Simon Morris

참여 작품

How Australia got its Mojo
Director of Photography
Gruen's Russel Howcroft tells the story of two of Australia's greatest admen Alan 'Mo' Morris and Allan 'Jo' Johnston the creatives behind some of the most iconic ads of the 70s and 80s that helped define Australia.
핌트
Second Assistant Camera
지적이며 화려한 입담과 수려한 외모를 갖춘 루이스는 또 다른 상대를 물색하러 나선다. 그가 오늘 바에서 만난 여성 ‘세라’는 매혹적인 외모지만 그늘진 표정에 비밀을 간직한 듯하다. 차갑고 도도했던 세라도 루이스와 대화를 나눈 뒤엔 그의 매력에 빠지고 함께 밤을 보내게 되지만, 루이스의 집에서 뜻밖의 일행을 만나게 되는데…
Ellipsis
Cinematography
In the middle of a crowded city the paths of two strangers, a man and a woman, collide. This accidental, chance occurrence sets in motion a chain of events that sees the two strangers embark on a night of adventure and connection that challenges their separate lives.
In My Own Words
Cinematography
The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.
Deep Water: The Real Story
Director of Photography
In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young homosexual men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as ‘suicide’, ‘disappearance’ and ‘misadventure’. Individual stories are woven together by emotional first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.
sucking on words
Director
sucking on words is a documentary film that features interviews with, and extensive performances by, the American poet Kenneth Goldsmith. It also features critical commentary on his intense and ground-breaking conceptualist practice from three of North America’s leading voices on avant-garde poetics. Shot on location in New York in 2007, the lively conversations featured in sucking on words are an ideal introduction to Goldsmith’s witty and provocative works, which are already regarded as hallmarks of 21st-century literature. The film showcases readings from some of his notorious books: No.111 (found phrases ending in the ‘r’ rhyme and filtered alphabetically by syllable count); Soliloquy (a transcription of every word Goldsmith spoke for a week); Day (a retyping of one day’s New York Times newspaper); Traffic (one day’s worth of hourly radio traffic bulletins); and The Weather (one year’s worth of radio weather bulletins).