Valeria Lois

임시직을 전전하는 세바스티안은 그의 개에게 헌신적인 30대 평범한 남성이다. 그는 평범한 성인들의 삶의 리듬대로 사랑, 이별, 결혼, 그리고 부모 되기 등의 단계를 밟아 나간다. 자신이 할 수 있는 최선을 다해 세상에 적응하기 위해 노력해 온 세바스티안에게 생의 순간순간은 풀어야 할 숙제의 연속이다. 그러던 어느 날, 알 수 없는 바이러스가 전파된다. 이 바이러스에 오염된 공기는 인간의 상체 부근에 머물며, 보호장비 없이 그 공기를 마신 사람들을 죽인다. 이제 사람들은 우주인을 연상시키는 유리구를 머리에 쓰고서만 직립 보행을 할 수 있다. 하지만 높은 가격대로 인해 세상은 유리구를 갖춘 사람들이 직립 보행을 하는 세상과 유리구가 없는 사람들이 쪼그리고 앉아 보행하는 세상, 둘로 나뉜다. 이 영화는 풍부한 반추적 은유들을 통해 부의 양극화가 더욱 심화되고 있는 코로나 팬데믹 시대의 평범한 사람들의 쓸쓸한 자화상이 된다.

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

루이사는 십대가 된 딸 아나가 걱정스럽다. 기념일을 축하하기 위해 온 가족이 모인 집에서 사춘기에 접어든 아나가 몇 번이나 잠든 채 벌거벗고 돌아다니는 몽유병 증세를 보였기 때문이다. 가족 사이에 흥분이 점점 고조되고 비밀이 하나씩 드러날수록 긴장감이 더욱 증폭된다.

A journalist states in her weekly column the reasons why she does not want to have any children, defending her position on life and motherhood. But she will have to rethink her beliefs when she meets her new neighbor and his little daughter.

상어가 출몰한다는 소식에 공포로 술렁이기 시작한 작은 해변가 마을. 함께 일하는 연상의 동료에게 점점 강한 끌림을 느끼던 열네 살 소녀 로지나는 마치 상어가 멋잇감을 포위하듯 그의 주변을 맴돌기 시작한다.

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.

After the attack on Charlie Hebdo's office in Paris, Ivan, the frivolous son of a prominent Argentine journalist, embarks on a journey pursuing different geopolitical events around the world.

Buenos Aires, 1977. In the midst of the dictatorship, a man receives information of the whereabouts or two people who are being searched by the military. Now he has the chance to save them, although that means risking his own life.

Two teenage outcasts, who resent their schoolmates and teachers, resolve to spread panic in school through a series of anonymous vandalism acts. Little by little, the game loses its innocent approach and the boys find themselves absorbed in a dangerous spiral of violence that seems to have no limits.

Late night. Ana is sleeping alone in a double bed. Her cellphone rings. Dazed, she turns on the bedside lamp to shake off her sleep. Reluctanly, she gets out of bed and, at 2 AM on one of those nights when you can see the vapor of your breath, she showers, gets dressed, puts on her makeup, walks to the avenue and takes a cab to the other side of town, so she can go deep into something more than the darkness of the night.

Jessica attends a yoga class that may expand her universe in an extreme way.

Eva is Paraguayan immigrant and works as a maid in the home of a wealthy family that has two little children. Her own children are far away, in the care of their grandmother. Eva does not have enough resources to support them and her reality is far from improving.

A hot summer. A private district with an enormous park. An abandoned plot of land in the suburbs and an uncontrollable wave of smoke spark uncertainty and chaos.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

Screenwriter Javier Gross denies his past by making up fictional stories. Lucia, his wife, tired of his fiction, starts an affair. But not even the confession of infidelity touches Gross, who is caught up in the story of a script that is writing, whose idea is so powerful that dominates it completely. Lucia, after seeing that Gross is unshakable, decides to leave. But Gross wastes no time: the same day replaces Lucía by Laura. From day one, Gross confuses the names of women. Thus Laura is transformed into a second copy of the true love of Gross.