Robinson Rákoska
Professor
This light-hearted comedy operetta tells the story of a newly appointed high school professor who becomes an ideal target for pranks and jokes.
Directed by Friedrich Feher.
St. Wenceslas (Czech: Svatý Václav) is a 1930 Czechoslovak historical film about Saint Wenceslas.[2] It was the most expensive Czech film to date,[3] with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.
The illegitimate child, Marie Růžová, grows up in the family of the Bořický miller. Childhood and youth spend with the son of Bořice, Klement. Klement asserts the rights, becomes a lawyer, and marries Jirina. In order not to cause further contradictions, Mary will go to Prague secretly at night. There he is living heavily as a waitress. He resists the insults of architect Jansky until he ultimately decides to commit suicide in despair.
The troubled situation of a provincial actor and his actress wife who come to the city. The actor is suspected of attacking another actor who admires the actress.
Priest
A Carl Lamac directed movie based on a novel by Karel Václav Rais.
Pork-butcher
The film depicts the adventures of Kacenka (Zdena Kavková) and Vincek (Vlasta Burian), two innocent country bumpkins who live in a Czech small town, and the various jobs that Kacenka has once she moves to Prague, that beautiful capital city. Our heroine will have to bear difficult working conditions and to make things worse, she falls in love with a fake aristocrat. Fortunately her companion, Vincek who is also in Prague, has an unrequited love for her. Though he is the cause of many Kacenka's problems, Vincek finally will help and resolve her loves troubles. And of course there is a happy ending that brings the Czech couple together.
Member of the Suite
The film depicts the troubles of Herr Verner ( Herr Karel Hasler ), a middle-aged bachelor dentist who wants to marry.
Priest
A Czechoslovakian comedy directed by Carl Lamac and starring himself Theodor Pistek & Anny Ondra.
Svatopluk Innemann’s film Be Prepared! from 1923 portrays the early Czech boy scout movement through a simple story which takes us to a myriad period locations, such as Orlík castle and St John’s Rapids, the latter of which no longer exists.
Sam
A brave young woman falls in love with a mysterious stranger.
Twins Adam and Eva are so alike, it is impossible to tell them apart, which enables the malicious Eva to get away with all sorts of naughty tricks and leave the blame to fall on Adam. The pair grows up and Adam decides to pay Eva back for the tricks she played on him in the past. When he discovers that the handsome Dr Prokop Novotny is interested in Eva, he dresses up as Eva and startles the suitor.
Guest
The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.
Jan
Professor Grant signs a contract with Dr. Selin for the sale of his invention of cold light with the plans for his invention being kept in Grant's apartment. The negotiations are secretly heard by the illusionist Durk, who wants to seize the invention. A few days later Selín is found dead, killed by a light bulb filled with poisonous gas. Durk performs at the birthday party of Grant's daughter Anna and seizes the plans for the invention.
Jan
Shot in the early 1920s, this classic film about the elixir of life and the secret of the Black Tower has finally been restored to its original version.
Story
Director
Directed by Antonín Fencl.
Screenplay
Directed by Antonín Fencl.
Story
Directed by Antonín Fencl.
Story
He paces nervously with his flowers in front of the building until she looks out from a window & tells him to come on up. She's happy to receive the flowers which she puts in a vase. He's happy to partake of a feast she has prepared for him, including wine, bread, meat, a big napkin around his neck. She does not eat with him, perhaps reflecting her occupation as a cook who doesn't eat with who employs her.
Prefatýn
He paces nervously with his flowers in front of the building until she looks out from a window & tells him to come on up. She's happy to receive the flowers which she puts in a vase. He's happy to partake of a feast she has prepared for him, including wine, bread, meat, a big napkin around his neck. She does not eat with him, perhaps reflecting her occupation as a cook who doesn't eat with who employs her.
Director
He paces nervously with his flowers in front of the building until she looks out from a window & tells him to come on up. She's happy to receive the flowers which she puts in a vase. He's happy to partake of a feast she has prepared for him, including wine, bread, meat, a big napkin around his neck. She does not eat with him, perhaps reflecting her occupation as a cook who doesn't eat with who employs her.
Story
A fight breaks out over a poster.
A fight breaks out over a poster.
Story
Josef Sváb-Malostranský unrolls a poster in front of a mill with the words Czech Cinematograph. All the actors in the film gather around him. An old philanderer meets up with the miller's wife in front of the mill. He is about to embrace her when her husband appears. The philanderer gets a good hiding.
Old Philanderer
Josef Sváb-Malostranský unrolls a poster in front of a mill with the words Czech Cinematograph. All the actors in the film gather around him. An old philanderer meets up with the miller's wife in front of the mill. He is about to embrace her when her husband appears. The philanderer gets a good hiding.
Self
Close-up on a face laughing & laughing, then not crying & crying.
Story
Close-up on a face laughing & laughing, then not crying & crying.
