Prasanna Jayakody

Prasanna Jayakody

프로필 사진

Prasanna Jayakody
Prasanna Jayakody

참여 작품

표범은 물지 않는다
고마리라는 소녀가 표범에게 공격 당한 이후, 표범의 생사 여부를 두고 한 사냥꾼과 승려 간에 충돌이 생긴다. 생존을 위해 사냥을 하는 것과 종교적인 믿음을 위해 사람을 사냥하는 것의 철학적 차이를 둘러싼 근본적인 논쟁의 핵심을 찾아본다.
표범은 물지 않는다
Writer
고마리라는 소녀가 표범에게 공격 당한 이후, 표범의 생사 여부를 두고 한 사냥꾼과 승려 간에 충돌이 생긴다. 생존을 위해 사냥을 하는 것과 종교적인 믿음을 위해 사람을 사냥하는 것의 철학적 차이를 둘러싼 근본적인 논쟁의 핵심을 찾아본다.
표범은 물지 않는다
Director
고마리라는 소녀가 표범에게 공격 당한 이후, 표범의 생사 여부를 두고 한 사냥꾼과 승려 간에 충돌이 생긴다. 생존을 위해 사냥을 하는 것과 종교적인 믿음을 위해 사람을 사냥하는 것의 철학적 차이를 둘러싼 근본적인 논쟁의 핵심을 찾아본다.
Twenty Eight
Writer
Abasiri’s wife Suddhi abandoned him and the village a long time ago. Now, Abasiri and his young friend Mani are summoned to identify a woman who got raped and murdered in the city. Hiding his personal distress after the shocking discovery that it’s his own wife, Abasiri embarks on a strange journey with a coffin heading through captivatingly beautiful hill stations towards the village where embarrassing rumours of Suddhi’s demise are already spreading.
Twenty Eight
Director
Abasiri’s wife Suddhi abandoned him and the village a long time ago. Now, Abasiri and his young friend Mani are summoned to identify a woman who got raped and murdered in the city. Hiding his personal distress after the shocking discovery that it’s his own wife, Abasiri embarks on a strange journey with a coffin heading through captivatingly beautiful hill stations towards the village where embarrassing rumours of Suddhi’s demise are already spreading.
Sankara
Director
Young Buddhist monk Ananda, arrives at a temple in order to restore its paintings. These paintings depict Thelapaththa Jathakaya, a moral story where Lord Buddha said that a man with a big target in life must not be swayed by passion (Keles), the five senses and especially beautiful women. One day, Ananda picks up a hair pin belonging to a young woman. While attempting to return this object to its owner, his repressed feelings are awoken by the beauty and sensuality of the woman. The young monk's inner spiritual world is plunged into turmoil. Then one day the paintings are destroyed. While restoring them for the second time Ananda begins to realize that he is trapped in a web of his worldly desires and attachments.