Siu-Di Wang
출생 : 1953-08-15, Taipei, Taiwan
Producer
"Yang" was a desperate poor Taiwanese young man trying to find work in Tokyo. After being employed by a newspaper delivery stand he thought he could bring an end to the family's misfortune.
Self
영화는 이제는 문을 닫은 오래된 극장에서 아련한 불빛으로 시작한다. 차이밍량의 〈안녕, 용문객잔〉의 영감이 되었던 이 극장은 어쩌면 차이밍량의 영화세계가 시작한 곳인지 모른다. 대만 뉴웨이브를 대표하는 챠이밍량 감독은 말레이시아에서 태어나 성장했다. 고향으로 돌아간 차이밍량은 어린 시절 영화에 대한 꿈을 키웠던 극장을 찾는다. 그러나 극장뿐만 아니라 그의 발길이 찾는 모든 곳이 그의 영화의 고향인 듯 하다. 영화에서 연극, 그리고 장치예술 등 자신의 영역을 확장시켜 온 차이밍량의 이 다양한 시도는 어쩌면 그가 어린 시절 경험했던 극장에서의 경험을 재현하려는 노력의 연장선상에 있는지 모른다. 관객과의 소통은 단순히 영화 자체로 이루어지는 것이 아니라 그 영화가 보여지는 장소와 그 순간이 제공하는 요소의 총체적 경험을 통해서 이루어지는 것이라는 믿음의 발현일 것이다. 〈지나간 현재〉는 향수가 깃든 과거의 기억을 끄집어내 여전히 영화로 소통할 방법을 찾고 있는 차이밍량의 현재를 연결시키며 여전히 생동하는 그의 영화에 대한 열정을 이야기한다.
(조영정/2013년 제18회 부산국제영화제)
Director
대만 건국 100주년을 맞이해 금마장영화제가 허우샤오시엔, 웨이더솅 등 현재 가장 뛰어난 대만 감독 20명에게 자유롭게 대만의 독특한 정체성에 대한 5분짜리 영화를 만들어달라고 주문했다. 다양성과 결속감이 어우러진 영감을 주는 작품.
Director
New Year's Eve, 16-year-old boy fell in love with girls half a head taller than him, he was determined to be desperate and want in the coming year is 10 cm long to pull her hand. This seems simple wish affects the entire family, divorced father, mother, grandparents each side to help him seek medical attention, and asked the Buddha, to find secret; a relative accused personally. After a day the amount of that dream of one day after the height of a step back, but one day may not grow the fate of the force step before the finish this year's 365 steps, 16-year-old boy how to face their own and that hand is less than love? Hot-sensitive youth and family involved entanglement and date are used to measure height of the cold numbers continue to puncture, the interval; the world the joy of New Year's countdown, hip-hop Fight radiant, seems humorous plot and fiddled with adolescents struggling with arms stand up, that's like a boulder rolling down hill like a heavy fate.
Director
Taiwan Supernatural melodrama 2010, colour, 1.85:1, 104 mins Directed by Wang Shau-di
Writer
Dajun still lives with his father, who dates and plans to marry a ditsy starlet. The boy's mother is a flight stewardess, hence often away, and so Dajun's chubby cousin Yifen is often hired in as a child-minder. The relationship between Dajun and Yifen is, to say the least, abrasive, and Yifen bitterly resents being imposed on--especially when it seems that her own family is keen to get rid of her.
Director
Dajun still lives with his father, who dates and plans to marry a ditsy starlet. The boy's mother is a flight stewardess, hence often away, and so Dajun's chubby cousin Yifen is often hired in as a child-minder. The relationship between Dajun and Yifen is, to say the least, abrasive, and Yifen bitterly resents being imposed on--especially when it seems that her own family is keen to get rid of her.
Executive Producer
A 5 year old kid moves to live with his grandma in a small town at Taiwan. Soon after, he discovers that her grandma is not only a vendor, but also she is good at catching spectres. One day, she comes across that her grandson has mistakenly releases some of the most ferocious ghosts from her house...
