Ileana Wilson

참여 작품

아메리칸 대학살
Greta
주지사가 불법체류자의 자녀를 체포하라는 행정명령을 내린 후, 구금된 청소년들은 노인들을 돌보는 일을 자원함으로써 기소를 취하할 수 있는 기회를 제공한다. 하지만 노인요양시설에 들어가보니 상상했던 것보다 더 많은 이상한 비밀을 발견하게 된다.
The Grandmother
Doctor Romero
Susana leaves her life in Paris, where she works as a model, and returns to Madrid to take care of her grandmother Pilar.
Fidel
Cuba, as we knew it, is dying. The US Embassy has just opened in Cuba, and the Cuban in the USA after 54 years. Cubans are craving to be connected to the Internet, buy at Zara, eat at Burger King and have Apple gadgets Nevertheless, Fidel, the leader of the Revolution, is alone and hiding. He is, like Cuba, in decline.
The King of Havana
Fredesbinda
Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.
The Wedding
Yolanda
Mirta is Cuban and lives in Madrid. As many others immigrants she works in cleaning industry. Today at six o'clock p.m. her daughter is going to marry. But nothing turns out as she hopes, and to reach this wedding is more difficult than it appeared at first sight.
Torapia
Clara
Basilio a pickpocket with no luck, enters a mental institution to retrieve a valuable diamond necklace that briefly passed through his hands and whose value was unable to recognize. Once inside the asylum, Basilio will try to use all the skills of his trade to overcome the threats that keep him from reaching his goal. In the end, the only escape for Basilio will be to undergo the "Torapia", an innovative experimental therapy that connects man with the beast within us all.
Vertical Love
Gertrudis
The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love
Maité
Daisy