Born in 1941, Eric Burdon was – along with his band The Animals – one of the most important standard-bearers of the British Invasion of America, right after The Beatles and ahead of The Rolling Stones, The Who and The Kinks. Their 1964 interpretation of House of the Rising Sun was a global hit and inspired Bob Dylan (who recorded an acoustic version on his first album) to go electric and hit the stage from then on backed by a rock band.
From America's deep South, to Detroit and New York this captivating and enlightening documentary special traces the evolution of blues through pivotal moments in American history. Brewer discovers that there was no music called 'the blues' when its creators just stepped into a new feel of musical expressionism… just a means of releasing a lifetime of pain and oppression, from which music, momentarily, set them free.
George Thorogood Live at Rockpalast in 1980 goes from zero to 60 in no time with the opening track, “House Of Blue Lights,” the Chuck Berry classic. “I’m Wanted” has some nice breaks and is as steady as they come. “One Bourbon, One Scotch, One Beer,” is as lively and interesting as the studio version. It’s a ten-minute romp of hard luck and booze, and Thorogood plays it flawlessly. The second disc features some great slide work and features a nice routine of Elmore James including “Goodbye Baby (Can’t Say Goodbye)” and “New Hawaiian Boogie.” Another song Thorogood is well known for covering is “Who Do You Love?” and he plays this Bo Diddley standard with all the attitude of a rattlesnake on a bad day. Classic stuff.
George Thorogood is an American icon. In a career that stretches back to the mid-70's, he and his band The Destroyers have released 16 studio albums with worldwide sales in excess of 15 million. 2013 saw George & The Destroyers make their long-overdue debut at the legendary Montreux Jazz Festival. Performing at an event that had previously played host to many of their musical heroes inspired the band to produce one of their finest performances on a set list that stretched back to their 1977 debut album right up to recent releases. George Thorogood & The Destroyers deliver a dozen-song set at the 2013 Montreux festival that includes his signature tunes "One Bourbon, One Scotch, One Beer," "Cocaine Blues," and "Bad to the Bone."
미래, 인류와 기계의 전쟁은 계속 되는 가운데 스카이넷은 인류 저항군 사령관 존 코너를 없애기 위해 액체 금속형 로봇인 T-1000(로버트 패트릭)을 과거의 어린 존 코너에게로 보낸다. 형태의 변신과 자가 치유까지 가능한 T-1000에 대항하고 존 코너를 지키기 위해 인류 저항군은 T-101(아놀드 슈왈제네거)을 과거로 급파한다. 미래의 인류 운명을 쥔 어린 존 코너, 그를 구해내지 않으면 인류의 미래는 없다. 반드시 제거해야 하는 스카이넷의 T-1000은 거침없이 존 코너 일행을 위협하며 숨가쁜 추격을 시작하는데...
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
