Mark Morris

A captivating history of the nation's oldest performing arts center - which largely mirrors the evolution of experimental and progressive performing arts in 20th century America - BAM150 chronicles the vibrant past, present and future of the Brooklyn Academy of Music. Through footage of recent performances, intimate interviews, and an astonishing treasure trove of 150 years' worth of archival materials, BAM150 is a testament to the power and stamina of the institution that established Brooklyn as a cultural mecca-serving as a home to such greats as Enrico Caruso, Sarah Bernhardt, Edwin Booth, Merce Cunningham, Robert Wilson, Mark Morris, Laurie Anderson, and Pina Bausch.

John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.

Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love. Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.

Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love. Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.

우리 시대 최고의 포토그래퍼 애니 레보비츠의 모든 것을 담은 "애니 레보비츠: 렌즈를 통해 들여다본 삶" 에는 그녀가 만들어낸 잊을 수 없이 강렬한 사진들 뿐 아니라 그 뒤로 숨겨진 비하인드 스토리, 그리고 사진의 모델이었던 수많은 셀러브리티들이 직접 참여한 인터뷰로 풍성하다. 믹 재거, 오노 요코, 힐러리 클린턴, 아놀드 슈왈츠제네거, 미하일 바르시니코프 등 각계각층의 유명인사들, 그리고 그녀의 가족들과 동료들의 인터뷰는 관객으로 하여금 하이 패션과 미디어의 첨단에 선 일류 포토그래퍼이자, 인간적인 면모의 한 사람, 애니 레보비츠의 초상을 가장 효과적으로 보여줄 예정

Renowned cello virtuoso Yo-Yo Ma embarks on an intense year long collaboration with choreographer Mark Morris, which culminates in a spectacular performance.

A choreographed interpretation to the music of Henry Purcell's opera.

A choreographed interpretation to the music of Henry Purcell's opera.

Adaptation of The Nutcracker by the Mark Morris Dance Group.