Lars Hagström

한 오페라 감독이 모차르트의 돈 조반니를 매우 파격적인 연출로 내세우려 하지만 출연진과 제작진은 모두 그의 아이디어가 형편없다고 생각한다.

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

This is a tale that has an epic scope in scenery "the northern snow-covered lands of coastal Norway" and is dramatized by moments of tumultuous stormy weather. But the focus is on Heikki (Stein Bjorn) a young man who is inspired by the northern lights to take a horse-drawn sled and make his way to the sea, hoping to come back with abundant fish. He is overtaken by a snowstorm and is forced to find shelter in a small, isolated cabin that is home to a half-crazy widow, her baby, and a blind man. Driven to arson by her internal demons, the woman destroys the cabin. She and the blind man perish, but Heikki manages to save the baby. He is now faced with an even greater challenge as he holds the infant and looks in the direction of the coastline.

Åke and his world is a long, lyrical study of a Swedish country doctor of the 1930s. Åke is the doctor's six-year-old son, from whose point of view the film is told. His best friend is Kalle Nubb. Åke is very frightened of the janitor Bergström as well as the lunatic Anne-Marie.

A meeting between the Swedish/French Simone and the Norwegian Stein at a book convention in Frankfurt turns into something more. They keep contact by phone and cassettes, but it seems they don't dare to take the relationship any further.

The summer holiday has begun. Jackie suddenly decides to go visit her old love Calle in the archipelago. She persuades her friend Vanja to come along. When Calle arrives to island he is not alone. His partner Yvonne, also his boss at the fashion company owned by Yvonne's father, accompanies Calle. Who, by the way, has changed his name to Carl-Adam. Problems arise.

The story of the charlatan Gustaf Raskenstam life and times during World War II, who for financial gain seduced a large number of women.

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

Someone has broken into their country summer house. This shakes up the parents. But Nina's fantasy is triggered, learning the break-in is done by an 11 year old boy, running away from home. With the code name Zeppelin, she learns him to know.

About a girl growing up in a big city in the seventies. She cultivates her artistic ambitions. After a series of relationships, she gets a small part in a play and becomes pregnant.

An American gangster of Swedish origins returns to his homeland to set up shop as a morality crusader, much in the manner of the later phenomenon of televangelists. While indulging in behind-the-scene shenanigans including rape and murder, the gangster (played by American Clu Gulagher) preaches to large audiences, using mass hypnotism and show-biz razzmatazz to get his message across. The film also features a brief performance by Per Oscarsson, following his highly publicized "retirement" from screen acting.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

Helge, a factory worker, awakens to life after he almost loses his arm in a machine. His happiness at not losing his arm has him see the world in a new way. He takes a vacation, where he sees Klara, a beautiful girl. He decides to spend the rest of the vacation searching for her.

Two women, Karen (theatre director) and Lena, visit an island, a Swedish resort, where Lena's ex-husband, Martin (choreographer), lives in comparative seclusion with a mentally disturbed ballet dancer named Carl. Carl is brother by guilt rather than blood, for Martin is somehow responsible for his breakdown.

Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.

Eriksson is a divorced engineer without intellectual interests. He lives alone in a friendly, rundown tenement where the neighbors' intimate relationships can be easily listened to through the walls.

A young, shy and inexperienced man travels back to Sweden, to spend the summer at his mother's house. He meets a number of women with whom he has sexual relations.

Ante Nordlund is on his way to Stockholm and gets a ride with a diplomat in his car. He leaves Ante at the entrance of Grand Hôtel where he gets treated like a millionaire.