Sylvina Boissonnas

In 1979, Iranian Women invite the American feminist Kate Millett to celebrate March 8, the International Women's Day, in Tehran. On March 7, the religious leaders announce that women have to wear the Islamic veil. From March 8 to March 13, women and liberals demonstrate in the streets against the veil. A crew of four French feminists filmed these historical events before being expelled by the mullahs.

In 1979, Iranian Women invite the American feminist Kate Millett to celebrate March 8, the International Women's Day, in Tehran. On March 7, the religious leaders announce that women have to wear the Islamic veil. From March 8 to March 13, women and liberals demonstrate in the streets against the veil. A crew of four French feminists filmed these historical events before being expelled by the mullahs.

In 1979, Iranian Women invite the American feminist Kate Millett to celebrate March 8, the International Women's Day, in Tehran. On March 7, the religious leaders announce that women have to wear the Islamic veil. From March 8 to March 13, women and liberals demonstrate in the streets against the veil. A crew of four French feminists filmed these historical events before being expelled by the mullahs.

Directed by José Varela

벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.

A look into Africa that is rarely available to ethnographers or anthropologists. At its heart is the spirit of interaction. It observes, but with the wavering eye of home movie, rather than the fixed formality of a documentary.

This documentary is about the struggle for independence in the African land of Guinea-Bissau.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.

Memory of what belongs to the invention of cinema. the film is a single shot to be shown in any order and size (Normal or scope) made in eight hours with a machine that conceptualizes light.

In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury

Maddening and mysterious,with the elements—ocean, wind, rocky terrain—dominating the scenes.

This autobiographical film portrays a regression to life in the womb and represents three psychic states.

This autobiographical film portrays a regression to life in the womb and represents three psychic states.

This autobiographical film portrays a regression to life in the womb and represents three psychic states.

This autobiographical film portrays a regression to life in the womb and represents three psychic states.

성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.

Detruisez-vous is a ‘primitive’ film which breaks all the rules of film-making. It’s the first Zanzibar film (and predates the very naming of the movement), an attempt to make a film which defies the rules of production, the production line of commerce

An experimental and poetic portrait of a woman.

Twice is a 1968 experimental film by Jackie Raynal. Raynal stars in the film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.

An experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.

필립 가렐의 초기 무성 실험영화. 4살 난 남자아이와 부모가 심각한 위협에 처해 도망친다. 그러나 정작 그들을 위협하는 존재의 정체는 알려지지 않는다.

The film begins with shots in Venice, passers-by seized from a hotel room, with Tina Aumont. It continues in Morocco during the filming of Bed of the Virgin, in a hotel room, people chat, play the guitar, smoke.