Julia Kuperberg

ARTE 의뢰로 제작된 다큐멘터리 은 마침 안소니 홉킨스가 로 두 번째 오스카를 받을 무렵 완성되었다. 감독 클라라와 줄리아 쿠퍼버그는 홉킨스가 일생에 걸쳐 진행한 인터뷰와 영화 클립들을 활용하여 어떻게 웨일즈 포트탤벗 교외의 빵집 아들이 할리우드의 대표 영국 배우가 되었는지, 연기한 배역과 실제 홉킨스 사이의 공통점은 무엇인지, 그리고 유행하는 연기 스타일을 단 한 번도 따르지 않았음에도 어떻게 영국 최고 개런티를 받는 배우가 되었는지 풀어낸다.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

아이다 루피노는 제작, 연출, 출연을 동시에 한 최초의 여성이자, 누아르영화를 만든 최초의 여성 영화감독이다. 이 다큐멘터리는 그의 작품에서 가져온 장면들과 아카이브 푸티지를 통해, 토키영화 이후 줄곧 남성의 영역이었던 영화계에서 활약했던 위대한 여성 창작자의 귀환을 맞이한다.

아이다 루피노는 제작, 연출, 출연을 동시에 한 최초의 여성이자, 누아르영화를 만든 최초의 여성 영화감독이다. 이 다큐멘터리는 그의 작품에서 가져온 장면들과 아카이브 푸티지를 통해, 토키영화 이후 줄곧 남성의 영역이었던 영화계에서 활약했던 위대한 여성 창작자의 귀환을 맞이한다.

Mehdi lives with his mother in the suburbs of Paris. He plays poker online. After a lucky strike he decides it is time to risk it all in Montecarlo.

Reflec­tion of the soci­ety and vec­tor of the occi­den­tal cul­ture, Amer­i­can cin­e­ma influ­ences the entire world since its debuts.

A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence no end on a daily basis. If it is true that American movies reflect American society the United States have yet another severe problem: a lack of open sexuality and eroticism. After the Hays Code had faded away Hollywood exploited the newly found freedom in films like "Basic Instinct" and "Body Heat" to name but a few. But when Reagan and Bush came to power the public attitude to sex changed again. This film is demonstrating how the American film industry correctly reflects these changes in behaviour. Carefully selected film clips ranging from "Basic Instinct" and "Midnight Cowboy" to "The Last Tango" underpin a narration woven together from interviews with those who are in the forefront of sexual liberation. Needless to say that relevant TV series like "Masters of Sex" and "Sex in the City" also feature.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence no end on a daily basis. If it is true that American movies reflect American society the United States have yet another severe problem: a lack of open sexuality and eroticism. After the Hays Code had faded away Hollywood exploited the newly found freedom in films like "Basic Instinct" and "Body Heat" to name but a few. But when Reagan and Bush came to power the public attitude to sex changed again. This film is demonstrating how the American film industry correctly reflects these changes in behaviour. Carefully selected film clips ranging from "Basic Instinct" and "Midnight Cowboy" to "The Last Tango" underpin a narration woven together from interviews with those who are in the forefront of sexual liberation. Needless to say that relevant TV series like "Masters of Sex" and "Sex in the City" also feature.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence no end on a daily basis. If it is true that American movies reflect American society the United States have yet another severe problem: a lack of open sexuality and eroticism. After the Hays Code had faded away Hollywood exploited the newly found freedom in films like "Basic Instinct" and "Body Heat" to name but a few. But when Reagan and Bush came to power the public attitude to sex changed again. This film is demonstrating how the American film industry correctly reflects these changes in behaviour. Carefully selected film clips ranging from "Basic Instinct" and "Midnight Cowboy" to "The Last Tango" underpin a narration woven together from interviews with those who are in the forefront of sexual liberation. Needless to say that relevant TV series like "Masters of Sex" and "Sex in the City" also feature.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence no end on a daily basis. If it is true that American movies reflect American society the United States have yet another severe problem: a lack of open sexuality and eroticism. After the Hays Code had faded away Hollywood exploited the newly found freedom in films like "Basic Instinct" and "Body Heat" to name but a few. But when Reagan and Bush came to power the public attitude to sex changed again. This film is demonstrating how the American film industry correctly reflects these changes in behaviour. Carefully selected film clips ranging from "Basic Instinct" and "Midnight Cowboy" to "The Last Tango" underpin a narration woven together from interviews with those who are in the forefront of sexual liberation. Needless to say that relevant TV series like "Masters of Sex" and "Sex in the City" also feature.

The dashing and dazzling Douglas Fairbanks was the movie star who "swash buckled in Zorro, dueled exuberantly in Robin Hood and soared magnificently in The Thief of Bagdad". He was the "First King of Hollywood". His life story unfolds with American history and the emergence of the film industry as backdrop. His style made him the perfect American icon. At a time when the country did not have any self-doubt, he represented America like no one else: strong, confident, heroic, smiling and conquering. He was "Everybody's Hero". He married the "America's Sweetheart"; Mary Pickford, he also started, with Pickford, Chaplin and Griffith, the United Artists Studio which is still a Hollywood player today. This film is the life of Douglas Fairbanks in a first person narration.

During the 1930s anti-Semitism was rampant not only in Germany but also in America. There was a German American Bund and pro-Nazi rallies even filled Madison Square Gardens in New York City. And the US was isolationist. Until Pearl Harbor, then, everything changed. Spymasters throughout the 20th century, and particularly during times of conflict, thought it advantageous to enlist the services of celebrities who had high level and powerful "fans" in various industries, many with easy access to politicians and high ranking government officials. Hollywood, as we now know from declassified National Archive documents, aided in the mobilization for war and its people contributed as spies, combatants, propagandists, documentary and fund-raisers, entertainers, and morale-boosters. Hundreds of celebrities eagerly answered the "call to arms" and brought their talents and patriotism to the intelligence services, military and war information offices.

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American actress who was a leading lady in Hollywood throughout the 1940s and '50s.

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American actress who was a leading lady in Hollywood throughout the 1940s and '50s.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

Sophisticated and sexy, yet crazy. Stylish and smart. When New York screenwriters got jobs in Hollywood in the 1930s, both the tempo and the temperature in the studio rose. It was called "screwball" and it only lasted for ten years.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

A documentary about film noir films made in Los Angeles.

A documentary on the family of brothers who formed the Warner Bros studio.

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

Milos Forman and guests look at his career from his departing Czechoslovakia and his arrival in America with stories and interviews about The Fireman's Ball, One Flew Over the Cuckoo's Nest, Amadeus, The People Vs Larry Flynt, and The Man on the Moon.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

Looks at roles given to women in Hollywood over the years and the development of 'chick flicks'. Writers, critics and studio executives including Nora Ephron, Molly Haskell and Linda Obst, discuss the rise of chick flicks.

Looks at roles given to women in Hollywood over the years and the development of 'chick flicks'. Writers, critics and studio executives including Nora Ephron, Molly Haskell and Linda Obst, discuss the rise of chick flicks.

Portrait of Jack Lemmon.