Hana Slivková

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

A funny outlaw tale inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression and he copes with each troublesome situation with the help of his cleverness and wit.

Who could forget the Favorites figure Svákov Ragan in acting creations neopakovatel'ného Jozef Kroner? Three-part television film Sváko Ragan, created according to stories Ela Sándor already at its first introduction many years ago, soon won favor with audiences. Brought not only good fun, but also an attractive view of a world Myjavská site with many rustic Alpine traditions and characters and witty dialect used, especially Myjavský and Brezovský. Above all this, however, it is dominated by the ability to invent Svákov Ragan was even in the most uncomfortable situations ... Brezovskí tanners have been known not only to the quality of its products, but ischopnosťou their products at fairs successfully foreground. Highly after the fairs and markets in the near and distant surroundings Birch Nachod and Sváko Ragan and no wonder that their business has seen wandering the lot but cheerful and made many hilarious but also less hilarious "deal" ...

Vlado, an intelligent boy living in a small village, has fantasies that take him away from his humdrum life. But as the Nazi occupation begins to encroach on the townsfolk his fantasies and reality begin to merge.

A Slovak comedy from director Štefan Uher and screenwriter Alfonz Bednár.

One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.

The drama offers Arnošt Pánek, chairman of the National Committee, as the protagonist of the story. Pánek is disturbed by news of the arrest of his protégé Kvasil – chairman of a JZD agricultural cooperative in the nearby village of Spádová. He is responsible for the revival of a neglected village, but is now accused of theft, fraud, and – on top of that – the rape of an under-aged girl.

A classical ballad motif about an aging father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order.

Krotká is a 1967 Slovak black-and-white produced by TV a psychological drama directed by Stanislav Barabas on based a short story A Gentle Creature by Fyodor Dostoyevsky.

A group of children discover the new continent of the world, uninhabited by adults. Soon, many other children are joining them in that new paradise, leaving their parents and other adults baffled on all remaining continents.

때는 제2차 세계대전. 체코의 작은 마을에도 나치의 마수는 어김없이 드리워지고, 유대인의 상업행위에도 제동이 걸린다. 이로 인해 가난하고 어수룩한 소작농 토노에게 귀가 들리지 않는 노년의 유대인 과부 로잘리가 운영하는 단추 가게를 가로챌 기회가 찾아온다. 동서가 기관원인 든든한 빽을 둔 덕에 공짜로 가게를 차지하게 된 토노와 졸지에 피고용인 신분이 되어버린 로잘리의 사이가 좋지 않은 건 너무도 당연한 일이다. 하지만 매일같이 투닥거리는 와중에도 토노는 로잘리에게 진심 어린 우정을 느끼게 되고, 며칠 뒤 그녀가 아우슈비츠에 끌려갈 운명임을 알게 되자 감당할 수 없는 혼란에 빠져든다.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.