Patrick Carey

An exploration of the wild desolation of West Cork, Beara is a landscape film featuring the unique flora and fauna of the Beara Peninsula off the coast of Cork. The film begins with a slow zoom in on the Beara Peninsula on a map of Ireland. What follows is a breathtaking depiction of nature. Raging waterfalls, stunning water reflections, turbulent waves, sea cliffs, bathing birds and nesting puffins form some of the striking imagery of this film.

An exploration of the wild desolation of West Cork, Beara is a landscape film featuring the unique flora and fauna of the Beara Peninsula off the coast of Cork. The film begins with a slow zoom in on the Beara Peninsula on a map of Ireland. What follows is a breathtaking depiction of nature. Raging waterfalls, stunning water reflections, turbulent waves, sea cliffs, bathing birds and nesting puffins form some of the striking imagery of this film.

Reflections – Ireland is a stunning, non-narrated tourist film with accompanying music by Paddy Moloney and The Chieftains. Many of Paddy Carey films depict a scarcity of civilisation, an untouched landscape, but here he treats the viewer to the beauties of landscape interwoven with a vivid tapestry of human activity: anglers in a lively river; bird-watchers at work; sheep farmers; horse riders; seaweed gatherers. A nighttime sequence shows people gathering in an unidentified village for music in a cosy pub.

Reflections – Ireland is a stunning, non-narrated tourist film with accompanying music by Paddy Moloney and The Chieftains. Many of Paddy Carey films depict a scarcity of civilisation, an untouched landscape, but here he treats the viewer to the beauties of landscape interwoven with a vivid tapestry of human activity: anglers in a lively river; bird-watchers at work; sheep farmers; horse riders; seaweed gatherers. A nighttime sequence shows people gathering in an unidentified village for music in a cosy pub.

Reflections – Ireland is a stunning, non-narrated tourist film with accompanying music by Paddy Moloney and The Chieftains. Many of Paddy Carey films depict a scarcity of civilisation, an untouched landscape, but here he treats the viewer to the beauties of landscape interwoven with a vivid tapestry of human activity: anglers in a lively river; bird-watchers at work; sheep farmers; horse riders; seaweed gatherers. A nighttime sequence shows people gathering in an unidentified village for music in a cosy pub.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

This lyrical film opens with a quote from Irish mythology where Oisín describes Irish birdsong as ‘the sweetest in the world’ and urges us to ‘Stop and listen!’ What follows is a stunning, non-narrated depiction of Irish birds, animals and landscapes. Oisín was commissioned by the Department of Land of Ireland as a contribution to the European Conservation Year.

This lyrical film opens with a quote from Irish mythology where Oisín describes Irish birdsong as ‘the sweetest in the world’ and urges us to ‘Stop and listen!’ What follows is a stunning, non-narrated depiction of Irish birds, animals and landscapes. Oisín was commissioned by the Department of Land of Ireland as a contribution to the European Conservation Year.

This lyrical film opens with a quote from Irish mythology where Oisín describes Irish birdsong as ‘the sweetest in the world’ and urges us to ‘Stop and listen!’ What follows is a stunning, non-narrated depiction of Irish birds, animals and landscapes. Oisín was commissioned by the Department of Land of Ireland as a contribution to the European Conservation Year.

This documentary is set against the scenic backdrop of Mount Errigal in County Donegal. The mountains of Donegal are depicted like fairytale characters, where the hero Mount Errigal competes with neighbouring villain Mount Muckish. A fantastical narrative explains that the landscape is ‘a battleground where the weapons are the elements themselves’. Dramatic footage of storms and lightning blends with a superb score by Irish composer Brian Boydell.

This documentary is set against the scenic backdrop of Mount Errigal in County Donegal. The mountains of Donegal are depicted like fairytale characters, where the hero Mount Errigal competes with neighbouring villain Mount Muckish. A fantastical narrative explains that the landscape is ‘a battleground where the weapons are the elements themselves’. Dramatic footage of storms and lightning blends with a superb score by Irish composer Brian Boydell.

This documentary is set against the scenic backdrop of Mount Errigal in County Donegal. The mountains of Donegal are depicted like fairytale characters, where the hero Mount Errigal competes with neighbouring villain Mount Muckish. A fantastical narrative explains that the landscape is ‘a battleground where the weapons are the elements themselves’. Dramatic footage of storms and lightning blends with a superb score by Irish composer Brian Boydell.

Mists of Time is a poetic, visual portrait of the mythology surrounding Ireland’s megalithic tombs and standing stones. The monumental dolmen and passage graves of Ireland, once burial grounds from the Late Stone Age, are depicted alongside tales of the pagan Halloween festival, Samhain. Dramatic cinematography depicting sunsets and tombs at the Burren, Country Clare, and Newgrange, County Meath (Ireland’s best-known passage grave) is underscored by the music of Brian Boydell.

Mists of Time is a poetic, visual portrait of the mythology surrounding Ireland’s megalithic tombs and standing stones. The monumental dolmen and passage graves of Ireland, once burial grounds from the Late Stone Age, are depicted alongside tales of the pagan Halloween festival, Samhain. Dramatic cinematography depicting sunsets and tombs at the Burren, Country Clare, and Newgrange, County Meath (Ireland’s best-known passage grave) is underscored by the music of Brian Boydell.

Mists of Time is a poetic, visual portrait of the mythology surrounding Ireland’s megalithic tombs and standing stones. The monumental dolmen and passage graves of Ireland, once burial grounds from the Late Stone Age, are depicted alongside tales of the pagan Halloween festival, Samhain. Dramatic cinematography depicting sunsets and tombs at the Burren, Country Clare, and Newgrange, County Meath (Ireland’s best-known passage grave) is underscored by the music of Brian Boydell.

