Society melodrama about a wealthy father who purchases an island to prove to his son that communism won't work.
Dorothy Waring
During World War I, Arthur Morgan, an inventor from the South who has perfected a revolutionary airplane engine, needs money to complete his work because his family fortune was lost during the Civil War. A German spy offers to buy his invention, but Arthur refuses, after which the spy tries to capture Arthur's sweetheart and then seduce him through the wiles of the Countess Von Shoenburg. When the spy finally resolves to destroy Arthur's workshop, Rover, the family dog, carries the bomb away and drops it by the tree behind which the agent is hiding.
Marie Schwartz (as Valkyrien)
Magda (Young) rebels against the harsh treatment she receives from her stern father (Edward Kimball). She ultimately escapes from home with aspirations to become a singer. She is betrayed by Kellner (Edward Fielding), a friend of the family, but she also becomes a great success.
The White Goddess (as Valkyrien)
"In Hidden Valley," Valkyrien is a white goddess who has been captured by savage blacks in South Africa. She is found by a young missionary, played by Boyd Marshall, and rescued from a sacrificial altar. Valkyrien was selected as the most perfectly formed girl in Denmark in a competition conducted by the government. The dance of the white goddess before the natives is one of the most beautiful scenes in the production. The Moving Picture World, August 5, 1916
Diana - Goddess of the Moon
A short dance performance about the mythical goddess of the hunt
Molly
After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.
Passager
A fire breaks out on a boat and a couple of entertainers are told by the captain to try distract the passengers so not a panic breaks out while the crew tries to get control over the situation.
Of the films that Psilander made at Nordisk during the first two years it is the film Dødsspring til Hest fra Cirkuskuplen (The Great Circus Catastrophe), that is worth noting. Maybe not so much for Psilander's acting, but for the sensational, action-packed storylines that he was in. This film shows the other side of Psilander's fame: his daring. He was an excellent rider and looked fantastic in long riding boots and elegant riding jackets and this skill was exploited in his films.
