Himself
Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
Producer
Deep in an inner city hell, a ghastly figure is killing off the bad guys. A vigilante, or a demon? For the beautiful high school student, Jada, that's the question that will bring her face to face with the killer clown Killjoy.
Benny
Vietnam veteran Archibald Wright is a house painter hired to work on a Beverly Hills mansion where he becomes involved in the life of the resident family. The owner Elaine left her husband J.P. while he was serving in Vietnam, causing him to become an alcoholic hobo living in downtown Los Angeles. Archibald tries to help their daughter Tory to continue her relationship with her father, even though Elaine is strongly against it.
Napoleon Lazar
Dr. Lorca, an eccentric collector of biological oddities - has just "acquired" his greatest specimen: a horrible mutant born of toxic sewage, but the creature's rightful owner wants it back. The collector's clash is cut short though, as the sickening specimen comes to life, re-animating an angry, oozing little army of ferocious freaks
Billy
A policeman guards a barroom singer whose phone-sex sideline has put a killer on her trail.
Benny
서기 2084년. 어느 신도시에서 광산일을 하고 사는 퀘이드(아놀드 슈왈젠에거)는 미모의 아내 로리(샤론 스톤)와 행복하게 살아가지만 밤마다 이상한 꿈을 꾸게 된다. 한 번도 가본 적이 없는 화성에서 이름도 알 수 없는 갈색머리 여자와 행복하게 살고 있는 것이 자꾸 꿈으로 나타나자 퀘이드는 리콜이라는 여행사를 찾아간다. 이곳은 싼값으로 우주 여행을 다녀온 것처럼 뇌 속에 기억을 이식시켜줌으로써 욕구를 충족시켜주는 곳. 이식을 받던 퀘이드는 커다란 충격에서 깨어나 놀라운 사실들을 알게 되는데...
Eubie! began life as a Broadway musical, celebrating the life and work of legendary black entertainer/composer Eubie Blake. This taped version was specially prepared for cable TV in 1981, then released on videocassette a few years later. Gregory and Maurice Hines head the exuberant, toe-tapping cast. Among the highlights are such Blake standards as "I'm Just Wild About Harry". The race issue is brought into play every once in a while, but never in such an omnipresent fashion as to dampen the spirits of this sparkling example of Broadway at its best.
