. I shot all the exteriors in Avignon, the interiors in Paris a few days later and I finish the film next Tuesday."
Screenplay
An island retreat. A man, his face bandaged, plays cards nonchalantly. His ex-wife arrives. Conversations happen. (Mubi)
Director
An island retreat. A man, his face bandaged, plays cards nonchalantly. His ex-wife arrives. Conversations happen. (Mubi)
Screenplay
A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.
Director
A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.
Small Role (uncredited)
1980년대 라울 루이즈의 마스터피스로 꼽히는 작품. 살인을 저지른 한 학생과 그를 설득하여 인생 이야기를 듣는 술 취한 선원의 만남을 그린다. 스토리텔링의 우아한 유희, 바로크적인 시각 양식이 루이즈적인 기운을 만들어낸다.
Writer
1980년대 라울 루이즈의 마스터피스로 꼽히는 작품. 살인을 저지른 한 학생과 그를 설득하여 인생 이야기를 듣는 술 취한 선원의 만남을 그린다. 스토리텔링의 우아한 유희, 바로크적인 시각 양식이 루이즈적인 기운을 만들어낸다.
Director
1980년대 라울 루이즈의 마스터피스로 꼽히는 작품. 살인을 저지른 한 학생과 그를 설득하여 인생 이야기를 듣는 술 취한 선원의 만남을 그린다. 스토리텔링의 우아한 유희, 바로크적인 시각 양식이 루이즈적인 기운을 만들어낸다.
Director
Ruiz, rediscovering the things of his past in Chile ten years after the Coup, regards them now with the eyes of another world. This other world is cinema, the mechanical gaze of a Super 8 camera. This eye sees very deeply, even beyond reality and brute memory.
Writer
장 라신느의 1670년도 비극을 화려한 바로크 양식으로 각색한 작품. 로마제국의 황제는 대중의 뜻에 따라, 사랑했던 팔레스타인 여왕과의 결혼을 포기한다.
Director
장 라신느의 1670년도 비극을 화려한 바로크 양식으로 각색한 작품. 로마제국의 황제는 대중의 뜻에 따라, 사랑했던 팔레스타인 여왕과의 결혼을 포기한다.
N°228
Reel 23 of Gérard Courant’s on-going Cinematon series.
Himself
Portrait of "cinéaste" Ruiz, seemingly at his typewriter, in Courant's ongoing "Cinématon" series.
Director
Raul Ruiz filmed the gardens of the Château de Versailles. The first one, French, focuses on the King's Square (a space where everything is arranged in order to be seen). The other one, English, is the exact opposite, because from any point within it, one falls out of view. Within these two constructions, the labyrinth and the concentric circles, Ruiz conceives a 'photo-roman' plot: a husband and his mistress rendez-vous in the English garden (one understands why) and, through a series of accidents and afraid of being seen, he relocates to the other garden.
Writer
A parody of anthropology, linguistics, and cultural imperialism. The film follows an unlikely team of linguists into the wilds of an ersatz Patagonia to study the last speakers of a dying language. That language apparently consists of a single word, which therefore means everything.
Director
A parody of anthropology, linguistics, and cultural imperialism. The film follows an unlikely team of linguists into the wilds of an ersatz Patagonia to study the last speakers of a dying language. That language apparently consists of a single word, which therefore means everything.
Screenplay
A series of compounding dramatic situations, drawn from Georges Polti's '36 Dramatic Situations' and acted out in shadowplay and voiceover.
Director
A series of compounding dramatic situations, drawn from Georges Polti's '36 Dramatic Situations' and acted out in shadowplay and voiceover.
Director
A small group of well-to-do vacationers go on a hiking trip into the woods. Foolishly unprepared to deal with Mother Nature and their situation, they wander around lost for days and weeks, becoming more and more fatigued, hungry, and desperate. A brief encounter with a pair of epicureans on a bridge fails to garner them any of the gluttons' feast due to a language barrier. Eventually their party begins to die, and the survivors ration their meat among them, attaching a religious-type ritual to its dispensation.
Director
Ruiz’s short about Pieter Wiersma, a Dutch sculptor who makes intricate sandcastles.
