Camera Department Manager
Director of Photography
Although he already has searched Iraq unsuccessfully for weapons of mass destruction as a member of a UN mission, German bio-weapons expert Arndt Wolf is still obsessed with the idea that Saddam Hussein is hiding something. Nobody around him is interested in this topic any more. This changes abruptly when an Iraqi asylum seeker claims to have been involved in the manufacture of chemical weapons. The German Federal Intelligence Service summons Dr. Wolf to ascertain the legitimacy of the claims made by the informant, who has been given the code name “Curveball”.
Director of Photography
Emmi would like to cancel her subscription to "Like" magazine via e-mail. But due to a typo, her messages land in Leo Leike’s inbox. When Emmi repeatedly sends mails to the wrong address, Leo decides to inform her of her mistake. This marks the beginning of an extraordinary e-mail exchange, which can only be held between two strangers. Treading the fine line between complete strangeness and noncommittal intimacy, the two are soon sharing their innermost secrets and longings – until they need to face the unavoidable question: Will their feelings, sent and received virtually, survive the test of a real-life encounter? And what will happen if they do?
Cinematography
대낮의 길 한복판에서 백만장자의 딸이 납치된다. 몸값을 노린 평범한 납치극, 하지만 스텔라는 고분고분한 인질이 아니었다. 살아남기 위해 수단과 방법을 가리지 않는 스텔라 때문에 두 납치범의 완벽했던 계획에는 금이 가기 시작한다.
Director of Photography
After the death of her father Georg Inga Hauck drives together with her son Max in their home village. In her old home she meets Anna Kertesz. Inga's parents had taken Anna 28 years ago after her adult brother Zoltan mysteriously disappeared. Since the same day also Ingas was missing then six-year-old brother Magnus. Inga is being overtaken by her past in her parents' house. Soon her nerves are bare. And every day her memories come back.
Director of Photography
심장병을 앓고 있지만, 반항기 넘치는 소녀가 특별한 말과 마주친다. 아무도 길들이지 못한 말을 만나고 삶의 의미를 찾아 가는 야나. 목숨을 걸고 경마 대회에 도전한다.
Cinematography
The first part, "A New World", tells how the young German engineer Karl May comes to America and starts to work for a railway company in the Wild West. Under dramatic circumstances, he meets Apache chief Winnetou and becomes friends with him and his tribe. The Apaches give it the name Old Shatterhand. Together they fight now against the unscrupulous henchmen of the railway company, who wants to lay a route through the Indian area.
Director of Photography
It's no surprise when Karo is fired. She is loud, over-emotional and egocentric, more so than the average Berliner wise-ass, says her best friend Anna. Karo is not one to give up easily, though: she opts for radical change and goes into therapy. Although her therapist advises her to keep calm, Karo throws herself into it.
Cinematography
얼마 후면 곧 아빠가 될 한 경찰관이 게이인 동료에게 끌리게 되면서 삶이 흔들리기 시작한다.
Cinematography
An unusually hot summer. Fourteen year-old Wanda moves with her family from Berlin to Switzerland. Everything will be better here. The move is meant to heal the open wounds of the family. Anna, the mother, has lost her self-confidence due to an affair her husband Joachim had in Berlin. The big house with the overgrown garden and the pretty small town all seems like one big promise. But the new beginning is difficult for everyone. Joachim, 40, throws himself into family activism while Anna, also 40, tries to strengthen the family with new rituals.
Director of Photography
Handsome Albanian villager Arben wants to marry Etleva, daughter of a neighboring clan, but her father has promised her to another man who is offering a 10,000€ bride price. But when it turns out Etleva is carrying Arben's child, the pressure is on for him to come up with the dowry before the baby is born -- and before her brothers take revenge for the dishonor he has brought their family. Fleeing to Berlin without papers, experience or knowledge of the language, Arben soon learns the ways of survival.
Cinematography
A bride's biggest fears regarding her wedding materialize in a bizarre nightmare.
Cinematography
Cinematography
The film describes what it’s like growing up in Germany as Afro-German, with all its facets. The film was made after the racist killing of the black German Adrinio in 2000 by Neo Nazis.