Katharina Mückstein
출생 : 1982-01-01, Vienna, Austria
약력
Katharina Mückstein (born 1982) is an Austrian film director, screenwriter and producer. Narrative films Mückstein has written and directed include the short film The Reunion (2009), and the feature films Talea (2013), and L'Animale (2018). She also wrote and produced the documentaries Three Farmers and A Son (2016), and Animals and Other People (2017). She won the Austrian Film Award for Best Documentary for Three Farmers and A Son in 2017. In 2020, Mückstein directed the TV film Blind ermittelt – Zerstörte Träume. She also directed its two sequels released in 2022: Blind ermittelt – Tod im Prater, and Blind ermittelt – Die nackte Kaiserin. Mückstein's upcoming documentary on feminism and gender equality, Feminism WTF, will be released on 31 March 2023.
Description above from the Wikipedia article Katharina Mückstein, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Producer
Feminism WTF is an international Topic Documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.
Screenplay
Feminism WTF is an international Topic Documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.
Director
Feminism WTF is an international Topic Documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.
Director
In “The Naked Empress”, the Sissi myth serves as the starting point for a Vienna thriller that combines a mysterious criminal case with a disastrous curse. While inspector Alexander Haller relies on his investigative instincts, his partner Nikolai Falk has to overcome irrational fears. Screenwriter Nils-Morten Osburg uses the admiration for the Habsburg monarch, who, out of vanity, did not allow herself to be photographed for decades, as the background for a sophisticated story about a photograph that should never have been taken.
Director
Philipp Hochmair, the newly appointed special investigator, and his partner Andreas Guenther immerse themselves in the equally dazzling and twilight world of the Prater showmen in the sixth "Vienna thriller". To solve the murder of a strikingly successful businessman, the opposing duo must not only uncover his secrets, but also get a tight-knit circle of suspects to speak up.
Director
Another case for Inspector Richie Haller, in which the deadly mixture of cocaine with a pinch of cyanide salt and a faker operation, which is used by drug couriers for distribution, plays a role.
Producer
엄마처럼 수의사가 되고 싶은 마티는 자그마한 시골 마을을 벗어나 대도시로 떠날 생각이다. 하지만 과연 그녀는 미래를 맞이할 준비가 되어있을까? 그녀는 목덜미 제모를 마치고 긴 머리를 말아 올린 채, 드레스를 입고 있는 자신의 모습이 우습기 그지없다. 또래 남자아이들과 오토바이를 타고 채석장 근처를 질주하는 게 훨씬 더 즐겁기 때문이다. 졸업파티에서는 마티의 친구가 같은 학교 여학생을 성추행하는 사건이 벌어진다. 그 여학생이 저항하자, 마티는 오히려 그 여학생의 얼굴에 침을 뱉는다. 부모님의 결혼이 그랬듯, 사랑과 우정, 섹슈얼리티가 개입하자 기존의 인간관계에도 금이 가기 시작한다.
Writer
엄마처럼 수의사가 되고 싶은 마티는 자그마한 시골 마을을 벗어나 대도시로 떠날 생각이다. 하지만 과연 그녀는 미래를 맞이할 준비가 되어있을까? 그녀는 목덜미 제모를 마치고 긴 머리를 말아 올린 채, 드레스를 입고 있는 자신의 모습이 우습기 그지없다. 또래 남자아이들과 오토바이를 타고 채석장 근처를 질주하는 게 훨씬 더 즐겁기 때문이다. 졸업파티에서는 마티의 친구가 같은 학교 여학생을 성추행하는 사건이 벌어진다. 그 여학생이 저항하자, 마티는 오히려 그 여학생의 얼굴에 침을 뱉는다. 부모님의 결혼이 그랬듯, 사랑과 우정, 섹슈얼리티가 개입하자 기존의 인간관계에도 금이 가기 시작한다.
