Francesco Maselli
출생 : 1930-12-09, Rome, Italy
Director
100 years ago, a terrible earthquake, followed by an equally terrible tidal wave, devastated and largely destroyed Messina and Reggio Calabria.
Story
An intellectual encounters a youth group that seeks social change.
Director
An intellectual encounters a youth group that seeks social change.
Director
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Director
Director
Francesco Maselli takes us by the hand through the events, and his own involvement with them, that have marked the culture and arts of the past century.
Self - Interviewee
Documentary on actor Gian Maria Volonté
Self
Documentary about Italian film screenwriter Cesare Zavattini
Director
Director
A collective cinematic project to promote tolerance and the value of diversity.
Director
Story
Karen arrives at hotel room no.772: she has a huge amount of bags and suitcases and she decided to leave behind her previous life and to meet Massimo, a man she met long time ago.
Screenplay
Karen arrives at hotel room no.772: she has a huge amount of bags and suitcases and she decided to leave behind her previous life and to meet Massimo, a man she met long time ago.
Director
Karen arrives at hotel room no.772: she has a huge amount of bags and suitcases and she decided to leave behind her previous life and to meet Massimo, a man she met long time ago.
Writer
Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
Director
Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
Screenplay
Director
Screenplay
A young woman struggles to overcome the dehumanization of poverty.
Director
A young woman struggles to overcome the dehumanization of poverty.
Director
A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.
Director
se stesso
비싼 와인과 음식이 가득한 테이블이지만 실상은 비어있다. 쇠퇴하는 진보 지 식인들이 초상, 특정 사회 계층의 행동에 관한 달콤 쌉쌀한 이야기에 여전히 현대적인 분위기, 우울, 친절, 열광이 담겨있다.
Screenplay
Fascism has forced the leadership of the Italian Communist Party to settle in Paris. In Italy arrests of militants are decimating the organization, so Emilio is sent on a mission in the area of Turin, to put out of harm whistleblowers.
Story
Fascism has forced the leadership of the Italian Communist Party to settle in Paris. In Italy arrests of militants are decimating the organization, so Emilio is sent on a mission in the area of Turin, to put out of harm whistleblowers.
Director
Fascism has forced the leadership of the Italian Communist Party to settle in Paris. In Italy arrests of militants are decimating the organization, so Emilio is sent on a mission in the area of Turin, to put out of harm whistleblowers.
Science Teacher
이탈리아의 작은 마을 사람들은 그들의 사회가 지역적으로 고립되어서 숨통이 막힐 듯한 느낌을 갖는다. 그들은 외로움으로 가득 차 있고, 삶을 전환시킬 특별한 것을 갈망하게 된다. 초호화 여객선인 황제호가 그들이 사는 해변을 지나게 된다는 말을 들었을 때, 동경심에 사로잡힌 마을 사람들은 보트에 모조리 타고서 열정적인 성지 순례자들처럼 해변에서 줄지어 바다로 나가 여객선을 기다린다.
Hoping to shake up the complacent Italian Communist Party, a group of leftist radicals sends an incendiary letter to a major evening newspaper declaring their intention to volunteer to fight American troops in Vietnam as a political statement against the war.
Writer
Hoping to shake up the complacent Italian Communist Party, a group of leftist radicals sends an incendiary letter to a major evening newspaper declaring their intention to volunteer to fight American troops in Vietnam as a political statement against the war.
Director
Hoping to shake up the complacent Italian Communist Party, a group of leftist radicals sends an incendiary letter to a major evening newspaper declaring their intention to volunteer to fight American troops in Vietnam as a political statement against the war.
Screenplay
A detective gets involved with the beautiful daughter of an old friend. The daughter turns out to be a jewel thief, who in turn gets the detective involved in a caper in Austria.
Director
A detective gets involved with the beautiful daughter of an old friend. The daughter turns out to be a jewel thief, who in turn gets the detective involved in a caper in Austria.
Story
Giovanna and Franco are lovers pretending to be brother and sister in order to con unsuspecting marks while staying in the most luxurious locales throughout Europe. In their travels, they come across the beautiful Christina, a girl who is being threatened by her brother, Sergio, in order to get the family fortune. But as Giovanna and Franco delve into their story, the double-crossing begins, and no one is sure who is getting tricked.
Director
Giovanna and Franco are lovers pretending to be brother and sister in order to con unsuspecting marks while staying in the most luxurious locales throughout Europe. In their travels, they come across the beautiful Christina, a girl who is being threatened by her brother, Sergio, in order to get the family fortune. But as Giovanna and Franco delve into their story, the double-crossing begins, and no one is sure who is getting tricked.
Dialogue
A penniless countess falls in love with a cad, unaware that he is also involved on the side with her beautiful daughter.
Screenplay
A penniless countess falls in love with a cad, unaware that he is also involved on the side with her beautiful daughter.
Director
A penniless countess falls in love with a cad, unaware that he is also involved on the side with her beautiful daughter.
