María Eugenia Sueiro

출생 : 1974-08-08, Buenos Aires City, Buenos Aires, Argentina

참여 작품

La burbuja
Art Direction
Cómo mueren las reinas
Art Direction
One mother, two sisters that make each other jealous, and a visitor whose presence upsets the home’s precarious system until he is taken by storm, enveloped in his own astonishment.
El tío
Writer
50-year-old Dalmiro has a peaceful and routine life. But the unexpected death of his brother forces him to take care of his sister-in-law and his nephews. Her sister-in-law asks Dalmiro to take his niece to Disney, since his brother had planned to go with her before he died. His sister-in-law posed it as a transaction, since Dalmiro had a significant money debt with his brother. Responsibility and mandate will be for Dalmiro a portal to new opportunities.
El tío
Director
50-year-old Dalmiro has a peaceful and routine life. But the unexpected death of his brother forces him to take care of his sister-in-law and his nephews. Her sister-in-law asks Dalmiro to take his niece to Disney, since his brother had planned to go with her before he died. His sister-in-law posed it as a transaction, since Dalmiro had a significant money debt with his brother. Responsibility and mandate will be for Dalmiro a portal to new opportunities.
우등시민
Art Direction
노벨상 수상자인 다니엘은 오만함이 하늘을 찌르는 저명한 소설가. 고향에서 수여하는 우등시민 초대를 받기 위해 그는 모든 일정을 뒤로 하고 수십년만에 아르헨티나의 작은 마을을 찾는다. 마을의 영웅이던 그는 곧 마을의 배신자로 낙인찍히는 위기를 맞게 되는데... [2016년 제21회 부산국제영화제]
Nosotras sin mamá
Writer
Sisters Teresa, Amanda, and Ema reunite in their childhood home and get accidentally locked in, so now it’s only them, the memory of their recently deceased mother, and a shared history they will have no choice but to share again.
Nosotras sin mamá
Director
Sisters Teresa, Amanda, and Ema reunite in their childhood home and get accidentally locked in, so now it’s only them, the memory of their recently deceased mother, and a shared history they will have no choice but to share again.
네온 플레쉬
Art Direction
리키는 오늘 죽을지도 모른다. 총알 한 발이 그의 머리를 향해 거침없이 날아간다. 왜 나를 죽이려고 하는 것일까! 그의 머릿속엔 많은 생각이 휘몰아친다. 갱단과 마피아, 트랜스젠더, 자신의 매춘업 개업에 관한 이야기가 담겨있다. 언더그라운드 세계의 암울한 분위기와 범죄집단 내에서 갈등하는 인간적 고민이 범죄영화 특유의 스릴러 플롯을 통해 펼쳐지는 암울한 꼴라쥬. 어릴 때 버려진 엄마의 기억은 손에 들고 있는 사진 한 장뿐인 리키는 뒷골목 생활을 하며 얼마 후 출옥 할 엄마를 위해 착실히 돈을 모아 둔다. 그리고 엄마와 함께 할 클럽을 열고 엄마의 출옥을 마중 나가지만, 정작 엄마는 치매에 걸려 누가 누군지 하나도 기억하지 못한다. 매춘 클럽을 시작 하며 일어나는 뒷골목생활과 갱단, 매춘의 이야기를 통해 전개되는 이 영화는리키가 엄마를 생각하는 마음과 흑인 매춘부 여성을 사랑하는 치노의 열정, 성전환 수술을 받고 싶어하는 프렌세스가 흑인 매춘부 여성의 갓난 아기를 보며 갖는 따뜻한 마음 등 코믹하면서도 인간적인 면을 보여준다.
The Puzzle
Art Direction
Maria's family give her a puzzle for her 50th birthday, and she loves it. Not only does the patient housewife have fun solving the puzzle, she's also really good at them. Overflowing with enthusiasm for her new-found passion, she goes back to the shop where they bought the gift for another puzzle. There her eye is caught by a notice on the message board: Partner for puzzle tournament wanted. Maria musters her courage and, despite her family's misgivings, answers the announcement.
The Appeared
Art Direction
One night Malena and Pablo, a sister and brother traveling together in Argentina, discover a diary that details crimes committed twenty years ago.
머리 없는 여인
Production Design
남부럽지 않은 직업과 부를 가진 베로니카. 홀로 차를 몰아 시골길을 달리던 베로니카가 갑자기 울린 휴대 전화를 집으려 고개를 숙인 사이 끔찍한 소리와 함께 차가 무언가를 치받고 만다. 한동안 멈춰 선 베로니카는 차에서 내리지도, 뒤를 돌아보지도 않은 채 다시 시동을 건다. 베로니카는 일상으로 돌아가려 하지만, 사람을 치어 죽였을지도 모른다는 죄의식과 불안은 그녀를 옥죄고, 그녀의 정신과 일상은 서서히 무너져 내린다.
A Year Without Love
Art Direction
A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.
Lost Embrace
Art Direction
In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.
Moebius
Production Office Assistant
Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with its 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he too has vanished.