Maria Statulova

Vassil (41) is a documentary film director who has not achieved the success he dreams of. He puts all his energy filming the broken relationship between a monk and his mother. Meanwhile Vassil's wife and their 14-year-old daughter take second place in his life. The director learns that the monk is in a psychiatry while his mother will have to undergo a cancer surgery. To bring them together to forgive each other is Vassil's long awaited finale of his film. He faces a dilemma to shoot "life as it is" or show human compassion and empathy.

A Bulgarian "Drugstore Cowboy." A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

Two eternal opposing theses - play is our life or life is our play - are the base of music, dance and verse which fit together in this film.

Gynecology clinic in Sofia, Bulgaria. On one of the floors several women are waiting for their turn to get an abortion. And on the other floor, four older women struggle to preserve the life they carry. Toni must decide whether to give birth to a child who will not have a father.

A middle-aged man makes every effort to provide for more or less decent life for his family. He is a driver who carries vegetables and fruits. He spends reasonable to save for his family and especially for his kid. Everything is all right until the day when the boy finds out that the part of the money have been made in indecent way. This revelation provokes a serious conflict in the family and the boy deserts his home. The man makes an attempt to put an end to his shady deals, but it turns out to be impossible. His 'employers' display exorbitant aggressiveness.

Three colleagues and devoted friends – Danton, Petar and Andrey – share an office, and not only, on the fifth floor of a socialist industrial research institute from the mid-eighties. Every morning when they come to work they lock the door of the office and, armed with binoculars and great interest, they begin watching the aerobics exercises of a young girl in the nearby building. Suddenly, their tranquil daily round is disturbed - a new director takes over the Institute and decides to develop close scientific partnerships with similar institutes in Japan.

The horrifying conclusion to the Golden Age unfolds in a magnificently violent nightmare, signifying the birth of new era where darkness outshines the light. It's been a year since Griffith's imprisonment by the Kingdom of Midland. Once praised as the saviors of the Midland, the Band of the Hawk has been on the run and is on the brink of breaking apart. Much to everyone's surprise, Guts returns to the Hawks, and the search for Griffith begins!

A couple of young ladies decide to obtain a driving license. The film is a true comedy of relations, caused between the driving-teacher and the beginner-drivers.

World War II. Vasil is in serious conflict with the police officer Simeonov and at the same time with his childhood friend and brother by faith - the partisan Kalin. Yana comes between Vasil and Kalin. She has grown up with them and they are both in love with her. She loves Vasil more but she cannot accept his individualism. The tragic struggle in Vasil determines his doom. After the coup on September 9, 1944, he arrests Simeonov, but when he takes him to the military tribune, he dies unexpectedly.

There are essentially two types of people: those who think with their stomachs, and those who think with their hearts.

The truck driver Kiril has a dream to build a house for his family. Is this a possible ambition in society of scarcity and envy.

Advantage (Bulgarian: Авантаж, translit. Avantazh) is a 1977 Bulgarian drama film directed by Georgi Djulgerov. It was entered into the 28th Berlin International Film Festival, where Djulgerov won the Silver Bear for Best Director. The action takes place during the socialist period in Bulgaria. The central character, nicknamed the Cock is an artistic personality, a man of strong character known as the king of the pickpockets. His keen sense of personal freedom comes up against the universally accepted norms of behavior. The Cock likes a game, adventure and danger, while socialist society needs obedience. The Cock makes a stand against this order; he does not want to play his games according to rules. He is telling his story of two decades: his imprisonment and his love affairs.

The seven women inmates in Poslednata Duma are imprisoned because they have been associated with partisans opposing the fascist puppet government of the German Nazis. Each of them has the power to save herself if she will betray the others, and each bravely refuses to do so, even though it means they all will die. Despite their grim situation, and the atrocities perpetuated on them as political prisoners, they manage to laugh, and even celebrate a festival.