Giorgio Diritti

출생 : 1959-12-21, Bologna, Italy

참여 작품

Zombie
Producer
It’s Halloween. Camilla stands outside her school. She looks around to find her dad, but her mother Paola is the one waiting for her instead. She takes the little girl to the bakery ad tells her to get whatever she wants: today is a special day. Back home, Paola dresses her up as a zombie. The long-awaited “trick or treat” moment is coming. A hood with two holes for the eyes covers her face. Camilla walks through the streets of her town hand in hand with her mother. However, the woman has a different plan.
Zombie
Director
It’s Halloween. Camilla stands outside her school. She looks around to find her dad, but her mother Paola is the one waiting for her instead. She takes the little girl to the bakery ad tells her to get whatever she wants: today is a special day. Back home, Paola dresses her up as a zombie. The long-awaited “trick or treat” moment is coming. A hood with two holes for the eyes covers her face. Camilla walks through the streets of her town hand in hand with her mother. However, the woman has a different plan.
히든 어웨이
Editor
The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.
히든 어웨이
Writer
The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.
히든 어웨이
Director
The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.
Mexico! Un cinema alla riscossa
Himself
The Cinema Mexico is one of the last single-screen cinemas left in Milan. Its story is inextricably tied to the figure of Antonio Sancassani who ran it independently for the past thirty years taking care of every single aspect. At the cinema Mexico he presents independent films, debuts, films in original version, documentaries, forgotten films or films that have been "burned" by large-scale distribution offering them a second chance. The thirty-six years of the Rocky Horror Picture Show and two extraordinary years of The Wind Blows Round are only some of the successes that have made of the cinema a reference point for insiders from all over Italy. A passionate portrait that reflects on the fate of small cinemas and on the difficulties for independent cinema that is suffocated by the laws of the market, by online streaming and by the television.
Milano 2015
Editor
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
Milano 2015
Writer
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
Milano 2015
Director
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
There Will Come a Day
Writer
Painful family events lead Augusta to leave Italy. On a small boat, immersed in the Amazon Forest grandness, she begins a travel between Indios villages. From the favela to the isolation in the Forest, Augusta will go in search of herself.
There Will Come a Day
Director
Painful family events lead Augusta to leave Italy. On a small boat, immersed in the Amazon Forest grandness, she begins a travel between Indios villages. From the favela to the isolation in the Forest, Augusta will go in search of herself.
The Man Who Will Come
Writer
A group of Italian villagers struggle to survive during a tumultuous time in 1943, debating how much assistance to give the partisans with the impending arrival of the Germans. Based on True Events.
The Man Who Will Come
Director
A group of Italian villagers struggle to survive during a tumultuous time in 1943, debating how much assistance to give the partisans with the impending arrival of the Germans. Based on True Events.
The Wind Blows Round
Writer
The aging, conservative population of a small, sleepy village in the Italian Alps are surprised to see that a former French professor has settled there with his young wife and their three children to produce goat cheese, in order to escape the wrongs of civilization. At first they are suspicious of his unconventional ideas and lifestyle, then are conquered by the enthusiasm, kindness, helpfulness of the young family and start to see in them a possible rebirth of the place. But little by little misunderstandings, envy and conflicts take over.
The Wind Blows Round
Director
The aging, conservative population of a small, sleepy village in the Italian Alps are surprised to see that a former French professor has settled there with his young wife and their three children to produce goat cheese, in order to escape the wrongs of civilization. At first they are suspicious of his unconventional ideas and lifestyle, then are conquered by the enthusiasm, kindness, helpfulness of the young family and start to see in them a possible rebirth of the place. But little by little misunderstandings, envy and conflicts take over.
Il Denaro non esiste
Director
Lubo
Writer
Lubo is a Yenish and his story takes place against the backdrop of the persecution of gypsies in Switzerland in the late 1930s.
Lubo
Director
Lubo is a Yenish and his story takes place against the backdrop of the persecution of gypsies in Switzerland in the late 1930s.