Jos Verbist

Five people fight themselves more than each other, in this existence that's so beautiful and incredibly hard at the same time.

Pier Ulmann lives from hand-to-mouth in Paris, between construction work and petty theft that he commits on behalf of Rachid, his only “family”. But life catches up with him the day his father is found dead in the street after a long decline. The black sheep of a rich Antwerp family who deals in diamonds, he has left his son nothing, apart from the story of his banishment from the Ulmann family and a thirst for revenge.

The Flemish harmony Sint-Cecilia from Staaikerke and the Walloon harmony En Avant are both selected for the big European finale. The Walloon En Avant comes up with the great trumpeter Hugues. Hugues is so amazing during his solo that Willy, from the Flemish Sint-Cecilia, has to give everything he has, the highest note, the lowest note, the last note... Willy falls dead on stage. Surprising everyone, both harmonies get selected for the finale. But what will the Flemish do without their best player? Elke, the daughter of conductor Jozef, has an idea. A transfer! What works easily on a football field seems to be more difficult in the music world. The young, handsome Hugues generates a lot of emotions in the quiet village of Staaikerke. His transfer drives the conflict between En Avant and Sint-Cecilia on.

Stef moved to a new home, but there is another man in his home, Theo. Theo is the previous owner of the house, he died a few years ago. Stef seems to be the only one who can see him.

Feature based on the novel with the same name by the Flemish writer Louis Paul Boon. The celebrated author lives in a cul de sac threatened with demolition. He observes his neighbors in their struggle against the threat that leads to selfishness, individualism and resignation. The writer invents a new street that is outside the new world.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

Sam starts his first week as a helper at a brickyard. He got this job because his new boss is the chairman of the local football team for which he plays. He's a talented goalkeeper. There is much resemblance between Sam and Louis, a 65-year-old who is pottering through the last days before his retirement. They both react strongly to the illegal dumping practices of a firm from the city. But also their boss' hands do not seem to be entirely clean in this business. Will Sam sink into the rut and routine that Louis is rebelling against?