Bohuslav Kulič

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

This lavish Soviet/Czech co-production is based on Fyodor Dostoyevsky's famous novel, The Gambler, which tells the story of a Russian living in Germany, in a gambling resort. This film is set at the turn of the century, and was filmed in Karlovy Vary (Carlsbad), Czechoslovakia. Played by Nikolai Burlyayev, the gambler succumbs completely to his addiction, using up every resource he has (human, spiritual and financial) in his wagering, finally becoming a rootless drifter.

Angelika, a ten years old daughter of a spa visitor Bachmann is terribly bored in Karlovy Vary spa. Her father enjoys different spa procedures, trying to lose some weight, but the little girl feels to be only waiting for something to enjoy. Moreover, she cannot speak any Czech unlike her father. Kája, a son of the hotel receptionist Vlasta, attempts to amuse her despite he cannot speak German. Both children make friends although there is the language barrier.

Jan Zika is the legendary hero of the communist resistance movement during World War II and leading functionary of the second underground Central Committee of the Communist Party of Czechoslovakia.

An escort composed of three people transports a huge amount of new one-hundred crown banknotes in a special railway car. At the 196th kilometer, a village girl is waiting at the railway crossing and spots two men removing some packages from the track. The scene is immediately followed by the report of a gun and the unwanted witness is shot dead. Soon afterwards, on the 201st kilometer, the train explodes. Only one of the escorts Lenk (Radoslav Brzobohatý) survives the explosion, taken to hospital with serious injuries. Criminologist Major Kalas (Jirí Sovák) and the very young Second Lieutenant Karlícek (Jaromír Hanzlík) patiently gather facts, leads and testimonies.

The exemplary accountant Antonín Safránek lives his orderly life as a citizen of a small town. His wife Eliska brings up their three children and desperately tries to get by on her husband's low salary every month. At the same time, she sadly watches the luxurious life of their neighbor and other people like him who have no qualms about improving their standard of living by cheating. One day, the infallible Safránek makes a mistake in the cash clearance and there are nine one-hundred Crown bills left in the safe. An unexpected company control carried out the next day passes without problems and the account is closed. The temptation is too strong. The insufficient control enables Safránek to gradually steal one million Crowns.

At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

A woman attempts to cover up the thefts committed by the manager at the shop she works at.

A young man tries to enter the building of the Mammoth Cybernetic Supermachines Research Institute again and again but each time the doorkeeper spots him and kicks him out. The youth finally arrives with all his friends and a huge live bear from the circus where he works as an accountant. He is finally allowed in where he explains to the members of the directorate that he wants to work at the Institute, since he graduated in cybernetics and, besides, he has invented a machine for forecasting time of death. When the conniving research manager learns that their director is going to die in two days, he hopes to rise to his position.

African student Omar would like to return home to Angola, but he is enrolled in a three-year postgraduate research fellowship at a clinic in Prague. One day while seeing off a friend at the airport, he and a girl named Mariama are brought together by chance as he offers to accompany her in an unfamiliar city toward the International Student Club, where she plays bass in a jazz orchestra.

During the Second World War, an old fortress is transformed into a detention camp for arrested allied generals who the Germans provide with every possible comfort. In the nearby garrison camp, however, hundreds of captured private soldiers try to survive hunger and cold.

In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

A Czech fairy tale about a princess named Lada who runs away from home in a mouse fur disguise in order to escape an unwanted and forced marriage.

Czechoslovakian crime film

Concert master Karel Mašek is a drunk, as well as engineer Danda and other regular guests of the pub U Kroců. Mašek returns from the pub in the morning and promises the woman that he will stop drinking. But he failed again, and the orchestra players refuse to play with him. Danda returns home without a bag and goes to Krocs again in the morning, even though he has an important job at work. He has been degraded to subordinate job position, but he refused to admit it at home.

A young, unmarried woman finds herself a "little bit pregnant" and she tries to hide this fact from her mother but it isn't long before the truth is obvious.

A spring is hidden in the Iron Mountain but the people of Arzen cannot get to it and they are suffering from thirst.

Dalibor is a 1956 Czech film of the opera of the same name by Bedřich Smetana.[1] Directed by Václav Krška, the film was entered into the 1956 Cannes Film Festival.

Venice Film Festival 1955

A film about a boy who is protective of a runaway dog and the dog, who is protective of the boy.

Dog's Heads (Czech: Psohlavci) is a 1955 Czech drama film directed by Martin Frič, based on the novel of the same name by Alois Jirásek. It was entered into the 1955 Cannes Film Festival.

The movie describes proletarian life in the Czech Lands after World War I.

Cold War Spy FIlm