Writer
A man awakens to find himself immersed in a real-life scenario of a board game with an ever expanding cartography.
Director
A man awakens to find himself immersed in a real-life scenario of a board game with an ever expanding cartography.
Writer
In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.
Director
In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.
Writer
With his body now devoid of substance and able to fly, N. wanders looking for a way to return to life and reintegrate into the world.
Director
With his body now devoid of substance and able to fly, N. wanders looking for a way to return to life and reintegrate into the world.
Director
Short documentary film on the construction of the new town, Marne-la-Vallée.
Director
The most critically celebrated Rue essay of 1979 was the two-part Petit Manuel d'Histoire de France, directed by the exiled Chilean filmmaker Raul Ruiz, who brought to this commission some of the stylistic fabulism for which he was becoming known in avant-garde cinema.
Writer
A charming tale of murder, perversity and narrative echoes told through shots of barking dogs and a La jetée-like series of stills.
A charming tale of murder, perversity and narrative echoes told through shots of barking dogs and a La jetée-like series of stills.
Director
A charming tale of murder, perversity and narrative echoes told through shots of barking dogs and a La jetée-like series of stills.
Director
서로 다른 시대를 배경으로 한 이야기가 중첩되면서 ‘영화 속 영화´ 형식을 취한 작품. 1942년과 1962년에 만들어진 미완성 필름을 라울 루이즈가 일단락시켰다. 미로 건축물을 걷는 것 같은 분위기를 연출하는 작품.
Writer
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
Director
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
Scenario Writer
Eleven-year old Dora (Nathalie Manet) is forced to chase after clues concerning her inventor-father's death while being chased by thugs working for big industry. Not only is she seeking to understand her father's mysterious death, but some of the clues he gave her indicate that he invented something unusual which the big companies want. She barely escapes being kidnapped and is helped in her search by a magical fairy and an aspiring actress.
Director
Ruiz on the film: "Les Divisions is a documentary about the Château de Chambord and the title comes from the Divisione of Johannes Scotus (Erigena), the ninth century Irish philosopher (who was a 'realist', although the film is more 'nominalist' in characterization of the castle which presents itself as a representation). I say that it is a representation, since it is neither practical for military purposes (too many doors), nor to live in (too many draughts), but only as pure representation. So for the commentary, I tried to imagine how a Renaissance philosopher would view it in a pastiche of a scholastic or gothic text, then a pastiche of Fichte's Vocation of Man and finally a pastiche of Baudrillard."
Chilean refugee
A thriller in which the characters are Latin-American exiles living in Paris. It is also a comedy about artists who play at revolution rather than actually participate in one
Racial, social and cultural aspects of La Paz (called Chuquiago by the Aymaras) seen through four stories.
Writer
Two salesmen in Honduras are looking everywhere for their lost pal.
Director
Two salesmen in Honduras are looking everywhere for their lost pal.
Director
A documentary on the exiled Chilean painter Sotelo which focuses on the painter's voice rather than the paintings themselves.
Screenplay
피노체트 독재 하의 칠레에서 프랑스로 망명한 라울 루이즈의 내면이 투사된 영화. 파리에 도착한 지 한 달이 되지 않은 시점에 만들어진 영화를 통해 루이즈는 칠레 망명자 공동체의 아이러니함과 프랑스 좌파의 긴밀한 관계를 기록한다.
Production Director
피노체트 독재 하의 칠레에서 프랑스로 망명한 라울 루이즈의 내면이 투사된 영화. 파리에 도착한 지 한 달이 되지 않은 시점에 만들어진 영화를 통해 루이즈는 칠레 망명자 공동체의 아이러니함과 프랑스 좌파의 긴밀한 관계를 기록한다.
Director
피노체트 독재 하의 칠레에서 프랑스로 망명한 라울 루이즈의 내면이 투사된 영화. 파리에 도착한 지 한 달이 되지 않은 시점에 만들어진 영화를 통해 루이즈는 칠레 망명자 공동체의 아이러니함과 프랑스 좌파의 긴밀한 관계를 기록한다.
Screenplay
The life of a right-wing housewife in Chile during the prior days to Salvador Allende's military overthrow.
