A documentary about a recovering alcoholic and addict – especially one whose story we're already broadly familiar with – doesn't sound like a great night's entertainment. But this compact and moving film made by Fiona O'Loughlin's mate, Sam Petersen, is not just thoughtful, it's also often very funny. Petersen follows O'Loughlin from the time she leaves rehab in 2016 (she spent seven days in a coma following an epic binge) to her return to the Melbourne Comedy Festival in 2018 – including a relapse that put her back in hospital again. As you might expect, many gags are cracked. Truths are told. But this is also an exploration of the way the live-comedy scene is a natural home to excess, and the dangers of the misguided but entrenched association between creativity, and drugs and alcohol. Source: The Age newspaper (https://www.theage.com.au/culture/tv-and-radio/twisting-british-thriller-is-the-stuff-of-any-parent-s-nightmares-and-it-s-really-really-good-20200504-p54po9.html)
Australia's favourite music quiz returns for a one hour Reunion. Join Adam Hills, Myf Warhurst, and Alan Brough for some favourite games, surprises, and lots of laughs.
The Sounds of Aus tells the story of the Australian accent: how it came about, how it has evolved over two hundred years of colonial and cultural history, and how it is today.
Why do women and girls feel insecure about body image, and what thoughts tempt them towards eating disorders and other strange beauty rituals? Gorgeous follows the perils of cartoon character Hermoine the Modern Girl as she tackles plastic surgery, beauty therapy and bulimia in a feral fit of inadequacy. Undermined by her evil inner voice, otherwise known as Deirdre the Weird Fairy, Hermoine journeys from heavy chocolate biscuit abuse to tortuous treatment at the beauty salon, the boutique and the gym. After narrowly escaping the clutches of an out-of-control plastic surgeon, Hermoine finally rebels against Deidre’s obsession with eating behaviour and ‘beauty’ and proves that modern girls can stop feeling inadequate and regain their self-esteem.
Questions of identity, representation and truth are explored in Sue Brooks’ 1989 short, which pairs a woman’s domestic labour and care for her children with her own memories of childhood and hopes for the future.
Malcolm is a chronically shy mechanical genius, who has just been fired for building his own tram. He gets Frank, who has just been released from jail, to move in to help pay the bills and, with Frank's help, Malcom turns to a life of crime.
