Editor
Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.
Writer
Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.
Director
Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.
Director
At the start of their weekend trip, a couple decides to stop by the House of Books. They want to donate a box of children's books. An exercise in letting go.
Director
The conflict between a shopkeeper and his mother escalates. There is violence he will regret. A naive passerby questions the tension using film references. A comic ode to suspense cinema.
Writer
After 29 years at the assembly line, Peter is ready for retirement. A film about the art of saying goodbye.
Director
Two kids are forced to play together by their mothers. They discover a shared interest in planes though and soon they start a battle about who knows more about them. Their fantasy about planes turns into reality for the audience.
Director
Lost in an industrial district, a delivery boy asks directions to a solitary welder. Things take a turn for the worst when he is fired, and his van refuses to start. The two men seem to be condemned to each other. The unexpected intimacy appears not to be a misfiring spark.
Producer
Want (81) lies die on. The old woman is entirely ready for the passage, thus she has let know already several times in the presence of thuishulp Frank (31). For empathische the attendant this those moments are where living twists for and
