Mutter Kakmann
At summer camp, young Bibi and her friends are pitted against the boys in a treasure hunt. But what's a witch to do when she loses her powers?
Ältere Dame Rothenbrunn
When robbers hit Falkenstein castle, teen witch Bibi and pal Tina hunt for the crooks, then devise a plan to save the neighbors' failing ranch.
Herself
Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)
Urschel
The trans-star Lola is very pleased when the sh and young Turk Hasim visits her dressing room. Hasim wants to get to know the famous artist.
In the Bunker
베를린 하늘의 천사, 다니엘은 어느 날 공중 곡예를 하는 마리온을 보고 반한다. 그저 바라보기만 할 수 있는 천사로서는 사랑에 빠진 여자를 만질 수 없음이 그저 고통스럽기만 하다. 그러던 어느날, 천사였다가 인간이 된 콜롬보를 만난다. 그 후, 다니엘은 천사직을 포기하고 인간이 되어 마리온과 만질 수 있는 사랑에 빠진다. 인간이 되어 마리온과 접촉할 수 있는 사랑을 하게 되나, 인간으로서 살아가는 문제와도 봉착하게 된다.
The edgy, quirky, nearly disposable life of marginal Berliners. Four mediocre existences are on an increasingly desperate quest for love and sexual satisfaction in the urban jungle of West Berlin.
Dame im Café
The Political drama shows the denunciation and persecution of the 19-year-old Sanne in the Nazi state. After she falls in love with her cousin, Sanne is betrayed by her jealous aunt to the Gestapo.
