Director
The Russian Revolution of 1917 marked the beginning of a new era, sending shockwaves across the world and overturning political thought. Through the voices of Lenin and Gorky, discover the two faces of the Revolution: the theory and the practice. Let us return to this mixture of exaltation and nervousness that propelled the Revolution's actors. Retrace their steps by using their own words, their outlook. This dual narrative will give a rich perspective: one abrupt, unpredictable, moving– will be Maxim Gorky. The other – as cold as history and tactics, the planning of the next move – will follow Vladimir Illyich Lenin. Both the writer and the revolutionary are haunted by the failure of the last great European revolution, the Paris Commune, 1871. Through exclusive archives and beautiful animation, Stan Neumann will immerse us into the day by day events, from February to October 1917.
Director
One hundred and twenty years of film history in a warehouse in Paris. In the reserves of the French Cinematheque, where thousands of cameras and projectors are sleeping on the shelves. Thousands of stationary machinery, we dream of getting back to work as a great machine back in time. To tell their story, the material history of cinema.
Writer
“You buy a book. You don’t really know why. It lies around, and then one day you open it, almost absentmindedly. And there you are, facing your own innermost secrets.” So begins Stan Neumann’s cinematic adaptation of W.G. Sebald’s award-winning novel, Austerlitz. The vaulted and majestic space of the railway station in Antwerp is where our journey really starts with actor Denis Lavant (Holy Motors) addressing the camera directly, and musing on the curious nature of railway stations. This bravura opening is startling, charming, and like the unnamed narrator of the book, you surrender to the proceedings and perambulate alongside Lavant, as he journeys through the great buildings of Europe, faded and shuttered hotels and grand colonnades with broken windows.
Director
“You buy a book. You don’t really know why. It lies around, and then one day you open it, almost absentmindedly. And there you are, facing your own innermost secrets.” So begins Stan Neumann’s cinematic adaptation of W.G. Sebald’s award-winning novel, Austerlitz. The vaulted and majestic space of the railway station in Antwerp is where our journey really starts with actor Denis Lavant (Holy Motors) addressing the camera directly, and musing on the curious nature of railway stations. This bravura opening is startling, charming, and like the unnamed narrator of the book, you surrender to the proceedings and perambulate alongside Lavant, as he journeys through the great buildings of Europe, faded and shuttered hotels and grand colonnades with broken windows.
Writer
During the summer of the year 1610 one of the first telescopes made by Galileo ends up in the hands of Jean Kepler in Prague who at the time was the astronomer of Emperor Rudolp II. Kepler observes the night-sky as nobody has seen it before him. His observation platform becomes the meeting place of Prague's imperial court. In this entourage Kepler separates science from superstition, freedom from intolerance.
Director
During the summer of the year 1610 one of the first telescopes made by Galileo ends up in the hands of Jean Kepler in Prague who at the time was the astronomer of Emperor Rudolp II. Kepler observes the night-sky as nobody has seen it before him. His observation platform becomes the meeting place of Prague's imperial court. In this entourage Kepler separates science from superstition, freedom from intolerance.
Himself
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
Executive Producer
Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate
Director
Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate
Director
Director
Norman Mailer profiles life in America since the Second World War. Farewell to the Fifties. Mailer fought for his country in the Second World War- an experience that inspired his novel The Naked and the Dead. But, disappointed by post-war America, he grew to despise the fifties.
Director
Norman Mailer frankly discusses American culture, politics, literature, and his own tumultuous life.
Director
Film about the tragic history of the illustrious Neumann family house, one of the last remaining old building of the Zizkov district of Prague.
Writer
Despite being forcibly converted to Christianity in 1497 many of the Jews of Portugal continued to practice Judaism in secret. Today, residents of the village of Belmonte practice an amalgam of Christian and Jewish rituals.
Director
Despite being forcibly converted to Christianity in 1497 many of the Jews of Portugal continued to practice Judaism in secret. Today, residents of the village of Belmonte practice an amalgam of Christian and Jewish rituals.
Director
Documentary about the architectural evolution of Paris.