Director
A 5 year old kid moves to live with his grandma in a small town at Taiwan. Soon after, he discovers that her grandma is not only a vendor, but also she is good at catching spectres. One day, she comes across that her grandson has mistakenly releases some of the most ferocious ghosts from her house...
Writer
This is a four-part anthology comedy. The themes of four parts are: car, house, body and friendship. The central characters are a plastic surgeon Chen, a nurse, an experienced maid, three energetic teenagers and a young couple. The stingy surgeon Chen treats a car and a man so differently that he could be a perfect example to show how treasonously modern people treat their cars and how indifferently they treat other people. The maid Ying is like a knight on her "iron horse" (a bicycle), fighting in the city. Every day she rushes home after work to wait up for a husband never returns. The new nurse has problem with her colleague because they support different idle. What she also doesn't know is the reason why her brother's girlfriend sends her free lunchbox so often. The truth is that her brother's girlfriend wants to get plastic surgery in the clinic. Almost everyone here is not satisfied with his/her body. Moreover, they try to change their body with quite violent ways.
Director
This is a four-part anthology comedy. The themes of four parts are: car, house, body and friendship. The central characters are a plastic surgeon Chen, a nurse, an experienced maid, three energetic teenagers and a young couple. The stingy surgeon Chen treats a car and a man so differently that he could be a perfect example to show how treasonously modern people treat their cars and how indifferently they treat other people. The maid Ying is like a knight on her "iron horse" (a bicycle), fighting in the city. Every day she rushes home after work to wait up for a husband never returns. The new nurse has problem with her colleague because they support different idle. What she also doesn't know is the reason why her brother's girlfriend sends her free lunchbox so often. The truth is that her brother's girlfriend wants to get plastic surgery in the clinic. Almost everyone here is not satisfied with his/her body. Moreover, they try to change their body with quite violent ways.
Writer
Xia-dou and Ji-dan left their families and friends in Thief Village to sit in a dungeon as subsitute prisoners in exchange for favor from the local law enforcer. The warden, knowing they are good in physical skills, sent them on a side job. The kids broke in a heavily guarded examination ground, swapped two exam papers for the client and stole a pair of golden eyes from a big lion chop for themselves. The missing gold detoured the detective's trail to the master schemer. As the conspiracy unfolded, the governor decided to eradicate the whole village to cover up his involvement with the master schemer. Life in Thief Village has never been easy. But fate never mocked them so hard. It turned out that the gold they so cherished was fake. So were many other things they believed in. In despair, Xia-dou's Great grandfather, the 125-year old personage called upon the sky and recevied a most fantastic answer.
Director
Xia-dou and Ji-dan left their families and friends in Thief Village to sit in a dungeon as subsitute prisoners in exchange for favor from the local law enforcer. The warden, knowing they are good in physical skills, sent them on a side job. The kids broke in a heavily guarded examination ground, swapped two exam papers for the client and stole a pair of golden eyes from a big lion chop for themselves. The missing gold detoured the detective's trail to the master schemer. As the conspiracy unfolded, the governor decided to eradicate the whole village to cover up his involvement with the master schemer. Life in Thief Village has never been easy. But fate never mocked them so hard. It turned out that the gold they so cherished was fake. So were many other things they believed in. In despair, Xia-dou's Great grandfather, the 125-year old personage called upon the sky and recevied a most fantastic answer.
Writer
1993 film
Director
The whole story revolves around a woman from marriage, marriage to divorce encounter sexual problems as the main axis, reflecting the Taiwan society in this regard subjective and objective taboos. The first paragraph of the description of the actress Xiao Xiaomin arranged with the parents of the scholar if strong engagement after the agreement with the high school students often travel, and finally cancel the engagement. The second paragraph to write her marriage in order to fight for a wounded into her young Wu Dawei testify to her husband's misunderstanding, but also the end of the divorce. The third paragraph to write her commitment to kindergarten education work to recognize the disabled young boy odd, she did not dare to face the problem of love, but the other's cheerful outlook touched her.