Director
엄마처럼 수의사가 되고 싶은 마티는 자그마한 시골 마을을 벗어나 대도시로 떠날 생각이다. 하지만 과연 그녀는 미래를 맞이할 준비가 되어있을까? 그녀는 목덜미 제모를 마치고 긴 머리를 말아 올린 채, 드레스를 입고 있는 자신의 모습이 우습기 그지없다. 또래 남자아이들과 오토바이를 타고 채석장 근처를 질주하는 게 훨씬 더 즐겁기 때문이다. 졸업파티에서는 마티의 친구가 같은 학교 여학생을 성추행하는 사건이 벌어진다. 그 여학생이 저항하자, 마티는 오히려 그 여학생의 얼굴에 침을 뱉는다. 부모님의 결혼이 그랬듯, 사랑과 우정, 섹슈얼리티가 개입하자 기존의 인간관계에도 금이 가기 시작한다.
Producer
오스트리아 빈에 위치한 동물 보호 센터를 배경으로, 그곳을 찾아오는 이들과 그곳에 사는 이들 모두를 조명한다. 인간과 동물의 조우, 바로 그 과정에서 만나볼 수 있는 각각의 특색 있는 이야기는 아주 매력적이지만 때로는 슬프기도 때로는 이상하기도 하다. 동물의 본성을 따뜻한 시선으로 바라보며 인간의 무책임함을 신랄하게 비판하는 작품이다.
Writer
오스트리아 빈에 위치한 동물 보호 센터를 배경으로, 그곳을 찾아오는 이들과 그곳에 사는 이들 모두를 조명한다. 인간과 동물의 조우, 바로 그 과정에서 만나볼 수 있는 각각의 특색 있는 이야기는 아주 매력적이지만 때로는 슬프기도 때로는 이상하기도 하다. 동물의 본성을 따뜻한 시선으로 바라보며 인간의 무책임함을 신랄하게 비판하는 작품이다.
Producer
In his essayistic documentary Sigmund Steiner investigates the work, lives and generational relations of three Austrian farmers. Even though none of them are his father, each one of the film's protagonists reflects on one aspect of Steiner's complicated father-son relationship.
Producer
Fourteen-year-old Jasmin longs to be near her biological mother, Eva. Following her mother’s release from prison, an excursion into the country together becomes a first test for the fledgling mother-daughter relationship. They smoke, dance and stroll together – the mood is promising. But time and again, it is revealed that their needs and expectations are light years apart. For the moment, neither Eva nor Jasmin seem up to the task of fulfilling each other’s need for identity and support. (Talea is Italian for scion, a detached shoot or twig containing buds from a woody plant, used in grafting.)
Screenplay
Fourteen-year-old Jasmin longs to be near her biological mother, Eva. Following her mother’s release from prison, an excursion into the country together becomes a first test for the fledgling mother-daughter relationship. They smoke, dance and stroll together – the mood is promising. But time and again, it is revealed that their needs and expectations are light years apart. For the moment, neither Eva nor Jasmin seem up to the task of fulfilling each other’s need for identity and support. (Talea is Italian for scion, a detached shoot or twig containing buds from a woody plant, used in grafting.)
Director
Fourteen-year-old Jasmin longs to be near her biological mother, Eva. Following her mother’s release from prison, an excursion into the country together becomes a first test for the fledgling mother-daughter relationship. They smoke, dance and stroll together – the mood is promising. But time and again, it is revealed that their needs and expectations are light years apart. For the moment, neither Eva nor Jasmin seem up to the task of fulfilling each other’s need for identity and support. (Talea is Italian for scion, a detached shoot or twig containing buds from a woody plant, used in grafting.)
Writer
Luisa returns to her parents' home when her father becomes bedridden. She's expected to help her mother deal with the drudgery of caring for him, but their relationship is tense and the physical contact with the man proves to be unpleasant for her. In quiet moments she remembers scenes from her childhood Long repressed and forgotten memories force their way back into the present, until a final realization brings a family secret to light.
Director
Luisa returns to her parents' home when her father becomes bedridden. She's expected to help her mother deal with the drudgery of caring for him, but their relationship is tense and the physical contact with the man proves to be unpleasant for her. In quiet moments she remembers scenes from her childhood Long repressed and forgotten memories force their way back into the present, until a final realization brings a family secret to light.
Assistant Camera
A cineastic meeting of two characters who are directly related to each other: Camera (Cinematographer) and Dancer. Both can define space/room, but only through interaction. They meet each other in an abstract setting (a white cube) and start a dramatic play.
