Luiz de Barros
출생 : 1893-09-12, Rio de Janeiro, Brazil
사망 : 1982-01-01
약력
Luiz de Barros (Rio de Janeiro, September 12th, 1893 — Rio de Janeiro, 1982) was a Brazilian filmmaker, producer, actor, screenwriter, cinematographer and editor. He also worked in the theater as a set designer, producer, artistic director and a playwright, besides serving as a decorator and artistic director for famous shows of the Cassino da Urca and Cassino Atlântico.
His career in film began in 1914, when he directed A Viuvinha. He directed the first Brazilian sound film, Acabaram-se os Otários (1929), made with a synchronization technique he devised himself. From 1914 to 1980, he made about 250 films.
Editor
Associate Producer
Director
Director
The life at the Military Academy of Agulhas Negras, with a cadet living remarkable moments during school times.
Producer
While his uncle is traveling, an irresponsible young man spends a fortune on sprees with friends and lady sweethearts, but when the creditors start pressuring for cash, he pretends to lose his memory, although not fooling his fiancée.
Director
While his uncle is traveling, an irresponsible young man spends a fortune on sprees with friends and lady sweethearts, but when the creditors start pressuring for cash, he pretends to lose his memory, although not fooling his fiancée.
Almirante
Writer
Director
Director
Director
Screenplay
Set Decoration
Editor
Writer
Director
Editor
Screenplay
Director
Editor
Writer
Director
Production Design
Editor
Adaptation
Director
Production Design
Director
Director
Writer
Director
Writer
Director
Screenplay
Director
Editor
Screenplay
Director
Screenplay
Director
Camera Operator
In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.
Producer
In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.
Screenplay
In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.
Director
In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.
Director of Photography
A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Writer
Zé Babão is a hillbilly who does not care about working, leads the good life of the interior and is in love with Conchita. One day, an Italian appears interested in all the banana trees of Zé Babão and, for this, decides to marry Conchita.
Director
Zé Babão is a hillbilly who does not care about working, leads the good life of the interior and is in love with Conchita. One day, an Italian appears interested in all the banana trees of Zé Babão and, for this, decides to marry Conchita.
Set Designer
"Acabaram-se os Otários" is a Brazilian comedy, directed by Luiz de Barros in 1929. It is considered the first sound film in Brazil. Luiz de Barros's own script is based on a novel by the writer Menotti del Picchia. It tells the story of two hillbillies and an Italian settler who arrive in São Paulo. Naively, the three are tricked by a con man into believing they bought a tram. They end up without money, having to return to the countryside. It's considered a lost film, but a reconstituted version was made by researchers at the Universidade Federal Fluminense.
Editor
"Acabaram-se os Otários" is a Brazilian comedy, directed by Luiz de Barros in 1929. It is considered the first sound film in Brazil. Luiz de Barros's own script is based on a novel by the writer Menotti del Picchia. It tells the story of two hillbillies and an Italian settler who arrive in São Paulo. Naively, the three are tricked by a con man into believing they bought a tram. They end up without money, having to return to the countryside. It's considered a lost film, but a reconstituted version was made by researchers at the Universidade Federal Fluminense.
Writer
"Acabaram-se os Otários" is a Brazilian comedy, directed by Luiz de Barros in 1929. It is considered the first sound film in Brazil. Luiz de Barros's own script is based on a novel by the writer Menotti del Picchia. It tells the story of two hillbillies and an Italian settler who arrive in São Paulo. Naively, the three are tricked by a con man into believing they bought a tram. They end up without money, having to return to the countryside. It's considered a lost film, but a reconstituted version was made by researchers at the Universidade Federal Fluminense.
Director
"Acabaram-se os Otários" is a Brazilian comedy, directed by Luiz de Barros in 1929. It is considered the first sound film in Brazil. Luiz de Barros's own script is based on a novel by the writer Menotti del Picchia. It tells the story of two hillbillies and an Italian settler who arrive in São Paulo. Naively, the three are tricked by a con man into believing they bought a tram. They end up without money, having to return to the countryside. It's considered a lost film, but a reconstituted version was made by researchers at the Universidade Federal Fluminense.
Writer
Director
Director
A 1923 Brazilian silent comedy film directed by Luiz de Barros, now considered a Lost Film. Augusto Aníbal Wants To Get Married is recognized as the first portray of an LGBT character in Brazilian cinema history.
