Naresh Mitra

Ramshankar is a poor man who lives with his family. He arranges his daughter's marriage with an old man. Soon, she returns home as a widow and Ramshankar realises his mistake.

Ramshankar is a poor man who lives with his family. He arranges his daughter's marriage with an old man. Soon, she returns home as a widow and Ramshankar realises his mistake.

Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.

Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.

Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.

Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.

Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.

Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.

Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.

This rich Gopinath ignores his beautiful wife Giribala, preferring the company of the stage actress Labanga. Tired of his only pastime, dressing up in narcissistic solitude, Giribala one night follows her husband to the theatre where a new world opens up for her. When Gopinath runs off with Labanga, Giribala joins the stage in Labanga's place and becomes famous. The hypocrisy of men's moral double standards is revealed when Gopinath recognizes his wife on stage when her veil drops.

Love-triangle story revolving around an upper-class Bengali hero. Satyendra, the son of a zamindar, experiences the conflict between family duty and the modern world in terms of his desire for an 11-year-old virgin bride, Radharani, and the nurturing and self-sacrificing courtesan Bijli. It depicts several stereotypical scenes like drunkeness and a courtesan's dance.

Love-triangle story revolving around an upper-class Bengali hero. Satyendra, the son of a zamindar, experiences the conflict between family duty and the modern world in terms of his desire for an 11-year-old virgin bride, Radharani, and the nurturing and self-sacrificing courtesan Bijli. It depicts several stereotypical scenes like drunkeness and a courtesan's dance.