Mariano Mattos Martins

Rô Nunes, an obese, gay comedian, is canceled by public opinion after a controversial video goes viral on social media.

Through artistic manifestations, a group of LGBTQIA+ people performs public stagings that raise debates on issues of gender, social inequality and prejudice in the streets of downtown São Paulo. Messing with the popular imagination and providing debates, the artists explain their daily struggles to anyone who is interested in acquiring a new perspective on the most subtle layers of intolerance.

On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?

Man and Woman are reunited after a long time. Sorrow and desire cannot break the silence. But that's okay: when words don't come, it's the body that speaks.

The film is a narrative starting from the story of Pierre and Syl, a couple that experiences the conflict between possession and freedom in a troubled relationship. Pierre is insecure and jealous, while Syl can’t even imagine that spending time with her friends will affect her boyfriend’s emotions – and also her own in a tragic way. A musical in tribute to Brazil, the garden of the Atlantic Ocean.

A film that mixes labyrinthine recent testimonies and historical images of the career of the tropicalista director, actor and playwright Zé Celso, of Teatro Oficina, one of the greatest personalities of the Brazilian arts of all time. The documentary acquired its main verb in four trips to key points in the trajectory of Zé: Bahia badlands, Cururipe Beach in Alagoas (where Bishop Sardinha was devoured), Epidaurus and Athens in Greece and his apartment in São Paulo.

영화 사상 가장 ‘매력적으로 사악한’ 악당으로 꼽히는 악의 화신 코핀 조, 그가 40년의 감옥 생활을 마치고 완벽한 후계자를 임신시킬 여성을 찾기 위해 돌아온다. 한편, 복수를 위해 그를 쫓는 부패 경찰과 신부는 추적의 손아귀를 조여온다. 살인, 섹스, 고문, 신체절단, 식인, 수간, 초자연적 현상, 브라질 토속 미신 등 호러 영화의 모든 요소를 집약시켜 브라질 사회의 문제점을 비추는 브라질 호러 영화 선구자 주제 모지카 마린스의 코핀 조 연작의 완결판.

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão"(backlands). The result was the pentalogy of plays: A Terra (2002), O Homem I (2003), O Homem II (2003), A Luta I (2005), and A Luta II (2006). This first play is a carnival opera, the actors are the earth, the vegetation, the wind, the animals, the rivers, the drought. It reveals the most intimate secrets of nature, that also vibrate in the human and trans-human arteries. This work enriched by the experience that the subsequent works brought gains an updated insight into the human interference in the environment. Destructive power is proportional to financial power, and the discussion about the way space gets occupied was brought to the forefront, including the real-estate boom that surrounds today not only Teatro Oficina, but the whole world, now hotter and more arid.