Screenplay
A dozen sketches: (1) how it is not easy for parents to reveal the mystery of birth to their young children. (2) how the first kiss can be pleasant for teenagers and a worry to their parents. (3) how violent a male ego can be after a woman's rejection. (4) how double standards work in view of a woman's loss of virginity. (5) how modern psichology can influence a pregnant woman to deal with her dilemma. (6) how hiding her sexual past to the bridegroom does not succeed past their nuptial night. (7) how aspiring actresses have to pay a price for success. (8) how a matrimony can be a social hypocrisy by a cheating couple. (9) how a girl eager to marry discovers too late her husband's true nature. (10) how an emigrant's wife shall overcome her sexual need through music, and dancing. (11) how divorce can be a way to settle peacefully a union that no longer works. (12) how a man can overcome the shock of being married to a woman who was raped by some truck drivers
Director
A dozen sketches: (1) how it is not easy for parents to reveal the mystery of birth to their young children. (2) how the first kiss can be pleasant for teenagers and a worry to their parents. (3) how violent a male ego can be after a woman's rejection. (4) how double standards work in view of a woman's loss of virginity. (5) how modern psichology can influence a pregnant woman to deal with her dilemma. (6) how hiding her sexual past to the bridegroom does not succeed past their nuptial night. (7) how aspiring actresses have to pay a price for success. (8) how a matrimony can be a social hypocrisy by a cheating couple. (9) how a girl eager to marry discovers too late her husband's true nature. (10) how an emigrant's wife shall overcome her sexual need through music, and dancing. (11) how divorce can be a way to settle peacefully a union that no longer works. (12) how a man can overcome the shock of being married to a woman who was raped by some truck drivers
Writer
An acid portrait of Italian youth at the time, I DELFINI follows a dreary season of discontent and viciousness in the lives of a thoroughly unpleasant group of mostly rich youngsters in a small Adriatic coast city.
Director
An acid portrait of Italian youth at the time, I DELFINI follows a dreary season of discontent and viciousness in the lives of a thoroughly unpleasant group of mostly rich youngsters in a small Adriatic coast city.
Screenplay
A struggling model concocts a story of being raped and beaten by three strangers and soon becomes a media darling. Complications arise when the police eventually arrest three suspects.
Director
A struggling model concocts a story of being raped and beaten by three strangers and soon becomes a media darling. Complications arise when the police eventually arrest three suspects.
Screenplay
A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.
Director
A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.
Director
Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.
First Assistant Director
Five portraits of actresses in their "common" life, seen as women rather than movie stars.
First Assistant Director
By a twist of fate, the photogenic Milanese shop assistant, Clara Manni, gets the leading role in Italian movie producer Gianni Franchi's romantic drama, "Addio Signora", and becomes an overnight sensation in Rome.
Screenplay
By a twist of fate, the photogenic Milanese shop assistant, Clara Manni, gets the leading role in Italian movie producer Gianni Franchi's romantic drama, "Addio Signora", and becomes an overnight sensation in Rome.
Director
First Assistant Director
Three gorgeous seamstresses meet on the historic steps of the Piazza de Spagna in Rome to discuss one another's love lives.
Director
First Assistant Director
Paola (Lucia Bose) is the beautiful and jealously-guarded younger wife of a shady factory owner, Enrico Fontana (Massimo Girotti). In order to investigate her romantic history he hires a private detective, which ironically brings Paola back into contact with former lover Guido, with whom she resurrects a lost passion. Dogged by the suspicions of their respective mates, they are drawn closer to each other in the face of adversity, and begin to plot Enrico's demise. But when the challenge of being together falls away, will the passion start to wane? A masterpiece of intensity and finely-wrought emotion.
Screenplay
Paola (Lucia Bose) is the beautiful and jealously-guarded younger wife of a shady factory owner, Enrico Fontana (Massimo Girotti). In order to investigate her romantic history he hires a private detective, which ironically brings Paola back into contact with former lover Guido, with whom she resurrects a lost passion. Dogged by the suspicions of their respective mates, they are drawn closer to each other in the face of adversity, and begin to plot Enrico's demise. But when the challenge of being together falls away, will the passion start to wane? A masterpiece of intensity and finely-wrought emotion.
Assistant Director
The title of this Italian melodrama translates to Pact with the Devil. However, His Satanic Majesty does not appear in the film. Rather, this expensively produced period piece is more along the lines of Romeo and Juliet, with young love threatened by warring families. In his first Italian film, Hollywood veteran Eduardo Cianelli goes through his usual villainous paces as the scheming father of the male lead (Jacques Francois). The most fascinating performance is rendered by Umberto Spadaro, as the village idiot, or is he? Patto col Diavolo makes the most of the visual dynamics of Italy's mountainous Calabrian region.
Assistant Director
Early Antonioni documentary short on the making of Fumetti (Italian photo comics) and their role in Italian society.
