Blanche Cornwall

Mr. Bruce wins at cards but spends the night desperately trying to protect his winnings from the crooked casino owners.

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

A spoof of Sherlock Holmes. Directed by Alice Guy-Blache for Solax Film Company.

Three wartime friends, two wealthy, and one poor, reunite at an upscale dinner party. Things take a turn when the poor man is accused of stealing something.

Proud old Major Neal disowns his only child, a beautiful girl, because he considers her marriage a misalliance. Years pass. The old major becomes a recluse feared by all. One morning, a hamper is found beneath the Major's covered driveway.The hamper contains a baby girl.

Peggy Wilson has recently become an orphan and a ward of the Waston family. She’s also inherited the late Robert Wilson’s vast fortune, which puts her very much in Mr. Waston’s favor. He would like his son, Frank, to marry Peggy, but Peggy “is not his style” and “her money is no inducement”.

A recent immigrant learns several hard lessons about how husbands in America are expected to behave.

The Professor will not allow his daughter to marry a non-musician, but Billy, her would-be suitor, cannot play a single note. When he is about to give up, Billy’s roommate suggests bluffing his way into the Professor’s favor with the aid of a suitably musical disguise and a well-hidden phonograph player.

When Kitty's family adopts a homeless dog they couldn't guess how much it would be of help in her fathers detective work.

A father who is determined his daughter should marry a count leading the boyfriend to dress up as the count to thwart his plans.

At a large factory, the workers decide to strike. Although the leader of the workers believes his boss is treating them unfairly, the strike movement spirals out of control.

"Wild Bill" Gray is a renegade and a wife-beater. He is about to start on some expedition of crime and his wife implores him to stay at home. She receives a beating for her trouble. Jim, a cowboy, rides past the shack, hears Mrs. Gray's screams and interferes, and takes Mrs. Gray over to his friend, the postmaster, so that she may have a good home. "Wild Bill" plans vengeance. Paxton, the postmaster, starts for the station with money and gold, and is accompanied a short way by Jim. Gray sneaks after them. After going with Paxton a short distance, Jim takes a turn in the road and Paxton rides on alone. Gray closes up on the postmaster, gets the drop on him, but Paxton is quick and there's a hand-to-hand struggle. Bill, however, worsts Paxton, and finally sends him over a precipice. But in falling, Paxton falls into a tree and thus is saved from sure death.

A remake for the US market of Alice Guy's Les Résultats du féminisme. The film is considered to be lost.

A noted philanthropist is captured by a rowdy gang, but one of the children involved resists the gang's insistence that he turn to a life of crime.

폐렴으로 시한부 선고를 받은 한 소녀는 가을이 되어 나무의 마지막 잎새가 떨어질 때 쯤 자신이 세상을 떠나게 될 것이라고 믿는다. 소녀의 동생은 언니의 죽음을 막기 위해 벌써 앙상해진 나뭇가지에 나뭇잎들을 묶어 놓는데... 최초의 여성 감독 중 한 명인 알리스 기 블라쉐가 오 헨리의 동명소설을 현대적 시각으로 자유롭게 각색한 작품.

A young man of high social position sacrifices his home and family for a girl of the stage. Cast off by his family, the young man finds that he is not qualified to earn his living. In the meanwhile his wife grows ill, a child is born, and several years after, the man finds himself in narrow straits. He prepares to go out and burglarize a place. His child enters when he leaves his revolver on the table. The child plays with it as with a toy and then innocently removes the bullets. The father comes back and takes the revolver and goes out. Accidentally, the son breaks into his own father's office. The father happens to be working late that night. The son breaks in, tries to shoot his own father. By the intervention of God, the son is saved from a patricide.

The story involves a man who goes to a gambling den regardless of the protestations of his wife. He is extremely lucky and his luck attracts attention. Strangers become friendly with him and he being a "good feller," "sets up" the crowd. After the night's playing, he is advised by the owner of the den that it would be hazardous for him to attempt going home alone with so much cash on his person. Chance decides to remain over night. He is shown to a room. During the night, he not only finds that he has been trapped, but an attempt is made on his life. (Moving Picture World)

A Jewish man is treated poorly by a member of the upper-class. When tragedy strikes, the Jewish man has an opportunity for revenge, but he turns the other cheek.

A parson arrives in the midst of a bunch of wild cowboys. Expecting a male parson, the boys set out in full force to receive him, but on the road when they suddenly run into the one-horse shay of a female parson, they keel over in surprise. Right after her arrival the boys begin to lay plans to get in right, while the parson loses no time in starting a campaign for the defeat of Satan. She begins by posting a sign near the town horse trough to the effect that "Cleanliness is next to Godliness." Of course the boys see the sign and immediately there is a sudden disposition among them to make use of soap, water and brush. One cowboy in particular is very much in love with the parson. He shows his affection only too plainly, and so the boys decide to play a trick on him. Their practical joke unintentionally is not only the means of frustrating a plot against the parson, but it brings the parson and her lover together.

A man mistakes a woman's blown kisses as being directed at him. When he comes over to call on her, she attempts to shoo him away, but must hide him when her husband comes home unexpectedly.

Mixed Pets is an early Alice Guy Blaché comedy about misunderstandings that arise when a new husband refuses to buy his new wife a dog and the couples’ domestic help conceal the fact they are married with a baby. Puppies and babies become mixed up in cabinets as everyone tries to hide their adored ‘pets.’ The film is enormously funny and shows a poignant understanding of people’s joys and foibles as well as a perceptive grasp of relationships, a Guy Blaché trademark.