Writer
The film captures the activities of the inhabitants in the countryside, in southern Chile, and the CORA (Corporation for Agrarian Reform). Although the action was filmed in four days and four nights in 1971, the movie was only finished in France in 1973, after the military coup.
Producer
The film captures the activities of the inhabitants in the countryside, in southern Chile, and the CORA (Corporation for Agrarian Reform). Although the action was filmed in four days and four nights in 1971, the movie was only finished in France in 1973, after the military coup.
Director
The film captures the activities of the inhabitants in the countryside, in southern Chile, and the CORA (Corporation for Agrarian Reform). Although the action was filmed in four days and four nights in 1971, the movie was only finished in France in 1973, after the military coup.
The young Marcela leaves her small Chilean village and travels to Santiago in order to find work as a secretary.
Screenplay
가난한 여학생과 부잣집 청년의 사랑이야기. ´칠레의 사랑 이야기´라는 베스트셀러를 새롭게 창작하였다. 말랑말랑한 로맨스가 1970년대 아옌데가 권력을 장악하면서 격동을 맞았던 칠레 사회에 대한 풍자극으로 변모한다.
Director
가난한 여학생과 부잣집 청년의 사랑이야기. ´칠레의 사랑 이야기´라는 베스트셀러를 새롭게 창작하였다. 말랑말랑한 로맨스가 1970년대 아옌데가 권력을 장악하면서 격동을 맞았던 칠레 사회에 대한 풍자극으로 변모한다.
Director
Mordant, self-aware, freighted with sensitivity toward Chile’s problem, wary of caricature, disposed toward consciousness of human fallibility, it is a deft blend of fiction and documentary set in the tumultuous days leading up to the election of Salvador Allende in 1970.
Writer
Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.
Director
Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.
Director
Raoul Ruiz shot this film on March 28th, 1971, during the big peasant march in Temuco, Chile, when the bill that gave the full citizenship and civil rights to the Mapuche Indio people was approved. Raoul Ruiz listens to their painful stories.
Writer
A foreign journalist arrives on a small Pacific island 200 miles off the coast of South America. Once a leper colony, the island was later transformed into a prison and then, under U.N. mandate, made into an independent republic. Yet despite democratic structures, the inhabitants--who speak a strange dialect composed of Spanish and English--still obey the old prison rules. After sending back detailed accounts of the torture and repression seen everywhere, the journalist realizes that she"s fallen into the trap created for her by the islanders: lacking natural resources, the island"s main export is news. The clearest anticipation of Ruiz"s later European work, The Penal Colony is a powerful document of the tensions and contradictions in Chile in the months before Allende"s electoral victory.
Director
A foreign journalist arrives on a small Pacific island 200 miles off the coast of South America. Once a leper colony, the island was later transformed into a prison and then, under U.N. mandate, made into an independent republic. Yet despite democratic structures, the inhabitants--who speak a strange dialect composed of Spanish and English--still obey the old prison rules. After sending back detailed accounts of the torture and repression seen everywhere, the journalist realizes that she"s fallen into the trap created for her by the islanders: lacking natural resources, the island"s main export is news. The clearest anticipation of Ruiz"s later European work, The Penal Colony is a powerful document of the tensions and contradictions in Chile in the months before Allende"s electoral victory.
Writer
라울 루이즈는 산티아고의 암흑가 뒷골목에서 사는 아만다와 티토 남매를 며칠 동안 관찰하여 이 영화를 만들었다. 줄거리라고 할 것도 없는 짧은 경험을 기록한 작품으로 1969년 로카르노 영화제 황금표범상 수상작이다.
Director
라울 루이즈는 산티아고의 암흑가 뒷골목에서 사는 아만다와 티토 남매를 며칠 동안 관찰하여 이 영화를 만들었다. 줄거리라고 할 것도 없는 짧은 경험을 기록한 작품으로 1969년 로카르노 영화제 황금표범상 수상작이다.
Editor
Absurdist short about a man with a suitcase and a man inside that suitcase.
Writer
Absurdist short about a man with a suitcase and a man inside that suitcase.
Director
Absurdist short about a man with a suitcase and a man inside that suitcase.
