Parents lock their son at home for re-education. He is 38 years old. He is the mayor.
Brother and son, it was only yesterday that he came back from the army. Only his sister is at home, his mother is wandering somewhere as usual. But the man, who has come back, has changed completely.
꽁꽁 언 상트페테르부르크의 겨울. 스케이트를 타고 배달일을 하던 마트베이는 귀족의 딸과 사랑에 빠진다. 둘을 갈라놓으려는 힘이 폭풍처럼 몰아치는 속에서 남녀는 사랑을 지킬 수 있을 것인가.
Irina Pearson
Based on the novel by Booker Prize Winner Ludmila Ulitskaya, The Funeral Party is set in August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN?
Marina (Alyona Babenko) is a journalist contemplating retiring, bored of writing stories of serial killers and murders that are front page news one day, and then are quickly forgotten the next. At a large house a lawyer is holed up, police are in the front garden, snipers on the roof and the lawyer asks for Marina. She’s a little surprised by this as she and the lawyer have only crossed paths a few times during her career, but agrees to go to the lawyers house. Arriving at the house she’s confronted by the large police presence, she’s given a quick debrief of the situation and requested not to go into the house. She declines and enters the house. Just inside the front door is the lawyers wife, she tell Marina that he’s lost it and locked the children in their rooms and that he’s going to kill them all.
Doctor Yelena
Young police detective Faina tries to experiment with herself in order to meet her dead love.
Vera
An experimental drama about a boy and his illness, a wife looking for a site for her husband’s construction company and a beautiful girl who works on a phone sex-line.
first lady
어느 영화 감독이 한순간 마술처럼 18세기 초의 상트페테르부르크의 에르미타주 궁으로 가게 된다. 어느 누구도 감독을 보지 못하지만, 오로지 검은 옷을 입은 남자만이 감독을 본다. 검은 옷의 남자는 19세기에서 온 프랑스 외교관이였다. 감독과 외교관은 격동의 러시아 한가운데에서 놀라운 역사의 현장을 목격한다.
With the money of the bandits, the director made a film that received prizes at four festivals, but did not raise money. The bandits filed a complaint and forced to shoot porn on video. Theme - Russian master whips and dishonors girls in the hayloft. For the role of the master, the debtor was sent with fresh traces of the iron on the back. Didn't fit. They found the Honored Artist of the Buryat Opera House, who had lost in billiards, and two truck drivers. All of them were debtors of the lads, each has its own story...
A small provincial town is home to two rival teenage gangs, one devoted to loose living and punk music and the other a collection of narrow-minded bodybuilders obsessed with order and convinced of their own moral rectitude. However, this cosy state of affairs is upset by the arrival of two strangers dressed like Pushkin, the famous early 19th century Russian poet, who proceed to found their own organisation, dedicated ostensibly to the memory of the great writer and the "salvation of Russia". Gradually, they begin to assume control of the town...
