Víctor Moreno

In the middle of a global pandemic, a man arrives at an empty hotel where he has an appointment. Wishing to redeem his loneliness, just curious birds seem to accompany him.

In the middle of a global pandemic, a man arrives at an empty hotel where he has an appointment. Wishing to redeem his loneliness, just curious birds seem to accompany him.

In the middle of a global pandemic, a man arrives at an empty hotel where he has an appointment. Wishing to redeem his loneliness, just curious birds seem to accompany him.

The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.

In “Spaces #3”, 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book “Species of Spaces” by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. “The Infinite Confinement” is Victor Moreno’s submission.

In “Spaces #3”, 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book “Species of Spaces” by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. “The Infinite Confinement” is Victor Moreno’s submission.

도시외곽에서 벌어지는 공상과학 심포니. 우주 탐사를 위해 개발된 꿈의 기술은 그 반대방향인 지구 내부의 탐사도 가능하게 했으며, 그 결과 지하 세계를 탄생시켰다. 어마어마한 거미줄이 도시 위에 자리하고 눈에 보이는 도시공간에 밀접하게 의존하고 있다. 그것은 기능적인 공간이면서 감춰진 영역, 도시의 무의식이다.

도시외곽에서 벌어지는 공상과학 심포니. 우주 탐사를 위해 개발된 꿈의 기술은 그 반대방향인 지구 내부의 탐사도 가능하게 했으며, 그 결과 지하 세계를 탄생시켰다. 어마어마한 거미줄이 도시 위에 자리하고 눈에 보이는 도시공간에 밀접하게 의존하고 있다. 그것은 기능적인 공간이면서 감춰진 영역, 도시의 무의식이다.

The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.

The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.