Wiktor Grodecki

Zypcio is an idealistic heir to a large brewery in Poland. In the face of Chinese invasion threatening Eastern Europe, he is corrupted by the advances of both Princess Irina, who is after his money, and the court jester, who is after his virginity. The film Nienasycenie / INSATIABILITY, directed by Wiktor Grodecki based on the novel of the same title by Stanislaw Ignacy Witkiewicz, was selected for the Berlin International Film Festival. The film will be screened as part of the festival's Panorama section.

Zypcio is an idealistic heir to a large brewery in Poland. In the face of Chinese invasion threatening Eastern Europe, he is corrupted by the advances of both Princess Irina, who is after his money, and the court jester, who is after his virginity. The film Nienasycenie / INSATIABILITY, directed by Wiktor Grodecki based on the novel of the same title by Stanislaw Ignacy Witkiewicz, was selected for the Berlin International Film Festival. The film will be screened as part of the festival's Panorama section.

Marek is a 15-year-old from a provincial village who runs away to Prague when he begins to fail at school. He is mugged shortly after arriving in the city and is rescued by Honza with the promise of work. Marek is taken to an apartment, drugged, and becomes a male prostitute. He is a bit smarter than his colleagues and teams up with a friend, David, in order to go after bigger scores – to cash in and get out. They manage to stash away a bit of money, but when it comes time to return home, Marek loses his nerve and is soon back in the city.

Marek is a 15-year-old from a provincial village who runs away to Prague when he begins to fail at school. He is mugged shortly after arriving in the city and is rescued by Honza with the promise of work. Marek is taken to an apartment, drugged, and becomes a male prostitute. He is a bit smarter than his colleagues and teams up with a friend, David, in order to go after bigger scores – to cash in and get out. They manage to stash away a bit of money, but when it comes time to return home, Marek loses his nerve and is soon back in the city.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

The Orient Express, on its night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a young writer, an actress, and her daughter, an elderly dancer, five neo-nazi punks, and a strange man that seems to have some kind of influence over them through their dreams.

Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.

Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.

Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.

"King of the Last Days" is a German television miniseries in 1993 about the 16th century Anabaptist rebellion in Münster .