Paul Whiteman

Paul Whiteman

출생 : 1890-03-28,

사망 : 1967-12-29

약력

Paul Whiteman began his musical career as a viola player for the San Francisco Symphony. He enlisted in the Navy during World War I, and his musical abilities resulted in the Navy putting him in charge of his own band. After the war he moved to New York in 1920, where he recorded his first hit, Whispering/The Japanese Sandman. It sold more than two million copies, making Whiteman was an instant star. In 1924 he introduced the George Gershwin classic Rhapsody in Blue, which became the band's signature song. Whiteman had the foresight to hire some of the best jazz musicians of the era, including Red Nichols, Frankie Trumbauer, Tommy Dorsey and Bix Beiderbecke. Bing Crosby got his start with Whiteman in 1929, in a trio called the Rhythm Boys. Whiteman's band continued its run into the 1930s, but toward the end of the decade their popularity began to wane, and in the early 1940s Whiteman took a job as musical director for the American Broadcasting Co., a position he kept into the '60s. He would put together his band every so often during that period, and in the early 1960s they even managed to secure engagements in Las Vegas, after which Whiteman retired. Date of Birth 28 March 1890, Denver, Colorado, USA Date of Death 29 December 1967, Doylestown, Pennsylvania, USA  (heart attack)

프로필 사진

Paul Whiteman

참여 작품

The Golden Twenties
Himself (archive footage)
Feature-length compilation of 1920s newsreel footage, with commentary about news, sports, lifestyles, and historical figures.
The Lambertville Story
Paul Whiteman
Paul Whiteman, the orchestra leader, is a resident of the town of Libertyville, New Jersey, a quiet community where the farmers, including Mr. Whiteman, raise Black Angus cattle. His story is how the townspeople got to together in a town meeting to find a solution to the helter-skelter activities of the local teen-agers Saturday nights.
The Fabulous Dorseys
Paul Whiteman
The story of Tommy and Jimmy Dorsey from their boyhood in Pennsylvania through their rise, their breakup, and their personal reunion.
랩소디 인 블루
Himself
Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.
Atlantic City
Himself
In 1915, Atlantic City is a sleepy seaside resort, but Brad Taylor, son of a small hotel and vaudeville house proprietor, has big plans: he thinks it can be "the playground of the world." Brad's wheeling and dealing proves remarkably successful in attracting big enterprises and big shows, but brings him little success in personal relationships. Full of nostalgic songs and acts, some with the original artists. Reissued in 1950 as "Atlantic City Honeymoon".
Birth of the Blues
Self (archive footage)
Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.
스트라이크 업 더 밴드
Paul Whiteman
Jimmy and Mary get a group of kids together to play in a school orchestra. A huge contest between schools is coming up and they have a hard time raising money to go to Chicago for the contest.
Hollywood Hotel
Producer at Callahan's Drive In (uncredited)
After losing a coveted role in an upcoming film to another actress, screen queen Mona Marshall (Lola Lane) protests by refusing to appear at her current movie's premiere. Her agent discovers struggling actress Virginia Stanton (Rosemary Lane) -- an exact match for Mona -- and sends her to the premiere instead, with young musician Ronnie Bowers (Dick Powell). After various mishaps, including a case of mistaken identity, Ronnie and Virginia struggle to find success in Hollywood.
Thanks a Million
Himself - Bandleader
A show troupe is engaged by Judge Culliman, who is running for Governor, to enhance his political campaign. When the inebriated Judge has to be replaced in doing his campaign speech by the troupe crooner, Eric Land, his political backers decide that they want him to run for Governor in the Judge's place. Romance, music, political corruption and the election results follow.
I Know Everybody and Everybody's Racket
Self / Orchestra Leader (as Paul Whiteman and Orchestra)
Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.
My Pal Paul
Himself
Oswald the Rabbit puts on a concert for a group of barn animals - but when they discover that he's miming to a record of his idol, Paul Whiteman - they boo and shun him. Oswald wanders off in shame to hang himself from the nearest tree and is stopped by none other than Whiteman himself who happens along in his car. The two begin performing music using parts of the car which leads to some highly surrealistic setpieces (dancing tools - a hood ornament that does an Indian dance, etc.) This rare and whimsical cartoon was used to promote THE KING OF JAZZ and makes reference to same.
킹 오브 재즈
Paul Whiteman
1930년 시점에 선구적인 컬러 영화일 뿐만 아니라 영화적 표현도 혁신적이다. 무성영화와 흑백 영화, 그리고 영화 이전에영화의 역할을 하던 극에 대한 전통이 녹아들어 시대를 넘는 쿨함으로 탄생하다. 20세기 초반에도 예상 외로 컬러 영화가 꽤 많이 나왔지만 폴 화이트먼의 오케스트라의 비주얼한 퍼포먼스를 엮은 이 영화는 공황 직전 거슈윈의 음악으로 흐르는 낙관적인 태도와 모든 문화의 mix로서 미국이 중심이 되고있다는 자신감으로 가득차 있다.
The Voice of Hollywood No. 3
Himself
Reginald Denny hosts. Reginald Denny presents a performance by a famed female impersonator Julian Eltinage. Anita Page and Julia Faye discuss the latest fashions for women. Bobby Vernon attempts to provide musical entertainment.
London
A Lady adopts a runaway slum girl who resembles her own dead daughter.