Wim van der Grijn

The relationship between Wolfs and Eva will be put to the test. Wolfs is imprisoned for stealing money from the government and Eva tries to forget about him. When Wolfs regains his freedom due to a technicality, he associates himself with a bunch of criminals. Wolfs and Eva meet again in a world where where not everything is what it seems...

What happens if you take the law into your own hands, start correcting the legal system on your own initiative? Hans Croiset, André van den Heuvel, Bram van der Vlugt and Kitty Courbois in their roles of aged resistance heroes do not think this is such a bad idea; in fact, it is what they already did during World War II. Back then, they formed a sworn resistance gang. The occasion for their renewed fighting spirit is the brutal robbery and murder of Marjan, one of the members of their former group. Past and present start blending. In a controlled tempo, alert to detail and acting, a story unravels that focuses on Hans Croiset in the role of Simon, a retired teacher of Dutch. He makes contact with the underworld, meeting the Slavic Goran, who starts feeling sympathy for the old man. Eventually, fate lies in Simon's hands.

For all his life Frank Goudvis has tried not to follow in the footsteps of his father. When his father is mysteriously murdered, Frank loses his alibi for his cherished passivity and decides to travel to the crime scene.

A man from the province looks back on his graduation year, some teachers, the parental home and especially his father.

In this short motion picture, schoolboy Kees is intelligent, introvert and sensitive, but gets ridiculed verbally and physically at an all-boys school by mindlessly cocky class mates and even insensitive teachers, especially in gym, where his physical weakness is mercilessly abused to make him a defenceless laughing stock in front of his smirking peers. His awakening sexual interest goes to boys, and in particular to Charel, a beautiful athletic classmate who probably feels an undetermined interest but would never risk admitting (possibly not even to himself) having any gay or bi appreciation, least of all for a 'sissy', and thus remains unresponsive to shy Kees' overtures. When the hunk finally comes over to Kees' place while his parents are away, a desperate disappointment with a tragical twist is in the making…

영화는 어젯밤의 흔적을 치우며 새로운 아침을 준비하는 클럽 해피하우스로부터 시작된다. 그곳에서는 저마다의 기구한 사연을 가진 여성들이 생존을 위해 자신을 판다. 무능력한 마약중독자 남편 대신 생활전선에 뛰어든 다이앤. 그녀 역시 해피하우스에서 일한다. 같은 시간, 도시의 다른 한편에서는 잘 차려입은 양복 차림의 남성이 여성을 납치하고, 침대에 묶고, 즉석 카메라로 그녀의 사진을 찍는다. 여자는 벽 한켠에 붙어 있는 이미 살해당한 여성들의 사진을 보고 울부짖는다. 여자의 고통에 한껏 희열을 느끼는 연쇄 살인범. 마치 두 개의 바퀴처럼 전혀 연관이 없어 보이던 이야기는 얘기치 않은 사건을 계기로 극적인 랑데부를 하게 된다.

Registration of Joost van den Vondel's classic stage play, performed by the Publiekstheater.

The story of the murder of Dutch comedian Jean-Louis Pisuisse and his wife, by the hands of jealous singer Tjakko Kuiper. Based on Gerben Hellinga's play, and performed by the Publiekstheater.

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.