François Ruffin

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

After Merci Patron!, which won the César Award for Best Documentary Film in 2017 and was a resounding success in French cinemas and elsewhere, François Ruffin embarks upon a committed road movie on French roads in search of the ‘Gilets jaunes’ (Yellow vests). A journalist and MP in the political party La France insoumise, he wants to offer both a tool to serve the movement and a counter-discourse to the one proposed by the French media. In December 2018, he sets off with Gilles Perret for an eight-day tour of occupied roundabouts, to record the testimonies of the French population who is enduring precariousness and poverty, exclusion and despair.

After Merci Patron!, which won the César Award for Best Documentary Film in 2017 and was a resounding success in French cinemas and elsewhere, François Ruffin embarks upon a committed road movie on French roads in search of the ‘Gilets jaunes’ (Yellow vests). A journalist and MP in the political party La France insoumise, he wants to offer both a tool to serve the movement and a counter-discourse to the one proposed by the French media. In December 2018, he sets off with Gilles Perret for an eight-day tour of occupied roundabouts, to record the testimonies of the French population who is enduring precariousness and poverty, exclusion and despair.

A family fired by a company owned by LVMH (Group owned by French billionaire, Bernard Arnault) seeks reparation from their previous employer with the help of the movie director.

A family fired by a company owned by LVMH (Group owned by French billionaire, Bernard Arnault) seeks reparation from their previous employer with the help of the movie director.