영국 교회가 로마 교회의 지배를 받던 시절, 토머스 모어(Sir Thomas More: 폴 스코필드 분)는 헨리 8세의 두터운 신임을 받고 있는 조력자이며 천주교에 대한 신앙심 또한 두터운 사람이다. 어느 날 헨리 8세가 이혼을 원하자, 모어는 왕의 이혼과 재혼을 승인하지 않는다. 그리고 헨리 8세(King Henry VIII: 로버트 쇼 분)가 스스로를 영국 천주교회의 수장으로 임명하려 하지만 모어는 이 또한 인정하지 않는다. 결국 모어는 리처드 리치의 모함을 받아 웨일스의 재판장에 서게 된다. 그곳에서 모어는 증인으로 소환되어 위증한 리처드 리치에게 "영혼을 파는 자는 세상을 다 얻어도 덧없는데, 고작 웨일즈 법무장관이라니"라며 "당신들이 내 피를 보려는 건 왕의 칭호 때문이 아니라 결혼을 승인하지 않았기 때문이요"라며 자신의 기독교와 도덕에 대한 신념을 굽히지 않는다. 그리고 그는 끝내 형장의 이슬로 사라져간다. "토마스 모어의 머리는 한 달간 '반역자의 문'에 걸려있다가 딸 마가렛이 가져가서 자신이 죽을 때까지 보관했다. 크롬웰은 그후 5년 뒤에 대역죄로 목이 잘렸으며, 대주교는 화형 당했다. 노퍽 공작도 반역자로 처형될 예정이었으나 바로 전날 왕이 매독으로 사망한 바람에 목숨을 건졌다. 리차드 리치는 대법관이 됐고, 고령으로 사망했다."

Yeats Country is a lyrical film commissioned by the Department of Foreign Affairs to commemorate the centenary of the birth of William Butler Yeats. The first Irish film by cinematographer and director Patrick Carey celebrates the landscape of Yeats’ poetry through stunning photography, narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including Thoor Ballylee Castle where he lived, Coole Park, home of Lady Gregory where literary figures of the period socialised, Lissadell House, Knocknarea Mountain, the slopes of Ben Bulben, the waterfall at Glencar and finally Yeats’ grave at Drumcliffe. It was nominated for an Academy Award for Best Documentary Short in 1966.

Yeats Country is a lyrical film commissioned by the Department of Foreign Affairs to commemorate the centenary of the birth of William Butler Yeats. The first Irish film by cinematographer and director Patrick Carey celebrates the landscape of Yeats’ poetry through stunning photography, narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including Thoor Ballylee Castle where he lived, Coole Park, home of Lady Gregory where literary figures of the period socialised, Lissadell House, Knocknarea Mountain, the slopes of Ben Bulben, the waterfall at Glencar and finally Yeats’ grave at Drumcliffe. It was nominated for an Academy Award for Best Documentary Short in 1966.

Yeats Country is a lyrical film commissioned by the Department of Foreign Affairs to commemorate the centenary of the birth of William Butler Yeats. The first Irish film by cinematographer and director Patrick Carey celebrates the landscape of Yeats’ poetry through stunning photography, narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including Thoor Ballylee Castle where he lived, Coole Park, home of Lady Gregory where literary figures of the period socialised, Lissadell House, Knocknarea Mountain, the slopes of Ben Bulben, the waterfall at Glencar and finally Yeats’ grave at Drumcliffe. It was nominated for an Academy Award for Best Documentary Short in 1966.

Yeats Country is a lyrical film commissioned by the Department of Foreign Affairs to commemorate the centenary of the birth of William Butler Yeats. The first Irish film by cinematographer and director Patrick Carey celebrates the landscape of Yeats’ poetry through stunning photography, narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including Thoor Ballylee Castle where he lived, Coole Park, home of Lady Gregory where literary figures of the period socialised, Lissadell House, Knocknarea Mountain, the slopes of Ben Bulben, the waterfall at Glencar and finally Yeats’ grave at Drumcliffe. It was nominated for an Academy Award for Best Documentary Short in 1966.

Exploration of the Slimbridge Wild Fowl Trust in Gloucestershire, England, which boasts the largest collection of living wild fowl in the world.

Exploration of the Slimbridge Wild Fowl Trust in Gloucestershire, England, which boasts the largest collection of living wild fowl in the world.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

Journey into Spring is a 1958 British short documentary film directed by Ralph Keene, and made by British Transport Films. The film -- partly a tribute to the work of the pioneering naturalist and ornithologist Gilbert White (1720-1793), author of The Natural History of Selborne -- features a commentary by the poet Laurie Lee, and camerawork by the wildlife cinematographer Patrick Carey. The journey suggested by the title is through time rather than space. In fact, two such journeys are made: the first back to the eighteenth century to pay tribute to the work of White, and the second studies the changing natural landscape near White's home town of Selborne in Hampshire between a typical March and May. It was nominated for two Academy Awards -- one for Best Documentary Short, and the other for Best Live Action Short.

A Canadian boy visits cousins in Scotland; his attitude first causes antagonism with Scottish youngsters, but disappears when the lad proves himself by riding a horse over dangerous country to bring aid to an injured shepherd.

A Canadian boy visits cousins in Scotland; his attitude first causes antagonism with Scottish youngsters, but disappears when the lad proves himself by riding a horse over dangerous country to bring aid to an injured shepherd.